Star Trek: The Original Series
"Journey to Babel"
Air date: 11/17/1967
Written by D.C. Fontana
Directed by Joseph Pevney
Review by Jamahl Epsicokhan
Spock's parents, Vulcan ambassador Sarek (Mark Lenard) and his wife Amanda (Jane Wyatt), board the Enterprise for transport to a conference for Federation consulates. But trouble arises when a heated argument between Sarek and a Tellarite representative forms the basis for the suspicion of Sarek when the Tellarite later turns up dead—by way of an ancient Vulcan method. Meanwhile, the episode scrutinizes Spock and some of his life's choices, which has formed the uneasy rift between him and his father.
There are a lot of good uses of characters in "Journey to Babel," which has a plot that seems to go in every direction at once, yet still makes plenty of sense. In addition to the murder mystery, there's a medical emergency when Sarek suffers a heart attack and the only chance for his survival is an experimental surgery requiring a blood transfusion from Spock. Meanwhile, Kirk ends up in sickbay after being attacked by an Andorian. This puts Spock in command, who is forced to delay the transfusion because he must be on the bridge as an alien ship pursues the Enterprise with less-than-friendly intentions. Kirk slyly being a trouper and coming to the bridge to allow Spock to attend to his father is a humorous and very Kirk-like endeavor—especially after the crisis breaks out and Kirk finds he can't go back to sickbay. The murder mystery angle is maybe a bit unnecessary (Sarek is of course absolved), although it connects with the espionage angle involving the alien ship.
"Journey to Babel" probably has just a little too much plot, but fortunately this doesn't get in the way of seeing how Spock addresses his duty, his family, and the uneasy balance between his humanity and Vulcan rationality.
Previous episode: Metamorphosis
Next episode: Friday's Child
20 comments on this review
Tue, Oct 15, 2013, 11:24pm (UTC -5)
This episode is why I personally love the Trek universe.
Fri, Apr 11, 2014, 10:07am (UTC -5)
"Well, what do you know! I finally got the last word!"
Tue, Sep 9, 2014, 12:11am (UTC -5)
I loved it, and one reason why is we FINALLY get a real taste of the Federation. A couple of the trial episodes hinted at it, but this is the most Federation-focused TOS episode.
From this one outing, Andorians and Tellerites became Trek folklore. I don't know why they didn't develop them a bit more.
Fri, Oct 31, 2014, 10:57pm (UTC -5)
Tue, Dec 23, 2014, 10:59am (UTC -5)
I also agree that it's kind of too bad that the Andorians and Tellerites didn't get much play in later series, except for Enterprise (and the Andorians in particular were quite the highlight on that otherwise hit-and-miss, often lacklustre show).
Sat, Apr 9, 2016, 1:51pm (UTC -5)
However, I am somewhat surprised that no one realized a glaring inconsistency in Spock's mother's behavior: when she first learns that Spock might die trying to save his father, she sternly opposes it, claiming that she "won't risk both of" them. But later, when Spock prioritizes his duty to the ship over the blood transfusion, she desperately tries to convince Spock to help Sarek.
3.5 stars from me.
Fri, Mar 3, 2017, 3:17pm (UTC -5)
This is a very well thought out episode - the backdrop of ambassadors dealing on their way to a conference underlies murder/spying/Spock's family, and as others have said, getting a better idea of UFP (not just Earth and Vulcan) members.
In the opening scene, I would have thought Kirk knew that Sarek was Spock's father. He has egg on his face when Spock informs him.
I guess it was convenient Scotty wasn't involved in the episode (no Sulu either) -- I think Spock should be able to give command to him and go to give his transfusion initially -- but that would rob us of his mom slapping his face.
I think the challenge of Spock's mom is well portrayed and the episode continues to chip away at developing Spock's character (after "Amok Time"). Spock is a major part of Trek and probably back in the 60s, folks would have benefited from seeing his Vulcan character develop.
This is another 4/4 stars episode for me. Edge of your seat stuff - can't really find any faults with it -- it's an action-packed hour with a clever plot and all the qualities that made Trek TOS so good, including the usual bit of humor at the end.
TOS Season 2 is doing quite well thus far -- I don't think I'm generous in my ratings, but as I go through chronologically, I've given 3 of the last 5 episodes 4/4 stars! More of a coincidence than anything.
I don't know what's up with Jammer for rating "Journey to Babel" the same as "I, Mudd". Don't see how that can be the case.
Sat, Mar 4, 2017, 5:36am (UTC -5)
Sun, Mar 19, 2017, 10:08pm (UTC -5)
Tue, May 9, 2017, 5:49pm (UTC -5)
Thu, Oct 26, 2017, 5:33pm (UTC -5)
The dialogue is great in this one. And I love the mutual stubbornness of Spock and Sarek, who both agree it's more logical to let Sarek die than risk the ship by taking Spock off the bridge during a crisis while Kirk is incapacitated. That's hardcore stuff, but it fits the characters so perfectly. Amanda gives us a solid human foil to the whole affair, played by the legendary Jane Wyatt, and her insights into Spock's shame over being human and his childhood teasing for it tell us a lot about him. The characters love each other and work for the common good, but always within the limits of their characters, presented so sharply.Just great stuff all around.
Sat, Nov 18, 2017, 5:41am (UTC -5)
Wed, Dec 27, 2017, 5:46pm (UTC -5)
Thu, Jan 4, 2018, 9:47am (UTC -5)
:))))
Mon, Mar 12, 2018, 3:22pm (UTC -5)
The Orion spy already tried to kill Kirk and is on a suicide mission (as is their ship) -- he had taken a slow-acting poison but also could have turned into a suicide bomber. He basically stands beside Kirk's chair with the 2 security guards several feet away.
Anyhow, just a minor nitpick on one of TOS best episodes.
Sat, Sep 1, 2018, 9:49pm (UTC -5)
Fri, Sep 14, 2018, 8:05pm (UTC -5)
Sun, Jan 13, 2019, 1:13am (UTC -5)
Sat, May 4, 2019, 5:44am (UTC -5)
The Spock character development is great, with good dialogue and performances from mom, dad, and son.
Amanda did a plot-serving 180 (first strongly forbidding Spock from helping dad, then begging him to do so) that could have been better handled - because it was believable enough that once she truly saw her beloved husband at Death's door, her reservations vanished.
Great scene with the slap.
The whole thing just worked. Some minor inconsistencies and such, but nothing unusual for a weekly series. I can live with wondering why the "Andorion" was given so much freedom on the bridge, though I did wonder that, and why Kirk left Chekhov in charge near the end. But no big deal.
DeForest Kelly continues to be a delight. Great casting that truly helped make the show. He has a nearly unstoppable likability. He can say the most dubious or corniest of lines and still seem like your best pal.
Chekhov's hair. Oh, my. Don't really know what else to say there, but I've been noticing it all season and I thought it deserved a mention.
Some weird lighting in this ep that makes McCoy's face look green and Amanda's hair look purple, but that was kinda fun.
Tue, Oct 29, 2019, 8:49am (UTC -5)
Oh and also McCoy not relaying Spock's important info to Kirk just before he went into the operation. I mean typical every time -.- Bones is always like "hush hush you're a patient.......who cares if the information could save the whole ship you need to rest lmao XD"
Other than that the episode was awesome and I enjoyed the story!
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