Star Trek: The Original Series

"Wolf in the Fold"

3 stars

Air date: 12/22/1967
Written by Robert Bloch
Directed by Joseph Pevney

Review by Jamahl Epsicokhan

In a Trek murder mystery of galactic proportions, a series of killings on the hedonistic world Argelius II puts Scotty in the middle when he becomes the prime suspect. Worse yet, he can't even remember if he was responsible for the killings or not—he suffers from blackouts and memory loss at the instant of two of the three killings. As for the third murder ... he's certain it wasn't him—and had noticed a strange presence in the room after, as they say, the lights went out. The search for the truth eventually heads back to the Enterprise, where effective use of lie-detector equipment and extensive computer databases eventually leads to the uncovering of another suspect: the Argelian administrator Hengist (John Fledler).

This episode makes for a solid, interesting murder investigation with a few neat twists—including the revelation that the murderer is an alien entity that has jumped from body to body and planet to planet for centuries in its quest to feed upon other people's terror. At one point, the story explains, this presence even manifested itself as Earth's Jack the Ripper.

Although the plot is a little on the fantastic side, and Scotty's blackouts are never explained, the story pulls itself together nicely as Kirk and Spock find the vital clues in the database. I must admit, however, that the light-and-chummy ending seems a little out of place in an episode where confronting "ultimate evil" is a major theme.

Previous episode: Obsession
Next episode: The Trouble With Tribbles

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39 comments on this post

Mike Meares
Sat, Jul 9, 2011, 9:59pm (UTC -6)
Although, I generally believe Jammer's reviews of the second season are good ones, I take exception with the Wolf in the Fold rating of three stars.

I think it is a very weak episode and contains many weaknesses.

The main problem with the story is the way women are portrayed. The role of women in Star Trek was always a little weak, but in Wolf in the Wolf it is out and out chauvinism.

I always had a problem with Star Trek stories that tried to say Scotty was a womanizer, which I feel was stupid. I just never beleived that Scotty would have behaved like that.

And for Captain Kirk to say that the best way to "heal" a man under his command was to set him up with the nearest woman was beyond belief. And for Dr. McCoy to go along with the plan only compounded the problem.

And then to make matters worse Mr. Spock jumped on the male chauvinist band wagon when he explained about the entity that was killing women, "And I suspect it preys on women because women are more easily and more deeply terrified, generating more sheer horror than the male of the species." This was the most rankest form of male chauvinism and something I do not beleive Mr. Spock would have ever said. It isn't logical.

Near the end of the story instead of taking control of Captain Kirk or Mr. Spock, which would have been the logically thing to do, the entity choose the weakest people to inhabit. Nothing about this story made sesne.

Wolf in the Fold was actually a sheep in wolf's clothing.
Tue, Nov 29, 2011, 6:14pm (UTC -6)
I liked the review of Wolf in the Fold, but had to comment about its light hearted ending. If you want inappropriate levity, look at the Galileo 7 episode. Several crewman have died, Spocks command abilities on the planet were lacking and yet the final scene is a rip-roaring, rib tackling laughter session. If this was vaudeville, they be rolling on the floor or slapping each other on the back. Its almost as if the deaths and so on were irrelevant.
Thu, Aug 2, 2012, 6:33am (UTC -6)
Piglet was Jack the Ripper? It's always the one you least suspect, isn't it?
Chris L
Thu, Feb 7, 2013, 11:57pm (UTC -6)
This one produced a moment of unintentional humor the first time my wife and I watched it together. There is a scene on the ship where the killer is revealed and a fight ensues. The character was being played by a short (not much over 5 feet I'd say) actor, but the stunt double in the fight was well over 6 feet tall. This discrepancy led to my wife (who didn't know about the limits of 1960's TV production) to shout "Look honey, he's changing!" After I stopped laughing, I explained to her that it was a problem of bad editing, though her idea would have been a lot cooler. Yes, bad editing can be funny.
Plain Simple
Tue, Apr 23, 2013, 5:26pm (UTC -6)
Although this episode overall was reasonable entertaining, I too was bothered by the multiple instances of sexism Mike Meares points out above.

One thing I do like about the murder mystery side of things, is that early on they put in a subtle hint, which they never come back to and thus leave it up to the viewer to pick up on it or not. Either that, or it was an unintentional slip up by the writer(s). After the second murder when Hengist tries to put the blame on Scotty he says that Scotty was found with both the victims when they were found. But how would he know that Scotty was with the second victim? No one told him that yet at that point, I think? Subtle clue or inconsistent writing?
Sun, Dec 1, 2013, 10:02am (UTC -6)
One of those annoying episodes full of blatant sexism.

I keep hearing that TOS was so far ahead of its time, well maybe it was, in some ways, but the writers certainly lacked imagination when it came to womens' roles.

Wed, Apr 23, 2014, 7:25am (UTC -6)
As others have noted, this is a pretty great and tense episode, but the sexism displayed by the Enterprise crew is disgusting (the entire season is sex obsessed), especially in light of the episode's broader story, which is ABOUT the sexism and violence of a crazy serial killer. In essense, the good guys are portrayed as being no better than the bad guy, but we're positioned to accept this because they're only "casually sexist" and dont kill people. Oh my.
William B
Sun, Aug 10, 2014, 9:49am (UTC -6)
I thought that Scotty's blackouts were explained -- it's stated by Kirk or Spock that Redjac (or whatever one wants to call it) would have some ability to create blackouts in order to shield itself from everyone but its victim, and that is how it managed to survive in London. Why it doesn't use this power at the episode's end, when it's cornered, is anyone's guess. ( panicked?)

Given that Redjac seems to have the ability to possess individuals, and eventually threatens to possess various characters, particularly male, I think one can read the episode's metaphor as being about the *potential* for evil within all people, a common theme within TOS (see, for instance, "The Enemy Within," suggesting Kirk has a big and even important dark side, or "Mirror, Mirror," which suggests that different circumstances could bring out incredible cruelty in our beloved cast). In that sense, the sexism of the Enterprise crew is not necessarily a function of 1960's attitudes, but is making a point: in strong emotions, and resentment, "Redjac," or, the drive toward evil in general and hatred of women in particular, can take hold. This is why, the Argelians point out, jealousy is so heavily frowned upon in their culture, because it can develop and erupt into violence. And I think this is why the first thing we learn about Scotty is that McCoy and Kirk think, or at least jokingly think, that as a result of a recent injury from an explosion apparently caused by a woman, Scotty could develop a "resentment toward women." In some ways I wonder if the episode would be stronger if Scotty, or, at least, that jealous Argelian man, were "possessed" by Redjac, to strengthen the idea that this rage can take hold -- rather than just introducing the possession abilities only at the episode's end once it becomes convenient to have it possess the computer.

In this read, Redjac is the exaggerated form of the objectification which Kirk, McCoy and Scotty happily engage in, and the crew's defeat of it represents their triumph of that side of themselves. It makes sense that at the very end of the episode, the crew stay on the ship rather than go down to where "the women are" etc. This still doesn't explain Spock's statement about the female being the more easily terrified of the species.

There is something delightfully mid-to-late-60's about the way to defeat hatred and misogyny being, basically, drugs. TOS rules out the hippie lifestyle as a long-term sustainable project in "The Way to Eden," but for this particular episode all you need is loooove.

The episode doesn't actually tell us anything about Scotty, unfortunately, which is...fine, I guess, because there's no reason the episode *has* to, though it's a bit disappointing considering how underdeveloped the main cast is save the Big Three, with Scotty as the most important of the second tier of cast members.

I hadn't really thought this episode held together when I started writing this, but I think I've talked myself up to a marginal 3 stars.
Paul M.
Thu, Nov 27, 2014, 6:26pm (UTC -6)
This has to be one of the worst episodes of Star Trek I've had the misfortune to watch... and that is not something I say lightly.

- As Mike noted above, Wolf in the Fold is hilariously chauvinistic: women are terrified "more easily and more deeply"? Really? Where does this little gem of wisdom come from?

- Therapeutic qualities that scantily clad womenfolk have on head injuries are indeed something I'd like to test myself. If I bang my head against the wall right now, is there a curved and padded female specimen reading this that is willing to advance the cause of medicine with me?

- So tranquilisers, huh? The word must have changed meaning in the future.

- Wolf in the Fold contains one of the most brilliant examples of level-headed reasoning I've ever encountered. I hope that all homo sapiens in the 23rd century attain such mastery of unsurpassed, and indeed unsurpassable, logic. The thing goes like this, literally: Scotty, suffering from partial amnesia, is the prime suspect in the murder of three women, but the polygraph indicates he's telling the truth when he says he either didn't commit those murders or that he doesn't remember committing them. A psychic helping with the investigation manages to say "Jack the Ripper" before she too dies. Kirk's immediate conclusion? Why, it must have been Jack the Ripper, of course! However, as those London murders happened hundreds of years ago, the only reasonable explanation is that both Jack the Ripper case and the "Scotty case" were committed by the same centuries-old non-corporeal entity that can manipulate memories and assume physical form at will! Duh! Great, innit?

- After successfully solving the grisly triple murder case, Kirk's first order of business? Let's go to the nearest nightclub and continue the sex party that was so inconveniently cut short by that bothersome and inconsiderate spectral murderer. Good times!
Mon, Sep 12, 2016, 8:08pm (UTC -6)
This episode was too sexist for me to really enjoy it. Too bad, too- the murder mystery thing could have been entertaining or interesting under other circumstances. It seemed like unfortunate type-casting that the effeminate man ended up the villain, especially when his reasons for targeting women- them being generally smaller and weaker and thus more easily victimized- seemed of convenience rather than the misogyny that our main cast so shamelessly exhibited.
Sat, Jan 21, 2017, 4:53pm (UTC -6)
I'm convinced the events leading up to this episode didn't quite happen the way they are described. See, I'm assuming Scotty woke up in sickbay after the accident, declaring himself fine and wanting to get back to work. Bones agreed, and everything was all set until someone realized there was a Starfleet regulation requiring Scotty to undergo psychotherapy for the accident. Scotty insists it's pointless; he has no emotional trauma. Bones agrees, assuming this is all some ridiculous pansy bureaucratic rule made by stuffed shirts in their ivory towers not understanding what life was actually like out on the frontier, but rules are rules... Scotty continues to argue, while Bones realizes that while psychotherapy is required, the precise form of this psychotherapy is up to the ship's doctor. So he throws his hands up in the air and declares strippers and booze to be the best therapy he knows, and Scotty decides he can get on board with that idea...

Hey, it's better than the ridiculous excuse they had in the actual episode...

As for the story itself, it... didn't really work. I mean, the mystery aspect should have been a success, and as long as you didn't think too much worked well enough to be entertained. But it just didn't help that everyone kept carrying the idiot ball around. The fact that the two follow up murders occurred showed a distinct lack of foresight on the part of Kirk and company, who despite seeing women stabbed left and right never thought to maybe, I don't know, stop leaving the knife lying around in broad daylight... Seriously, as soon as the hearing on the Enterprise convened with all the cast members and guest stars and front and center is a nameless female redshirt, I was convinced she was doomed (congrats for surviving the episode!) Also, the revelation that the knife came from the same planet as Piglett came way too late, after we already knew it was him. Why wasn't that fact disclosed earlier? Still, it was a semi-acceptable murder-mystery story...

...That then turned into a weird problem-solving episode at the end. A mystery's climax is supposed to be the revelation of the murderer, but here we have the last quarter of the episode switch genres and be about trying to defeat a ghost that feeds on fear and is possessing the ship. Fine, the resolution to that - hopping everyone up on happy pills (guess Psychiatrist McCoy didn't have enough booze and strippers on hand to prescribe that to everyone...) - was somewhat interesting to see, but the mood swings in the last 10 minutes kind of ruined whatever good will you might have had from the mystery part. At least, it all seemed messed up to me, and not really a satisfying payoff to the story.
Wed, Mar 22, 2017, 9:44pm (UTC -6)
OK guys ,most of you must be products of a younger (and overly sensitive) generation.
Yes,Star Trek TOS did hold onto some traditional male/female values but hey it was the 60's and audiences had to relate.
Having said that I think they did a fine job of trying to achieve equality across the board with gender and race for the time period.
As for the episode it was an interesting way of explaining Jack the Ripper (before they knew a local butcher was to blame.)
Fri, May 19, 2017, 4:33pm (UTC -6)
Trek's take on Jack the Ripper is interesting given the enduring mystery about the murders in London. Other shows have also used this piece of history for their own purposes.
Plenty of comments here about sexism - I didn't get the sense of being bombarded with that given the nature of Jack the Ripper's murders and staying true to that story.
I thought the ending was a bit of a letdown when the entity gets into the computer and then goes back into Hengist who was declared dead. The entity possesses the head Argelian but it doesn't do the blackout thing to try and kill somebody and generate terror. It seems to act differently from how it did on the planet.
The murder investigation on the ship was interesting - thought it was acceptable how it led to the entity.
Other than that - pretty much in agreement with Jammer's review here. Could have been a deeper examination of evil. Good episode that I remember from my childhood - not a classic by any means but certainly not one of TOS's duds. "Wolf in the Fold" just gets up to 3 stars our of 4 IMHO.
Sun, May 21, 2017, 10:46am (UTC -6)
Scotty got caught in an explosion on the Enterprise. And because it was caused by a female he now resents half the Human race. McCoy and Kirk decide the only logical thing to do is get him laid and call it therapy. This is a rather weird episode.

I must say that the Internet must have spoiled me, because I found the dancer in the beginning to be rather dull instead of provocative and the close ups on her lower front awkward. especially the creepy smile that Scotty sports the whole time.
Sun, Aug 27, 2017, 6:08pm (UTC -6)
I do find it hilarious that after solving the case, Kirk's first instinct is to go back down to the planet to continue the sex party. Kirk is a horn dog.
Tue, Aug 29, 2017, 7:05am (UTC -6)
Painful to watch, all the characters were so unlike theirselves, were they all possessed by Jack the Ripper lol?

I don't usually care much for star treks sexist out-dated humour/styles of writing but it was more of how unbelievable the characters were behaving thought the episode, especially Spock. Cringy, the only star trek episode I haven't rewatched!
Tue, Sep 12, 2017, 4:01pm (UTC -6)
Cringe-worthy sexism aside, surely the fact that we're treated to a triple header of "S/he's dead, Jim!" from Bones makes this episode a stone cold classic?
Sun, Sep 24, 2017, 9:05pm (UTC -6)
The redjac creature is a metaphor for misogyny and sexual conquest. As mankind moved out from Earth and colonized space, they were able to create a classless and moneyless society (the Federation). But they couldn't rid themselves of heterosexuality and thus subjected women to the same cruelties, subjugation, humiliations and violence they always had. This analysis explains and makes congruent the behavior of all the characters. That's why after confronting a sexual terrorist they go back to a strip club to enjoy women as objects.
Fri, Oct 27, 2017, 5:43pm (UTC -6)
Sexism this, Sexism that, Sexism Sexism Sexism, are you all so soft and cuddled that the idea of women not being portrayed as the absolute equal to men is too much for you? What does it say about you that you appreciate a piece of art on just your god forsaken agenda, what about the acting? Or the sets, of the costume design, or the narrative itself outside of your obsession with Sexism, you people honestly are as narrow minded as Klingons.
Trek fan
Mon, Oct 30, 2017, 5:39pm (UTC -6)
I go back and forth on "Wolf in the Fold." As a kid, I thought (spoilers) the Jack the Ripper reveal in the guise of Piglet was super cool and chilling, but as an adult I find the spiritualism (i.e. the seance scene) a bit hokey. However, I think Jammer's 3 star rating is fair, as there's some good tension here and it's genuinely hard to guess the killer until the big reveal. It's a good Halloween episode.

As for the "sexism' accusations, I would just point out that the episode combines the slasher film genre (of which Robert Bloch is a master, coming from his work on "Psycho") and the sailors-on-leave setting in a sci-fi cocktail, and both of those genres depend on gender stereotypes. Anyone who watches a slasher film, even in recent years, knows their dependence on "women in terror" tropes. Not that I'm a huge fan myself, but that's the genre. And I don't understand why so many readers are shocked that the Enterprise officers taking shore leave on a pleasure planet act like, well, sailors on shore leave. That's because they ARE essentially sailors on shore leave, 23rd century space setting aside, and their behavior differs little from that of the TNG/DS9/etc. crews on Risa in the later shows. Personally, I find the "sexism" claims toward TOS to be self-righteous and anachronistic.

Having said that, the murder mystery here remains compelling and intriguing, including the spiritualist aspects of the story and the culminating reveal. John Fiedler is a strong guest star and the plotting unfolds with good pacing beats. But it's not a terribly rewatchable episode once you've seen it; the story depends on the viewer not knowing where it's going. As such, like many slasher stories/murder mysteries, it weakens on further scrutiny and re-watches. It's a good show, and good to see Scotty featured in a story as James Doohan does a nice job of conveying befuddled anguish, but it's not one on my top ten list. I like Robert Bloch's work on Trek, but I tend to like his other episodes a little better than "Wolf in the Fold."
Mon, Nov 20, 2017, 6:33am (UTC -6)
It would have been prudent to have Scotty detained in a cell after the first murder.
Fri, Mar 16, 2018, 6:47am (UTC -6)
"Wolf in The Fold" has one great sequence, and that's when everyone's in the briefing room and slowly realizes that one of them is Jack the Ripper. It's brilliantly creepy and twisted.

Otherwise, yes, the episode is clunky. I think its gender politics actually try to be ahead of the times, though. Remember, TOS characters are often treated as absolutely bastards to make a point, Kirk and company removed of their heroism, morality and righteousness depending on the political whims of the writer.

Here, as LT.BLT points out, we have an alien who is a metaphor for misogyny and sexual conquest. The Enterprise crew - in a parody of contemporary sailors on shore leave - are themselves horney guys subjecting women of other cultures (and coworkers) to cruelties, subjugation, humiliations and violence. The tension of the episode is whether man's (the episode ends with the crew destroying a sex fiend and then going to a strip club to enjoy and objectify women) behavior itself constitutes a kind of "wolf in the fold" than can be tamed or need be banished.
Sat, May 11, 2019, 5:16am (UTC -6)
Ok, just going to zoom through these and try to catch up.

A good concept, but the realization is lacking. It was pretty obvious who Redjac was going to be, and the Scotty set up was weak.

Interesting theory from other commentors that the Kirk and company, seeking out a strip club at the end, is meant to be an indictment of this sort of humiliating, subjugating behavior - hard to believe given how frequently the show indulged in it. But Bloch may have snuck it in there.

Below average.
Sat, Sep 28, 2019, 7:55pm (UTC -6)
Has it occurred to anybody else that maybe Next Generation should have made the hedonistic pleasure planet so popular for shore leave Argelius, instead of making up Risa?
Top Hat
Sat, Sep 28, 2019, 8:02pm (UTC -6)
Or Wrigley's Pleasure Planet, mentioned in "The Man Trap." I like to imagine that that actually was Risa -- Wrigley briefly purchased the naming rights in the 23rd century but they lapsed after the chewing gum marked declined.
Harry's Swollen Throat
Wed, Oct 30, 2019, 4:20am (UTC -6)
This was one of the least morally wrong episodes for me. I don't really get the whole sexism issue as it was literally not about the women but the murders. Think people were focusing on the wrong thing.

Love this take on Jack the Ripper. My husband and I agreed this is one of the best episodes we've seen on tos for a while. Good job!
Ronald Blythe
Mon, Feb 3, 2020, 4:03pm (UTC -6)
Entertaining episode but not one of the best. Great to think that jack the ripper is basically an evil entity travelling the galaxy living off fear and terror, but the episode as a whole was rather weak. I agree the lighthearted ending does rather clash with the general mood that has gone before. The victims are forgotten rather quickly once we realise scott is okay.
Sun, Apr 19, 2020, 11:26am (UTC -6)
ok for some reason I never caught the whole therapy idea until now, and yes it is horrible. I still maintain that TOS was way more sexist than it needed to be, and 'hey it was the 60s' just doesn't cut it. There's just no excuse for a line like "*A woman* caused an accident" and everything that comes after that.
What's worse, I think that story is supposed to serve as a potential motive for Scotty, to let the viewer think for a second that maybe he did do it?

But trying to look past that, I still like this episode and I agree with everything in the review. It's still genuinely creepy after all these years - the psychic screaming seemingly meaningless words, the creature showing itself and possessing different characters... and as much as I hate all things courtroom in TV shows - The Deadly Years being a particular offender - even that works in this case.

If anything, the way this is packed with classic horror cliches, I would have guessed it was another Halloween episode. But apparently it aired around christmas, so interesting choice ;)
Sun, May 24, 2020, 9:17am (UTC -6)
Besides the kooky psychology, I think this is a fairly interesting one which finally puts a spotlight on Scotty. TOS is better with investigation scenes than courtroom scenes, so it pays well that we spend most of the time on the forensic side. And yes, it's somewhat outrageous that there's a spirit who possessed men, but I think the episode makes the concept plausible by presenting the being as more of a material entity that can be explained by science. Trek will go on to do other shows with beings like this, and at least in this show there seems to be an interesting payoff between the actions of the being and the violent thoughts of men.

John Fledler is great as the wormy wolf in the fold (he played a similar role in 12 Angry Men, another legal episode) and effectively plays up the naysaying administrator. Kelley was also brilliant in this one; I love the way he already knows about the nightclubs Kirk brings up. You have to wonder what kind of life Bones led before his career on the Enterprise.

I'll go with 3 as well.
Fri, Jun 26, 2020, 10:11pm (UTC -6)
Just seeing Scotty leering at the exotic dancer in the opening is worth watching this episode. I honestly wasn't surprised she was dead within five minutes of going off into the fog
Sat, Dec 19, 2020, 5:32am (UTC -6)
Bones prescribes sex for Scotty and tranquilizers for the crew. I’ll throw in a couple stars just for that!

But seriously, if I wanted to watch a bunch of guys in a room asking Siri who murdered a bar dancer, I’d watch, er - the point is, I don’t want to watch that!

I give the sucker 2 1/2 stars (I threw in half more for the nice dance at the top of the hour), and let’s all head to this great place I know where the women are just so… you’ll see!
Sat, Dec 19, 2020, 10:12am (UTC -6)

Yeah, I don't think you can be too hard on this episode. It's the original Among Us.
Tue, Apr 13, 2021, 2:40am (UTC -6)
“S/he’s dead, Jim “

Ludicrous on so many levels... yet fun to watch. I wouldn’t give 3 stars, maybe 2.5?

Points of question:

1. All the people are human not aliens- yet hundreds if not thousands of years have passed on Orgelius. Yet it’s only the 23rd Century.

2. A sedative that acts as a narcotic? LOL

3. Crew members of a starship are employed mainly to walk the corridors? (Continuity error: they’re seen walking with aimless happy grins BEFORE the sedative is given)

4. Scott is sent to a basement room with an attractive lieutenant after being accused of misogynistic murder?

5. Hengist was an obvious choice of villain early on.

Oh well. Trek benefits from non-Trek episodes now and again. And the belly dance was good to watch.
Sun, Jun 6, 2021, 1:08am (UTC -6)
Yes, 3 stars--good Trek entertainment. I don't get the silly comments about sexism. But a few quibbles, like it seemed there was hardly enough time for Sybo to be killed when the flame went out. And you would think that after she was killed, her husband Jaris would appear to be emotionally affected, but he didn't appear that way. Other than that, the episode had a good sci-fi premise and some good "courtroom" drama. I liked the psychedelic 60s light show on the computer monitor when the entity gets into the ship's computer. And fun dialogue, like McCoy saying "I've got some stuff that would tranquilize an active volcano", and Sulu under the influence.
Mark P.
Sat, Oct 16, 2021, 9:39pm (UTC -6)
Terrible first half of this episode gives way to gripping ending. A spooky concept of mass murderer as an alien that moved out into space with man.
Em M
Sat, Nov 6, 2021, 12:22am (UTC -6)
As a 38 year old TNG kid, I always have a great laugh at TOS episodes.

Even considering the time it's always an over the top parody of itself.

People who say it doesn't age well...I wonder what the limits are to a person's sense of humor if they can't appreciate irony or unintentional sarcasm on the unique levels Star Trek delivers it.

So bad it's good is an understatement. Every time Uhura's eyes do a subtle twitch in genuine disgust with some of the awful stuff they say directly to her (unabashedly) or two female cast members quickly look at each other in disillusioned solidarity. Those are the gems of the series. Where you see them embarassed for each-other, the script was so bad.

"Hahaha, silly women trying to do man stuff with all that weakness and nurturing." You can't make gold like this up, it takes a team of writers that smoke a pack a day in a beige room and use typewriters. I think I heard "male and female are universal constants," in three different episodes this season. Not that I subscribe to modern definitions but it's a big universe and we have examples on our own planet.

TNG is much worse. They pretend to be so much more enlightened because of advancements in makeup and spandex technology. Riker's worse than Kirk. Bold male libido didn't age well, pardon the double entendre.

This episode is ST at it's "best" if you can stomach all the fast assumptions and poor reasoning they try to just usher past the audience so Kirk can hurry and murder Piglet with one punch.

This episode can bring me to tears for so many reasons. I mean, obviously it's Jack the Ripper and he's somewhere in this room.

"Fascinating, captain. It was your plan all along."

And Scotty was totally gonna kill those girls anyway.
Sun, Apr 24, 2022, 2:23pm (UTC -6)
What is evil? I have always wondered if evil actually exists, or our primitive minds are just evolutionarily mis-adapted to imagine it.

This episode theorizes that "true evil" is an entity that feeds off of fear. If we leave the technobabble aside, the episode may be theorizing the existence of such persons, persons who psychologically (not physiologically) draw sustenance from fear, terror. If such persons exist, it would be a possible explanation of the phenomenon of serial murders, which the episode directly links to.

Sometimes, we forget to recognize that the core theory the episode is propounding may have been way ahead of its time when the episode was first aired.
Sun, Jul 10, 2022, 6:48pm (UTC -6)
I am shocked at the praise for this episode. The leaps of logic are ridiculous: they assume Scotty is innocent, so therefore Jack the Ripper must have been an alien life form that feeds on the emotion of terror. And all of the questioning and theorizing by the computer goes on for far too long.
Thu, Aug 4, 2022, 11:22pm (UTC -6)
This was weak and hokey. The sexual psychology was just stupid. I don't get bothered by the sexism of the late 60s - but this one pushed my tolerance.

Kara's dance was impressive. Too bad it was the same music as in The Cage.

The prefect actor was very good until he failed to react to the murder of his wife.

1.5 stars.

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