Star Trek: Voyager
"Worst Case Scenario"
Air date: 5/14/1997
Written by Kenneth Biller
Directed by Alexander Singer
Review by Jamahl Epsicokhan
"All I'm saying is that there is room in every good story for a little bit of passion."
"You know, maybe you're onto something. I could add a steamy love scene between the Starfleet conn officer and the Maquis engineer."
"Oh, that's realistic."— B'Elanna and Tom, discussing story ideas
Nutshell: Quite a bit of fun, but not nearly everything it could've been. The first half is superb; the second half is too typical, but features some clever ideas.
"Worst Case Scenario" has stretches of brilliant comic originality, and it could've been a real classic. I recommend this episode as it is anyway, but it could've been much more effective if it hadn't turned toward the more outlandish holodeck madness in its second half. By being more outlandish, "Worst Case Scenario" ends up, really, being all the more typical. But this is a good episode nonetheless, with some very clever scenes.
The first half of the episode is superb, as we're introduced to a brewing Maquis mutiny that turns out to be a holodeck simulation written by an anonymous author. Torres stumbles across the buried holo-novel while doing a routine purge of old files in the Voyager computer system. The program depicts a mutiny led by Chakotay and Seska, and is cleverly introduced. The show makes it appear as if the mutiny is really happening; Chakotay lets Torres in on the secret in the episode's teaser, and all hell breaks loose before the end of act one. Biller's script, however, subtly lets on that this is not really happening. Without completely giving away his hand, he drops hints, such as indications that this is early in Voyager's history (hence Janeway's reference to Chakotay taking command of the ship for the "first time"), and indications that this exists outside of reality (Chakotay inexplicably calling Torres "ensign").
It's the "what if" story of all "what if" stories on Voyager: What if the Maquis had really decided to take over Voyager back in the days of crew volatility? How would they have done it? Biller's script is interesting, because it plays with some of these questions, and even though it's obvious this is a simulation and not a real mutiny, the way events unfold still manages to be intriguing.
I also appreciated that Biller reveals the mutiny is really a holodeck simulation by the end of the second act. (It would've been fatal to play the joke as if it were real through the entire episode.) The story then begins asking who wrote this holo-novel and what their intentions were. And this is where "Worst Case Scenario" peaks in storytelling interest.
It's hard to keep a secret on a ship as small as Voyager, so it doesn't take long before half the crew is aware of—and individually participating in—the mutiny simulation program. The twist is that because of the controversial nature of the premise, no one wants to admit they're playing it. Janeway brings up the issue in staff meeting, where it's revealed that Tuvok wrote the simulation as a "worst case scenario" security training exercise. He had deleted it—or so he had thought—but it ended up getting buried in the system.
Now the holo-novel has a new meaning: Tuvok believes it could have a negative impact on the crew and the way they see each other. But Janeway disagrees. Being stranded in an isolated community means creating your own literary culture, so what's the harm in this self-depicting story of the crew if it's merely used for escapist entertainment?
Tuvok's holo-novel doesn't have an ending; it's incomplete, leaving everybody "hanging by a thread," as Paris remarks. Paris decides that he will pick up where the story left off and write his own ending to the story. In the episode's best and funniest scene, Paris begins brainstorming ideas in the mess hall, much to Tuvok's dismay. Paris' new ending: Janeway retakes the ship and decides to execute the mutineers. Tuvok's response (annoyed and shocked in a Tuvokian kind of way): "That is a completely implausible plot development."
Tuvok believes a story's events must flow from the actions of a character's established past. Paris thinks that if there's one thing that makes a story interesting, it's "unexpected plot twists." The beauty of this scene is the way it nods to the (extremely general) devices of writing a real story—like, say, a story for Star Trek: Voyager. I couldn't help but get the feeling that this scene was approaching elements of a self-parody.
The scene gets funnier when Torres enters the picture and tries to convince Paris and Tuvok to add some "passion"—to which Tuvok responds that they're not writing a "romance novel." Paris responds with a comment far more hilarious—because it's simultaneously obnoxious, sarcastic, and timely considering the past few weeks of Tom and B'Elanna's flirting.
Heck, even Neelix worked in most of his scenes, even if it was for the wrong reasons. Although I hate to say that it's a result of the character's own transparency, the way he makes story suggestions about his own character leads to moments of hilarity, because it displays other characters refusing to take him seriously. They just ignore his goofy remarks because they're not too important—which is surprisingly funny. When Neelix makes a suggestion "about the Neelix character," Tuvok can only dryly respond, "How surprising." I don't know why I found it so funny, but I did. I think it was Tim Russ' delivery of the line—I was just laughing so hard. (In a similar scene at the end of the episode, Neelix begins talking and all Captain Janeway can do is roll her eyes toward someone else in a look that screams of amused exasperation. I liked it a lot. Mulgrew, in fact, was a lot of fun to watch in this episode. Her expressions of restrained sarcasm and the laid-back attitude were thoroughly enjoyable.)
But I digress. It's around here that "Worst Case Scenario" becomes what might as well be a completely different story considering the massive shift in the direction of the narrative. The first half of the show is about the holo-novel and what it could mean to the crew. From here I hoped we would get more comedy continuing along the lines of what we'd already had. My hoped-for ending to the episode would've had Tuvok and/or Paris write the end of the program as planned. Then based on the story created, the crew would've been enlightened by the ideas that were conveyed. Perhaps Tuvok would've been proven right and the results of the story's mutiny would've challenged assumptions within the ship's crew, whether that be amongst the Starfleet crew, the Maquis crew, or both. Or subsets of either. I'm not saying the result would've had to lead to dissension or animosity. But it could've been funny, interesting, or even powerful.
No such luck.
Instead, we're given an all-too-typical "holodeck runs awry" paradigm, in which Tuvok and Paris become trapped in the holodeck (with the safeties off, naturally) because Seska had found and reprogrammed the simulation before she left the ship two years ago. She had set it to seal the holodeck and send her captors through a game of hell the next time it was accessed for a rewrite.
One thing that strains credulity is the reasoning behind Seska's preprogrammed takeover of the holodeck. In a word: Why? What possible motive could she have for this type of extreme programming effort? Pure sadism? Sure, Seska was deceitful, but I doubt she would take the effort to reprogram a holodeck simulation so that, in the unlikely event that Tuvok might reopen it for modification two years later, she could obtain some sort of elaborate revenge against him.
But I probably shouldn't ask such logical questions in such a preposterous plot. This half of the episode, though dramatically inept, is surprisingly entertaining. It's a series of set pieces featuring witty, sadistic humor, in which the Seska hologram sends Tuvok and Paris through a number of not-so-fun games. The "good guys" of the simulation aren't of much help—the holographic Janeway comes to the rescue with a phaser-rifle, which, due to Seska's manipulations, is prone to "malfunction." Janeway aims the phaser at Seska, pulls the trigger, and ends up vaporizing herself.
Still, my favorite (and I do mean favorite—it's so funny) is when Paris goes to the simulated sickbay to treat a wound for a simulated, safeties-off phaser shot. The Doctor of this sickbay isn't very nice. First he "treats" Paris with 20 cc's of nitric acid, and then he literally hurls Tuvok and Paris out of the sickbay. It's quite a scene—a mini-classic in my book.
Although I really could've done without this standard "crew members in jeopardy" motif, there's enough clever zip in this plot to make it worthwhile. One interesting idea is that in order to keep Tuvok and Paris from getting killed, Janeway and Torres must frantically alter small details in the program—changing the characters' personalities, adding convenient items to aid in crises. I rather liked the idea of Janeway as the literal deus ex machina.
Through all this, Martha Hackett's Seska still wears the evil grin better than anyone on the series I've seen. Her death this time around was much more interesting to see than her demise in "Basics, Part II," as Tuvok tricks her into firing a "malfunctioning" phaser. Still, Seska often suffers from the Fallacy of the Talking Killer—that is, all she has to do is order her followers to pull the trigger and she wins, but instead she delays just long enough (She says, "Fire on my order." Why "my order"? Why not just "Fire"?) to give Tuvok and Paris (and Janeway and Torres) time to act. Ah, well.
The two halves of "Worst Case Scenario," when you think about their intentions, are two completely different stories merely using a common plot device. The first half poses the question of what impact such a controversial holo-novel could have on the crew. The second half abandons all answers to those questions and becomes a thin, albeit fun, plot involving holodeck jeopardy. Overall it works surprisingly well, but it could've been so much more if it hadn't been so dumbed down.
Previous episode: Displaced
Next episode: Scorpion, Part I
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74 comments on this post
Mon, Dec 24, 2007, 9:34pm (UTC -5)
No such luck. The standard "holo suite with safeties off" is stupid, first off, Tuvok tells Paris only he can add to the novel, then just 5 mins later we find out Seska added things. How could she do that?
And why would Seska spend hours and hours on programming the novel when she could just have killed them instantly.
All in all the first part is a great nice family episode, the latter half is stupid. I would have loved to see Tuvok and Paris just write the holo novel, heck I could have watched a double episode of that.
Fri, Jul 4, 2008, 1:42am (UTC -5)
The episode was fun and I got to see Seska again. Works for me!
Sat, Aug 9, 2008, 1:09am (UTC -5)
Tue, Oct 19, 2010, 6:46pm (UTC -5)
Wed, Jan 5, 2011, 1:03pm (UTC -5)
Tue, Feb 22, 2011, 11:34am (UTC -5)
A great premise that the writers don't know what to do with.
The opening half of the show was brilliant, and in the hands of more skilled writers could have been a great hour of drama or, if they wanted, comedy.
Instead, not unlike the holonovel, they got halfway through and realized they didn't have an ending. I can just hear someone in the break-session yelling out "Just have it malfunction." "Brillian!" someone responds. "I'd never thought of that!"
Of course not.
It's only the single most overused cliche in Trek History.
Imagine a premise like this playing out in Battlestar Galactica. Think of how they would have played the drama, and not devolved into trite action...
On second thought, BSG DID do the mutiny story, only they had the balls to do it for real, and unlike Voyager, they played it out for almost half a season.
*sigh*
Mon, Jun 20, 2011, 12:43am (UTC -5)
The holodeck didn't 'malfunction', it executed it's program as designed. I thought it was a fresh take.
Thu, Aug 25, 2011, 10:57pm (UTC -5)
Wed, Nov 9, 2011, 6:12pm (UTC -5)
My one real complaint about the series is that there's a little too many frivolous episodes, one after the other this season: Blood Fever, Darkling, Real Life, etc.
Still, this episode is very entertaining for what it is. It's fun. I found myself smiling and laughing with the crew multiple times. It's genuine frivolousness at least.
I think the story starts off stronger than it ends. While the plot development with Seska taking control of the program is a bit unpredictable and interesting, it really doesn't come together to anything special. The conclusion is a bit anticlimactic.
The first half of this story though is really quite good.
Fri, Mar 23, 2012, 11:49am (UTC -5)
Wed, Apr 4, 2012, 5:31pm (UTC -5)
The Doctor - how funny is that guy. "I have several brilliant ideas." That line kills me.
I was equal parts intrigued and annoyed when Seska turned out to be the villain. At the same time I thought, "hey great twist!" and "ugh! not her again." Not because I disliked Martha Hackett, but because Seska was inextricably linked to the Kazon, and I can't stand the Kazon. Thankfully, they were not involved with this episode.
I think the second half was stupid, but it was stupid on purpose. Seska was too obviously Bond Villain-esque as the "Talking Killer." I also think that by poking fun at themselves, the writers sort of gave themselves permission to conclude with a deus ex machina (Evil puppetmaster Seska) as well as a Trek cliche (holodeck runs awry with safeties off). I don't know, it just works. Maybe it's not a coincidence that the writing would get progressively better in season 4.
Sun, Aug 12, 2012, 4:37pm (UTC -5)
Thu, Sep 27, 2012, 3:31am (UTC -5)
Also the scene with the Doctor was just brilliant. 20 cc's of nitric acid. Awesome. Robert Picardo is a wonderful actor. As is Tim Russ. And Robert Duncan McNeill. And Kate Mulgrew. Those are probably the four best regulars on this show. All four of them had stand out performances on this episode. Even the Doctor who had one little scene in this episode made it an extremely memorable one.
Tue, Jan 15, 2013, 6:47am (UTC -5)
I think a better second half would be a competition between Tuvok and Paris to see who makes the best resolution.
Actually the amount of choices for second half are huge. To go with Holodeck takeover is a bit lame.
Think Jammer's marks are fair.
Fri, Jul 5, 2013, 8:09pm (UTC -5)
It was entertaining and good fun!
Wed, Sep 11, 2013, 7:53pm (UTC -5)
Wed, Nov 13, 2013, 11:46am (UTC -5)
I thought the episode was excellent from beginning to end, and particularly enjoyed the early interplay between the characters because it served as the perfect commentary on the rest of Season 3, and I was therefore disappointed that we didn't see all of the characters in the present.
Fri, Dec 13, 2013, 2:16am (UTC -5)
Sat, Jan 11, 2014, 4:26am (UTC -5)
Overall I thought it was a fun episode! Nothing spectacular, but it was interesting to see Tom and Tuvok working together. And I kind of liked seeing Seska again. (Although I don't know why she would have done this before being discovered as a spy, she didn't know when/if Tuvok would access the story again. What if he opened it before she was discovered?).
Sat, Apr 12, 2014, 10:23am (UTC -5)
Sure, the first 30 minutes were brilliant. But once again we have to see a failure that makes the holodeck alive, and... yah, dumb. So we have holodecks that do not use the ship's energy and that get alive and cause trouble all the time. Pifui.
Oh yes, the self-destruct sequence in the holodeck program will destroy the holodeck matrix which will call Paris and Tuvok. Lame.
Score: 9/10 for the first 30 minutes. 5/10 for last 15. Overall, 6/10.
Wed, Aug 27, 2014, 2:48am (UTC -5)
Ironic how the one time the holodeck actually runs smoothly it STILL translates into chaos for the crew. Can't win for trying.
Their was a lot of the writers obviously poking fun at themselves through some of the dialogue. I especially enjoyed how the logical Tuvok was standing for organic flow of character choices where the emotional Paris opted for plot twists for the sake of having them. Eventually, that is what this episode boils down to, but, in the end, comes to stand as a whole that is better than the sum of its parts.
Jammer mentioned one of my favorite scenes in perhaps all of VOY. The holographic sickbay where the Doctor tortures poor Paris and then literally throws him and Tuvok out on there ass like a bouncer on a 100 pound drunk. The scene was short, hilarious, and nothing short of perfect thanks to Picardo's dry wit and understated delivery.
Overall, it's a fun showing with a great setup and is just pure entertainment through and through. Could have the last fifteen minutes been written differently? Absolutely. However, I don't see what we did get as a negative impact. I feel almost as if the writers were speaking to us through the characters dialogue and then delivered what they intended based on those talking points. Whether they were serious with what they delivered or they were intentionally poking more fun at themselves is the mystery.
Perhaps I read too much into it. (:
3.5 stars.
Sun, Feb 22, 2015, 6:36am (UTC -5)
For instance, Tuvok was concerned about the possibility that his holo-novel might inflame the old conflict between Star Fleet and Maquis crew members. What if it turned out that Tuvok was right about the holo-novel having an emotional impact on the crew but not in the way that he thought. What if they finished the holo-novel with the Maquis taking over the ship. Then we could see how Chakotay might have handled situations and conflicts shown in past episodes differently than Janeway. What if it turned out that because Chakotay and the Maquis were not bound by Star Fleet ethics or the need to explore the unknown that he was able to get the voyager crew home. The episode could have ended with Janeway reflecting on this fact which might have had an influence on her choices in future episodes.
Tue, Sep 8, 2015, 2:07pm (UTC -5)
Did the holo-deck malfunction or was Seska just smarter? I don't think this was a classic "holo-deck broke" episode.
I may be wrong, I'm going from memory here as my blasted DVD won't play... :-(
I don't think of this as a "classic" per-say, but the comedy was side splitting good and I also thought the writers were having fun poking at themselves as well.
Just good fun... these episode are important too.
"nitric acid" ... lol
Did I mention I love Martha? :-)
3.5 stars for me. It never gets old.
Fri, Oct 2, 2015, 7:32pm (UTC -5)
Sun, Oct 25, 2015, 7:31pm (UTC -5)
Jack, the episode specifically stated that Seska did this before State of Flux. Which, regardless of what DigificWriter says, is completely out of character for Seska. Definitely a case of the writers following Paris' random plot twists rather than Tuvok's logical outgrowth of a charachter. It was my impression back in Season 1 that Seska's escape to the Kazon was Plan B; Plan A was always to remain on Voyager and get home with the rest of the crew. She was simply giving the Kazon technology only to keep them off Voyager's back, and only escaped when Janeway and company got suspicious. Why would she want to hang out with the Kazon, for the evil fun of it? Seska is smart; the Kazon are the Pakleds of the Delta Quadrant. Nobody wants to go with them!
So, if she preferred to stay on Voyager, why would she create a booby trap? Why should she risk getting caught while she was still on the trip? Did she really want to spend the rest of the trip in the brig just to kill Tuvok for no reason? Answer, she wouldn't. Unless, presumably, the Powers That Be demanded every episode have a perilous danger plot, and the writers had to think of something. And hey, they were bringing Seska back anyway, so why not?
I'm thinking the writers knew that this storyline was absurd, and put in all those little winks at the beginning, perhaps as an apology for the ending. Too bad it's completely unnecessary. Not every episode needs the crew to be in mortal danger from minutes 39 to 56, yet that seems to be the norm for Voyager. I mean, mortal danger and drama and edge of your seat excitement is good, but only when the episode merits it. Have it every episode, and it loses its luster, and you just see them going through the motions. In fact, the season finale is a perfect example of when drama and danger works; we need it for the big Borg episode. You weren't going to lose any fans by making the penultimate episode a lighthearted affair.
Well, everyone agrees that the comedic first half was excellent, and it seems that most agree that the second half was fun as long as you turn off your brain about the illogic of Seska's sudden onset of evil and yet another Holodeck Danger setup. Could they have saved it without the danger plot? Could they have kept it a comedy? I think so.
My choice would have been, after the little spat between Tuvok and Paris, Tuvok decides to finish the program himself. Paris argues with him a bit, and then leaves. Eventually, we see Tuvok go through the program to double check everything or whatever (maybe with Torres or someone else along as well), only for Seska to appear and declare things have changed. Somewhere along the line, we find out that Paris secretly reprogrammed Tuvok's ending as a prank. No safeties off, no artificial danger, just a little fun on the ship. Just Paris trying to prove that his flying by the seat of his plants, random plot twist plotting is better than Tuvok's logical approach. While Tuvok initially wants to quit, someone convinces him to keep going with the program. Thus, we can get much of the same random plot twists in the end, even focusing on Seska, but without the absurdity of the artificial danger. It can even end the same way, with Tuvok rigging the phaser to overload in Seska's hands, thus "winning" the program. And then the coda can be Tuvok ribbing Paris (in a very Vulcan-like manner, of course) that he should have seen that scenario coming if he thought about how Tuvok's actions would logically follow from his character instead of focus on randomness. Y'know, some good old fashioned lighthearted banter among the crew, kinda like the good old days of the original series. And not once would anyone be in danger of dying.
Or something, I don't know. Just kill the Voyager Danger! cliche. Oh well. It was still a very fun episode, even if it turned rather silly.
Sat, Oct 31, 2015, 10:15am (UTC -5)
Couldn't think of a better lead for the mutiny than chak. Never liked him much in the series and for some reason it makes perfect sense he would have spearheaded a mutiny if ever there was one.
He must have felt he had a big "kick me" sign on him or something. It was like half his maquis crew had other intentions. But then again they were band of outlaws so he shouldn't be too surprised. Still, between Paris' selling out, Tuvok being a Starfleet spy and finally Seska as a Cardassian spy posing as a Bajoran I'm surprised he didn't have a crisis of faith. lol.
This episode is one of those ones that gets better with time. Mind you I enjoyed the epi immensely upon it's initial release all those years ago. 3 stars is about right. I admit I would have given it a half star more, but what the hell.
Sun, Nov 1, 2015, 7:20pm (UTC -5)
I agree! Martha is that good!!
Mon, Jan 25, 2016, 10:38pm (UTC -5)
I thought it was interesting how much repetition they did with Paris when he went through the beginning again. Also that Chakotay was more initially reluctant to trust him than with B'Elanna (which makes sense) and then, hilariously, very reluctant after Paris switched sides a second (third?) time.
One of the characters said they wanted to see if Janeway got the ship back. Is it that determinative? I thought it would depend on what the "reader" of the novel did to help or hinder.
Fri, Jan 29, 2016, 12:24pm (UTC -5)
Of course it's a great joy seeing Seska again - and getting a proper death this time - and there are some great moments of humour throughout, with the 20cc of nitric acid being a real highlight. 3 stars.
Wed, Aug 24, 2016, 2:33am (UTC -5)
Sat, Sep 10, 2016, 8:41pm (UTC -5)
I believe this is actually a paraphrase from Aristotle's Poetics: "it is either necessary or probable that a person of such-and-such a sort say or do things of the same sort, and it is either necessary or probable that this [incident] happen after that one. It is obvious that the solutions of plots too should come about as a result of the plot itself, and not from a contrivance."
Why oh why couldn't the authors have followed their own advice?
It was neither necessary or probably that Seska would find the program, break through Tuvok's security, and then rig the program to sadistically torture Tuvok instead of killing him outright. Seska is an extremely cautious individual, she wouldn't give Tuvok time to escape and then expose her. She'd rig the program to kill Tuvok the moment he tried opening the program for editing and she wouldn't leave any trace pointing to her as the editor. However Seska also would never have found the program and would have never passed the security. Seska may have been a very smart engineer, but she wasn't a great genius and she certainly wasn't omniscient and omnipotent.
In fact, the 3rd act to this episode was a deus ex machina (as we now define it), which is exactly what Aristotle was speaking out against in the cited passage of the Poetics. Personally I believe that the silliness and implausibility of the 3rd act undid all the hard work that went into making the prior 2 acts work so well.
Fri, Sep 16, 2016, 1:49pm (UTC -5)
Sun, Oct 9, 2016, 4:30pm (UTC -5)
Tue, Feb 7, 2017, 3:58am (UTC -5)
Sat, Feb 11, 2017, 2:04pm (UTC -5)
I agree the first part is good, but the pacing is a little slow, also the repetition with Paris is too long. Some of the line are good though and help a little, but I think it could be done in 15 mins instead of 25 mins just to findout it was Tuvok who created the 'holonovel'.
I'm a bit torn about the plot twist of 'Seska taking over'. It was nice to see Seska again, i like her character. She's the only 'intellectual opponent' for Voyager, so it was good to see Hackett back.
Will the real Seska tamper with Tuvok program if she know it? Maybe
Will the real Seska program something like that to Tuvok program?
That's the real problem as many has pointed. Killing Tuvok and Tom is no-use for the real Seska (alive or dead). It's very unlikely Seska will change the program to do something like that.
Seeing as the change is taken sometimes before 'State of The Flux' episodes, which she couldn't possibly know how the event will unfold. The most likely if she found the program and decide to do something with it is :
a) Gathering as much intelligence data.
b) Send a secret comm signal to her allies (Kazon-Nistrim) after the program found she's not on Voyager anymore (the program assumed she's still alive) and on board Kazon vessel.
Will that be more interesting plot twist? I'm not sure either, Kazon is already overdue and uninteresting at this point. But it is painful to see Seska transform into idiot-villain and 'talking-killer'. So either Kazon threat of someway by the program, or Paris-Tuvok collaboration will do better in my view to end this, rather than painful scene of idiot Seska.
"Who says deux ex Machina is an outdated literaly device?" -- Janeway
Don't worry Captain, they listen to you. You'll get plenty of that coming. In fact, right after this episodes you'll have it as one of your crew. A built-in 'Borg knowledge assimilation number xxx' and 'Nanoprobe Magic'. Not to mention a literally plot-armor for series-finale. :D
At ease Captain.....
I'll go for 3 stars if halfway to the end the stories go with proper plot and conclusion. But with Seska turned into dumbed-down-villain, I have to take .5 stars.
2.5 stars for me
Thu, May 11, 2017, 12:46am (UTC -5)
Sun, Jul 9, 2017, 2:14am (UTC -5)
Some thoughts on the episode that I had not seen addressed above.
I liked Chakotay as the bad guy, and I mean the acting. I thought he did a good job with voice inflection, the way he looked at them, a different type of facial expression. At the beginning of the episode, I was thinking this was the Chakotay they should have had on the ship all along. Not inciting mutiny per se, but just having more of an edge. I've thought they gave him too much of a fondness for Janeway, so he always seemed to simply smile and go along and not give alternative points of view, or play devil's advocate, as often as a First Officer should.
The wide beam phaser. I seem to recall reading somewhere, and it might not be canon, that the wide setting drained a phaser pretty fast and it didn't have much distance. Certainly in some settings they should have used it, especially in the past when the bad guys are coming off the turbo-lift onto the bridge. Actually, I'd think they would "sweep" more. They seem to shoot a beam straight, and never move. I'd draw the weapon from my left hip and fire a beam sweeping left-to-right across anyone or anything that might be there, perhaps similar to using a machine-gun instead of a handgun. Now that I think of it, that would give them an advantage over races that used weapons that fired a pulse. And thinking back, that is what Jake Sisko did at the end of "Nor the Battle to the Strong" when he brought the ceiling down.
Why not have the computer just finish the story? Keep the first part pretty much the same, then have the computer do some random variables, but still stay within the context of the novel. Then past a certain point, depending on their actions, the story would always end somewhat differently. Sometimes the other race would indeed come in to save the day (or have the other race actually be evil and try to take the ship). Another time there might be some romance somewhere. Or have the Maquis or Feds just simply win.
Lastly, and this is more thoughtful and morbid, there should be more dead crewmembers in this holo-novel than just Seska. Presumably, Tuvok made this early on in their voyage, and unless he programmed it to give them a random made up crew (apart from the senior staff), people like Durst should have been there. Tracking down some actors for a cameo might have been difficult, but Durst would've been perfect. However, that would have made it much more difficult for them to enjoy the program...
Enjoy the Day Everyone! RT
Wed, Sep 27, 2017, 1:57pm (UTC -5)
Mon, Oct 16, 2017, 1:06pm (UTC -5)
I have to say, though, even there, the episode leaves me feeling a bit disappointed, because the obvious question seems to go unasked. Jammer points out how funny Tuvok's reaction is when Neelix has some ideas about the Neelix character (and it is), but really, Neelix is expressing what should be a very obvious reaction: why, exactly, did you write me this way? Is this what you think of me? Chakotay makes a reference late in the story about not wanting to be the villain next time and they all laugh, but I feel like this is really the core issue that this group of people would really be thinking about. Tuvok, who is committed to character consistency and verisimilitude, apparently created this simulation because he viewed it as plausible based on what he observed of those around him. And he *was on the Maquis ship*. The curiosity early on could maybe have curdled once people realized it wasn't intended as escapist fare but as a training exercise based on what Tuvok saw as a plausible outcome. Shouldn't Chakotay and the other Maquis wonder what this implies about how Tuvok sees them -- and there's also the open question of whether Tuvok is in some way right. Did Tuvok see something in Chakotay in the others in those early days that even they didn't see in themselves? And is it possible that they've even *lost* something, in the process of being "domesticated" by Janeway? Tuvok suggests that this story is potentially dangerous and Janeway tells him to lighten up, and that they need outlets, and I think they're both right. I don't really require that tempers get raised very high, but I would have loved to see some kind of reevaluation where Chakotay and B'Elanna realized how much things have changed since they first got on the ship and dealt with their mixed feelings about Tuvok's portraying them (especially Chakotay) as smart and competent but disloyal antagonists. The story can be not-dangerous because the time for this possibility of a mutiny has long passed, but even *that* is interesting and I would have loved to see it discussed. That Tuvok had Chakotay say that they aren't going to stop and investigate every spatial anomaly was a scream, and even suggests that Tuvok could imagine some possible objections to Janeway's command decisions. There's just so much room here for further exploration besides the initial shock/thrill of the scenario and then the "writing decisions" meta stuff, as great as those were.
The good thing about the Seska-ending is that it ends up kind of bringing in more levels to the "writer meta" model: Seska plays the heavy because Voyager episodes "need" conflict and danger, and so we get a contrived writer who wants to kill off the characters, the writer-as-sadist, contrasted with Janeway the writer-as-benevolent-god who tries different contrivances to help the characters because the writer also cares (and needs the characters around for next week). It's still cute on a meta level, and I like how there's a vague suggestion that even character consistency and logical progression (Tuvok) and excitement and entertainment (Paris) end up getting shunted aside in favuor of pure character torture (Seska) and deus ex machina resolutions (Janeway), which is itself a kind of cute Voyager meta-commentary on some of the less-than-stellar episode endings. That's not nothing. And yeah, the scene with the Doctor and the nitric acid is funny, and Tuvok's successfully deploying the exploding phaser rifle is good too -- in that it follows from Tuvok's character and so is true to his writerly philosophy. But still, yeah, this makes no sense with what we know about Seska the character, and even if we accept Seska-the-evil-holodeck-demon as premise the neverending toying with them and the necessity of, apparently, her following the ever-changing rules of her own program just comes across as absurd. Not great. Mostly though it's a disappointment because the false-jeopardy is less interesting than what we had seen before, and we don't get either a resolution to the interior-story of the mutiny nor, really, to the philosophy-of-writing conflict between Tuvok and Tom.
So it's kind of a disappointing ending but it's still an entertaining episode overall. 3 stars.
Wed, Nov 15, 2017, 1:04am (UTC -5)
So if you delete a holoprogram, it doesn't get deleted at all. The computer just pretends to delete it I guess. So there's that. I know that's how it basically works nowadays, but apparently they never overwrite anything in the future, even after 2 years or more.
And it makes no sense whatsoever for Seska to have altered this program. What if Tuvok had reactivated it while she was still on board? What if he never reactivated it? She was taking the chance that she would somehow be off the ship and that he would reactivate it after that. That doesn't make much sense.
And why would she be that mad at Tuvok anyway? For betraying and spying on the Maquis? Like someone else mentioned she wasn't a real Maquis in the first place, so what's the point?
How is it that a holodeck program can alter all of the other systems on the ship, shutting down transporters, and communications, rigging things to explode, etc.? That is idiotic.
Did the Doc inject Paris with holographic nitric acid? Or can the holodeck synthesize actual chemicals like a replicator? I had this problem with the Doc Family episode where they were eating in the holodeck. Is it holofood? If the holodeck acts as a replicator, just use it to make all the food they need instead of using replicator rations, or whatever else they need.
If Seska can do all of this, why make it so they can still rewrite parts of the program at all? Why have it so they can get a fire extinguisher or change Chakotay's behaviour or simulate an attack by the Rukani or all the other stuff?
How did Janeway know what changes to make? Because she was watching whatever is going on in the holodeck program on a little tv screen, that btw just happens to be the exact same shot we are looking at as we watch it? lol. Maybe that's been done before, but I don't remember it. That would have been very helpful in about 30 other Star Trek episodes. Who's directing Janeway's tv version, the computer? Silly.
If Seska could disable so many systems on the ship so easily and set the holodeck to explode and who knows what else, using a hidden holodeck program, why wouldn't she have set it up so all of that stuff happened at some other time? Like when she was trying to capture Voyager all those times? Maybe using a program she knew people would use, like parrises squares, or something more common than some strange program that may never be used ever again.
And why bother with all the running around? If she wanted them to die, just have a giant rock land on their head, or surround them with Borg or whatever as soon as Tuvok restarts the program.
Why would Seska program the simulation to end if her character dies? Since she wanted to kill Tuvok so badly, why not have that rock fall on his head if her character dies? There is no reason for it to end just because of that. Makes no sense.
I give the first part 2 1/2 stars and the end a 1/2 star.
So 1 1/2 stars overall.
Sun, Nov 26, 2017, 2:30pm (UTC -5)
Did she develop empathy towards the Maquis? Possibly. She had spent so much time with them and she may have picked up some of the anti-Federation attitudes of the Maquis. But this was directed at Tuvok for betraying the Maquis.
The writers of this episode didn't follow logic. According to "The Dictates of Poetics" by T'Hain of Vulcan, a character's actions must flow inexorably from his or her established traits. It makes no sense why Seska would exact revenge on Tuvok
UNLESS...
She was a sleeper agent who had forgotten or not yet aware she was Cardassian. I'm not about to go back and watch Seska episodes to find out, but I will take this opportunity to say that the holodeck is a death trap; it can replicate working phasers, nitric acid, holographic characters with super-human strengths (the Doctor, in this episode and others) and a power grid that can overload and blow up. Starships seems to be safer back when recreation was limited to playing cards, lutes, and singing.
Wed, Feb 14, 2018, 11:13am (UTC -5)
Wed, May 9, 2018, 6:44pm (UTC -5)
Thought it was pretty cool how Paris went in as an ensign and replayed the holonovel parts that Torres did -- you see the different reactions from Chakotay as well as the ones that move the plot along the pre-programmed plan. And the fact that this becomes a hot item on the ship is great considering how much boredom the crew must endure. It's like an augmented/virtual reality game -- perhaps somewhat prescient.
But what is even more cool is that the writers may have been parody-ing themselves. Loved the crew's reactions to Neelix. For an episode to reflect what (I presume) almost every VOY fan thinks about some of the characters is terrific. So there's definitely some unique qualities to "Worst Case Scenario" as characters had some good lines reflecting the stereotypes as well.
That Janeway calls it "harmless fun" because she's playing it too -- maybe the captain should exercise better judgment but the first part of the episode was really supposed to be comedic. The Seska vengeance part felt like it came out of left field.
2.5 stars for "Worst Case Scenario" dragged down by the Seska, the holodeck programming queen part, and unable to maintain 3-stars quality throughout. It's good fun though and VOY is perhaps the most creative of the Trek series with a good holodeck episode here. Seska's motives for wanting to actually kill Tuvok are unclear and extreme and to think she went through considerable effort to program the holodeck was the wrong conclusion for the episode.
Mon, Jul 9, 2018, 1:02pm (UTC -5)
Mon, Jul 9, 2018, 2:23pm (UTC -5)
As an engineer would say, "it depends..."
But seriously, holodecks are one of those highly theoretical aspects of Trek that I just overlook for a great story. (Sorry to say, but I haven't seen many great or even good stories on VOY - just my opinion).
Mon, Sep 10, 2018, 10:42pm (UTC -5)
Tue, Oct 30, 2018, 2:09pm (UTC -5)
The Seska reveal made sense to me-I can see her doing this if she knew she was leaving anyway.
And of course the scene with Paris working on continuing the story and having to put up with Tuvok, B'Lanna, and Neelix was hilarious!
Tue, Feb 5, 2019, 3:40pm (UTC -5)
What’s interesting about the episode is it’s rating at 3. I try to balance this and Distant Origins at the same level. They are both great showings and as one who watches Voyager constantly (I cycle through every 4-6 weeks), these are two that I look forward to in S3 in repeat. Macrocosm is a 3rd episode that qualifies but is rated much lower.
Thu, Jul 25, 2019, 3:44pm (UTC -5)
I thought this episode was a lot of fun. I was surprised how many comments I read through before seeing someone mention that hilarious line about not stopping to examine every pointless anomaly - - this epi was sooo meta and a sly wink to many fan criticisms. It felt like the actors really enjoyed doing this episode as well, there was some extra deliciously sarcastic flair from all the main cast.
I really liked Skeptical's ideas for changing up the plot. Removing the IMMINENT DEATH aspect really would solve so many of the implausible elements. That Seska might tinker with the program just to mess with Tuvok makes more sense than trying to kill him--even removing a few failsafes to freak them out works, but ultimately they'd find a way to escape without outside intervention. As others have noted, it would have been a perfectly fun character study within the hologram limitations, no need to go to extremes that strain credulity. I was howling over Skeppy's query about who was directing the hologram episode Janeway was viewing onscreen.
All that said, still an entertaining lark of an episode and I enjoyed the character interactions, humor, and meta elements immensely.
Mon, Sep 23, 2019, 6:53pm (UTC -5)
Thu, Oct 31, 2019, 1:16pm (UTC -5)
"Computer, halt turbolift!"
- used when one party feels a conversation has suddenly entered disconcerting new territory. A more archaic version may have been "Time out"'.
---
Honestly, this time around I can tell when 'computer, half turbolift' is coming - whenever two people walk into a turbolift having a conversation, and it goes to a two-shot of them continuing the conversation inside the lift. It never fails.
Tue, Apr 21, 2020, 8:08am (UTC -5)
The first part of the episode was the best. The last few acts were a bit weak though. The old "trapped in a holodeck" regime was so cliche...and it devolved the episode into a simple survivalist story that was a bit one-dimensional and uninteresting. Had the "trapped in a holodeck" storyline been axed, this would have been a great episode.
Fri, May 15, 2020, 2:29pm (UTC -5)
We were headed toward four-star GOLD with this episode until the holodeck malfunction. Thanks to that trip up on the landing, it gets demoted to silver.
I honestly don't know why they didn't do more "community building" / character development / comedy episodes. Just forget the peril. Yes, most weeks, you need peril. But this show would have gone as epic if that had possessed the courage to ditch peril and just let the battle of the holonovel play out.
And on such long journey home, it totally makes sense that they would sometimes be in empty stretches of space, with nothing going on.
I wish there had been more community/camaraderie/comedy capers, not fewer. And full-on.
And it would nicely counterbalance the extreme intensity of the upcoming, high-stakes episode.
Sun, Jun 21, 2020, 6:26pm (UTC -5)
Thu, Jun 25, 2020, 1:01am (UTC -5)
Did anyone spot Jeri Ryan as a Maquis Henchman in one of the final scenes?
As Tom and Tuvok are brought before Seska and Chakotay in the holodeck cargo bay, Seska says "bring Paris and Tuvok over here.." and two mutineers grab them, {freeze frame at 39:56 (Netflix)} The mutineer/Maquis leading Tuvok by the arm is ... JERI RYAN. albeit, not dolled up, she looks a little rough around the edges, but that's her (uncredited). She is squinting and has no lines, but there is no mistaking Jeri Ryan's face, cheekbones, and blonde hair.
Has anyone ever asked her about this?
It is definitely not uncommon in the Star Trek franchise to have actors play numerous characters.
Its only 2 more episodes til she makes an entrance as Seven, maybe she was on set and wanted to jump in a scene?
Thu, Jun 25, 2020, 1:44am (UTC -5)
Thu, Jun 25, 2020, 7:22am (UTC -5)
Thu, Aug 6, 2020, 11:28am (UTC -5)
Something else... why would Seska do this? At the time she found the program, her cover was intact. If Tuvok had returned to his work, that cover would have been unnecessarily blown.
Sat, Sep 12, 2020, 10:47am (UTC -5)
Cause otherwise, she's off in Jeffries Tube 7-Alpha recalibrating warp plasma manifolds one day when all of a sudden, Tuvok contacts the bridge to advise that a Seska hologram just told him that she reprogrammed the holodeck to murder him... That doesn't seem like something that would go well for real Seska.
Also, it's awfully convenient Seska reprogrammed the simulation right when Tuvok abandoned it, such that he never re-opened it to continue working. Or did she find this program months after he abandoned it? In which case she should have seen the "last modified" date and realised he was not likely to re-open it.
Wed, Feb 10, 2021, 11:33am (UTC -5)
As far as Seska's motives go I'm gonna believe this was her still keeping up the Bajoran Maquis disguise. Exacting revenge on Tuvok makes sense. She probably thought it would gain her more support of other Marquis members for an actual attempt to take over Voyager, but once she was found out to be a Cardassian she had to improvise and leave.
Wed, May 5, 2021, 3:07pm (UTC -5)
Indeed, I would actually have liked to have seen an attempted Mutiny in an actual episode which could have been a thrilling thing to thrash out.
Mon, Aug 23, 2021, 8:12am (UTC -5)
Aside, at some point shouldn't Star Fleet ban the holodeck from its vessels. It has proven to be the most dangerous technology at their disposal.
Tue, Aug 24, 2021, 2:38pm (UTC -5)
I'm not a fan of holodeck episodes (with a few exceptions, "Worst Case Scenario", "Author Author", and "Living Witness" if you can count that). I've always wondered why it's even possible to turn off the safety protocols. I know Picard put them to good use in First Contact but apart from that rare instance, well, they cause more trouble than they're worth. You shouldn't be able to turn them off.
Thu, Sep 9, 2021, 2:33pm (UTC -5)
For a few episodes, she'd been long-haired, which suggests this took place somehow in the past. I figured it was either "some kind of" temporal offshoot or figment of someone's imagination.
I was happy to actually feel some tension and uncertainty in the execution of the story overall. Too bad it evaporated as quickly as its shallowly expedited end scene.
Fri, Oct 22, 2021, 6:05pm (UTC -5)
Fake Chakotay calls her "ensign" because in the simulation she's not Torres. She's the same character that Paris was when he ran the program.
Tue, Feb 8, 2022, 9:49am (UTC -5)
My main problem with this, though, is that Seska's advent actually brings up why Tuvok never revisited the program after she and later another crewman actually did mutiny. Why wouldn't Tuvok use this program again, adding in the new knowledge about Seska and the power she had, even after leaving the ship, to affect crewmembers loyalty?
Conversely, it would have been interesting if Tuvok had programmed evil Seska to appear to harass anyone who tried to alter his training program. It would show his subconscious suspicions of Seska's true character as well as being a hilarious meta comment on writers not wanting their ideas toyed with. He might let it play out to teach Paris a lesson. (No need for the fake "safeties off!" Jeopardy.)
I also expected the former Maquis to be more troubled by this program of Tuvok's than they were. It should have stimulated some "what if" conversations among them. Just as it definitely triggers a wistful "what if" reaction in the viewer. What if Chakotay had been allowed to be more alpha? The writers apparently thought a female captain couldn't handle being challenged by an alpha male so they made every single male on Voyager beta. The only "alpha male" regular to challenge Janeway turned out to be 7 of 9, who they disguised by empasizing her female sexuality in the skintight uniforms.
Like most Voyager episodes, this one was all about the unfulfilled potentual.
Thu, Feb 10, 2022, 1:29am (UTC -5)
Sat, Feb 19, 2022, 11:40am (UTC -5)
Thu, Apr 7, 2022, 10:15pm (UTC -5)
Sun, Jun 5, 2022, 9:19pm (UTC -5)
I've grown tired to the whole "hostage to the holodeck" plot line. They're simply is just no way that there is not a big power cut off switch outside the holodeck by this point in Star Trek.
Occasionally exploring what their entertainment might be like in that time period and being stranded in the Delta quadrant would have been very interesting. The thought of holo-novel it's quite interesting. I really liked how different people were describing where they were able to go in the program. I also liked it how when people got too far out of what was predicted that the program simply restarted.
Tue, Jun 28, 2022, 6:01pm (UTC -5)
That's beyond ridiculous. When would she have the time? And did she know she would become eevil?
Makes no sense.
It took me a while to realize the show was mocking itself. Tom literally says "who wrote this?" and the characters spend a lot of time discussing the plausibility of various plot developments.
Ironically, I think the actors just sell the story so well that it's hard to see the irony.
Thu, Feb 23, 2023, 6:27am (UTC -5)
Sat, Apr 22, 2023, 12:26pm (UTC -5)
Instead the whole crew in danger thing sorta sucked the energy out of what was really working for this episode. The odd couple routine with paris and Tuvok, especially with Tuvok’s growing proprietary attitude towards his Holonovel/training simulation, was enough to build the entire episode around. Heck, make that a two parter, I’m down.
Also, the holodeck is a menace! Again! I can’t imagine how Starfleet operates given that every ship in their fleet is constantly dealing with killer holo-programs.
Mon, Jul 3, 2023, 12:37pm (UTC -5)
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