Star Trek: The Next Generation
"Hollow Pursuits"
Air date: 4/30/1990
Written by Sally Caves
Directed by Cliff Bole
Review by Jamahl Epsicokhan
At long last, here's welcome evidence that there are screw-ups in Starfleet. Given how the Enterprise is so often a testament to the hopelessly elite, it's refreshing to get a story about lowly Lt. Reginald Barclay (Dwight Schultz), a guy who's always late, awkward in groups, inexplicable to his shipmates, unable to fit in, and addicted to his fantasies in the holodeck.
Geordi is fed up and frankly doesn't want to deal with him anymore. Picard's approach is more proof of his Picard-ness: Rather than abandon this officer and transfer him out, he asks Geordi to make more of an effort to reach out and get to know the guy. It's not an easy task. Barclay's shyness reaches a level of social paralysis, and it makes him ineffective as a communicator in a workplace setting. Meanwhile, he spends all his free time in the holodeck.
The episode is probably best remembered for its amusing holodeck sequences featuring Barclay's overactive imagination and depictions of real crew members — including a uniquely hilarious opening scene where Barclay's overconfident alter ego (and it's a complete alter ego) struts into Ten-Forward and pushes Geordi and Riker around. Later, there's swordplay, which features a version of Riker that Barclay has digitally shortened. Troi finds it all to be amusing and therapeutic — until she sees the digital version of herself that Barclay has created (the "Goddess of Empathy").
But the heart of the episode is in deconstructing a man who doesn't fit in or feel comfortable. Guinan's sympathy for Barclay's situation is commendable. And Geordi makes a real effort to break down his defenses. Of course, the hilarious moment when Picard slips and calls him "Broccoli" is a classic, comic worst-case scenario. After all of Geordi's efforts, the captain accidentally sets everything back a step.
Does the episode need its overplayed jeopardy premise involving the malfunction that causes the Enterprise to race out of control? And does the jeopardy have to come down to terse, last-minute warnings from the computer that the ship is about to be destroyed? No and no. But I do like the way the engineering team swiftly deconstructs the problem with simple logic to find the solution. These are smart people working a problem intelligently. The episode's closing joke is Barclay's goodbye scene — to the holographic crew. Barclay is a welcome rough pebble among all the Enterprise's polished pearls.
Previous episode: Tin Man
Next episode: The Most Toys
72 comments on this review
Fri, Jan 9, 2009, 7:15pm (UTC -5)
Anyway it's pretty surprising how season 3 managed to turn everything around for the series, considering how awful season 2 was. Good thing the show survived long enough for us to see 5 more seasons.
Sat, Jun 18, 2011, 9:48am (UTC -5)
Mon, Jan 14, 2013, 2:02pm (UTC -5)
Wed, Mar 20, 2013, 4:49pm (UTC -5)
Fri, Jun 7, 2013, 12:50pm (UTC -5)
Somewhat unfortunately, I think that the jeopardy premise maybe was necessary for the episode to work within the standalone episode format. Part of what the episode needs to do is to establish why Barclay ultimately *is* a worthwhile crewmember to have around in spite of his considerable flaws, and it needs to make clear that while there is a large portion of pity and willingness to try to make anyone feel welcome in the crew, Barclay actually is more than just a charity project. Saving the ship is a somewhat truncated way of showing that Barclay, should he gain enough confidence to contribute to the Engineering staff and the crew at large, is good for the ship. If TNG had a greater devotion to ongoing storylines, it could potentially have a more realistic storyline in which Barclay gradually turns around and so the dividends from Picard, Troi and Geordi's investment in Barclay come more gradually. However, that is still hard to pull off with a secondary character, to say the least. Having Barclay be both a competent officer and use his imagination and thinking-outside-the-box mentality to save the ship is the way in which the episode doesn't merely send the message that any officer can get away with incompetence; the point is rather that Barclay's ability to contribute to the team is in somewhat nontraditional ways that require some effort on the part of his superiors to find his niche. All that said, this probably could have been accomplished by having the problem be serious but not a ship-threatening one; something that could require the ship need to shut down for a few weeks or some such without requiring that Every Person On The Ship Die if it's not solved right away.
On that level, I like very much that the central idea Barclay suggests -- that it's a person who is infecting the various engineering systems -- is both outside the box of normal thinking, and also something that doesn't require a genius-level intellect, the way something Wesley might have done in s1. I have seen the episode *before* and I didn't remember that it was carried by people, and I didn't think there was any way this mystery could have a resolution that would not just be tech. Barclay's creativity, which Guinan notes should be valuable to an engineering team, and which is the thing that keeps him disconnected from other people (since he lives in his Secret Life of Walter Mitty fantasy world), is the thing that is useful, should he be able to apply it to his job.
The episode is still merely good and not great, because the fantasy sequences, while memorable, get repetitive after a while, and the jeopardy premise, while probably necessary for the episode to work as I said above, still wins Barclay's entry into the fold a little cheaply, and also relies on a lot of tech. As Jammer says, hearing the Engineering team work through the problem logically is a total delight, however. I also appreciate how the episode's end teases the probability that Barclay will be leaving the ship in a way that suggests that the Enterprise and Geordi and Barclay himself will not have to deal with any of the difficulties that the episode suggests. But, no, Barclay is here to stay, and he's merely leaving his fantasies behind. In keeping with the show's genuine attempt to imagine a better humanity, it's not so much that people are cured of social dysfunctions like what Barclay has, but that society has grown and adapted so that it's possible to find a place to let unusual and imperfect humans be the best they can be. High 3 stars.
Fri, Jun 7, 2013, 1:30pm (UTC -5)
Tue, Jul 9, 2013, 2:28pm (UTC -5)
Bobby Fischer is an excellent example of this: his victories over his fellow GMs (Grandmasters) in chess were just inspired - he defeated a GM 6-0 in a candidate's match and that just wasn't done! But he clearly was anti-Semite, had paranoi, and had hate issues. In other words, his chess was brilliant but he wasn't so stellar a person. If you so choose, you can do the same - enjoy a performance without liking the actor.
To each is own though.
As for the episode, I enjoyed seeing the main characters in fantasy, as surely the characters ARE in fans' fantasies. In odd sort of way, it mimics real life.
I too, like Jammer, enjoyed seeing a less than perfect human on the Enterprise, and liked seeing Picard refuse to just transfer problems to other starships rather than just deal with them. 3 stars for me as well.
Wed, Oct 23, 2013, 8:35am (UTC -5)
I don't agree with Jammer's review here. To me this is a one-star episode.
Sun, Nov 24, 2013, 12:48am (UTC -5)
However, the comment above slandering Dwight Schultz as racist, and a "tea bagger" is anything BUT a hoot. (And if don't you know how that latter epithet came about, let's just say that is tremendously sexually crude).
Right at this very moment, I'm listening to a podcast from Dwight Schultz (from this September), and he sounds like a guy who both occasionally talks with a wacky voice (like you'd expect a voice actor to do), and has not uttered anything racist or "nut job" in any way.
Please don't slander people, on the right or on the left. If someone says something you find disagreeable, state what actually was said, don't just slap a label on them in an internet forum.
Thu, Feb 6, 2014, 8:18pm (UTC -5)
As for the episode itself, it was great fun. TNG gets some flack (and deservedly so sometimes) for being too invested in character insights or dealing with moral or philosophical issues to the detriment of a good story. Here, though, it's a character episode, but one that is entertaining and relatively fast moving as well. It's funny at times, serious at times, mysterious at times, and indulgent at times. I didn't feel the holodeck scenes dragged on too long. It helped that the first two weren't obviously on the holodeck, and that the latter three involved actors we like hamming it up for all they're worth.
And Barclay, well, great character. Is his neurosis a bit too exaggerated? Maybe a bit, but I've known some people who were pretty close to that. And as an introvert myself, there were moments that were pretty realistic... And the episode is pretty fair when exploring these issues. Geordi and Riker come off as a little bit nasty in their harsh treatment of Barclay, and yet completely justified and understandable too. Picard's defense of Barclay may seem too tolerant for someone as immature as Barclay, but he has a point too that Barclay has had a reasonably successful Starfleet career so far and thus could be a valuable member of the crew. Essentially, the message is that socially inept people should be given a fair amount of leeway, but in return it better not cause problems with their work or other people.
The different reactions to Barclay's holodeck adventure were nice touches too. It makes sense that LaForge was the most sympathetic, as 1) he has no place to talk (and kudos to the writers for calling back to Booby Trap), and 2) he didn't see the more controversial characters (the goddess of empathy and mini-Riker) until later.
I also don't care that the "ship in danger" plot was used. The episode needed to show two things: that an addiction to a fantasy life can be rather crippling to one's real life, and that socially awkward people are people too. The 10 seconds to destruction plot managed both of them nicely. Because Barclay was spending too much time on the holodeck and not doing his job, a thousand people nearly died. And because LaForge put in a bit of effort to make Barclay feel a part of the team, a thousand people didn't die. Hurray! The only quibble is that time was running out and the two of them were still walking around everywhere. You'd think the no running in the hallways rule could be a bit relaxed in those situations...
PeteTongLaw, you think the all-male senior staff was the most alien part of that scene? How about the fact that a staff meeting only lasted 2 minutes? Now that's an unrealistic utopian future!
Fri, Feb 14, 2014, 11:33pm (UTC -5)
Mon, Apr 14, 2014, 1:10am (UTC -5)
Sat, May 3, 2014, 2:20pm (UTC -5)
I like that this episode addresses the big elephant in the (holodeck) room: with tech good enough to imitate life, what's stopping anybody to create their own personal version of people they know in real life?
Picard seems to engage in Dixon Hill fantasies every now and then, Riker and Geordi created a fake woman to spend time with, and even Data enjoys playing as Sherlock Holmes, but what separates Barclay from the main characters is that the latter know when to stop. I thought it was due time to see a holodeck episode that deals with social issues instead of malfunctions.
It's not a classic episode by any means, but it's both fun and interesting. And Barclay is a great character and I'm glad to read he's coming back later.
Funny though, now that it's been more than a year since I've watched the episode, all I remember is Barclay's awkwardness and holographic adventures (and his trouble with the real people) but totally forgot about the critical situation of the week.
Sun, Jun 15, 2014, 9:39pm (UTC -5)
Sun, Jun 15, 2014, 10:58pm (UTC -5)
As a school teacher, I am trained to see that angle.
Mon, Aug 4, 2014, 8:50am (UTC -5)
I jeopardy plot was a bit standard but I liked how gradually it was introduced and how the solution was both surprising yet came out of what we'd already seen.
Mon, Aug 18, 2014, 11:04pm (UTC -5)
Your ears did not deceive you. When Barclay went to the holodeck to vent to his fantasy Troi about being interrupted by Wesley, he spoke this little gem:
"I knew about the flux capacitor, but I didn't need to hear about it from some 17 year-old kid."
In the prior scene when Wesley interrupted him, he asked Barkley if he had checked the flow capacitor. Perhaps Dwight Shutz had recently watched BTTF, and just slipped up during the scene. I was surprised that they left it in there though. You'd think that someone would have noticed, and had them reshoot the scene.
Mon, Oct 27, 2014, 12:12am (UTC -5)
I'm guessing something happened between here and there to lead to some rules being put in place.
Susan: "how absolutely CREEPED out Troi had to have been to find out Barclay was having sex with her doppleganger on the holodeck? Can you just imagine if it had been for real? lol Barclay would be fired and possibly jailed, Troi would SUE Starfleet for not having security on her pattern"
Yeah, like that.
Honestly, I think this *is* a classic episode. It addresses some real psychological and social issues, in the ship/Starfleet environment generally and with hologram tech specifically; it does this through a great new character that we'll see again; it makes a reasonable story use of a jeopardy situation (OK, so another just-in-time salvation isn't really necessary) that is integral but subordinate to the character story; and it totally works as a comedy too! We get to see our familiar characters embarassed, rather than be embarassed ourselves as with some of the 'comedy' misfires elsewhere. Not the 'biggest' kind of episode, but one that absolutely accomplishes everything it sets out to do.
Four stars.
Mon, Nov 24, 2014, 9:13pm (UTC -5)
Sun, Jan 4, 2015, 2:51am (UTC -5)
Sat, Jan 10, 2015, 9:39am (UTC -5)
Tue, Jun 9, 2015, 8:09pm (UTC -5)
This episode isn't without problem however. First, why are so many people so critical of Barclay, Riker especially. Geez, is it so much of an oddity for these people to encounter a timid person that they just don't know how to deal with it? Second, I think this episode is where the inherent problems with the Troi character really come into focus. In the scene where Barclay actually goes to her for counseling, she fumbles the ball so hard it's laughable. You have a guy here who is painfully socially awkward and timid and what does she do? She turns the lights off, tells him to close his eyes and sit back and then sits so close to him that they're practically touching. Good grief! Could she have misread his problems any more thoroughly? And given the fact that she's an empath, how did she miss Barclay's obvious nervousness? Also, this is a prime example of why she should wear a standard Starfleet uniform. Wearing whatever it is she usually wears to counseling sessions isn't very helpful, especially with a patient who is already extremely nervous around women.
Still, "Hollow Pursuits" has several things going for it - a wonderful new character, legitimately funny comedic bits and very nice reactions to Barclay from Guinan, Picard and LaForge. Even the tension at the end with the ship seconds away from ripping itself apart is enjoyable because it gives Barclay his chance to shine.
7/10
Thu, Jul 16, 2015, 9:19pm (UTC -5)
Sat, Sep 5, 2015, 2:33pm (UTC -5)
It's to the episode's credit though that while Barclay is ridiculed, there is at least an attempt by his management structure to address his problems. As such it is a fairly sensitive reading of the issue - that Barclay contributes to the solution but that the solution is a team effort shows that the goal of integrating him with his colleagues is a success.
Of course, we also get a lot of fun holodeck scenes - foppish Riker being a particular favourite, along with Troi's reaction to her Goddess of Empathy portrayal - and Picard's wonderfully awkward "Lieutenant Broccoli" moment. 3 stars.
Thu, Jan 14, 2016, 6:10am (UTC -5)
Also, "Haha, he said flux capacitor!"
Mon, Feb 22, 2016, 2:13am (UTC -5)
La Forge's behavior early in the episode was completely unprofessional and unsuited for anyone in command. It is unnacceptable for a manager or commander to sit with his subordinate staff and make fun of one of the other staff. A leader will attempt work with everyone; not bully and mock him and throw his arms up in the air in front of the guy's coworkers.
Picard saying Broccoli was a disgrace as well and he never got called out for it. Troi will confront him on all sorts of private thoughts but didn't confront him about that.
This is the 24th century and allegedly humanity has improved. Yet, they treat a guy with mental illness with mockery, scorn, and bully name calling. Just a disgrace all around.
I get the writers did this in the late 80's and were not enlightend, maybe that is why. But this show is supposed to depict our amazing future where we all get along and are not greed and don't make war. A guy with social anxiety or depression should not be made the butt of jokes.
I hate how the senior staff treated this man.
Mon, Feb 22, 2016, 10:43am (UTC -5)
Total agreement on the rest of the staff though.
Mon, Feb 22, 2016, 12:40pm (UTC -5)
Considering how much danger the Enterprise is in every week, I don't blame La Forge at all for being pissed at Reg. And for his credit, La Forge was extremely kind and patient with Reg after speaking to Picard, even defending his holodeck antics while the other COs reactions came off as livid.
Mon, Feb 22, 2016, 3:51pm (UTC -5)
Mon, Feb 22, 2016, 4:17pm (UTC -5)
Mon, Feb 22, 2016, 6:19pm (UTC -5)
They push Barclay further into his holodeck because he knows that everyone in the real world is mocking him and doesn't value him as an officer. They are part of the problem here.
Mon, Feb 22, 2016, 6:20pm (UTC -5)
Just weird writing all around.
Mon, Feb 22, 2016, 8:20pm (UTC -5)
I don't think any Star Trek series tells us Barclay is ill; he's just painfully shy. He's also a bit of savant, but his personality is what people have trouble with. And please don't treat him so pitifully, he passed the Star Fleet entrance exam that even Picard failed once. He's clearly very capable when puts his mind to it. I thought that was the point of the episode, at least...
Tue, Feb 23, 2016, 9:12am (UTC -5)
In some ways I think it was a love letter of sorts to the many legions of people who've watched Trek over the years. That's what I get outta' it at least.
Tue, Feb 23, 2016, 12:13pm (UTC -5)
One point about his holodeck programs: I would have thought that there would be restrictions on who could be created; the computer would be prohibited from making versions of real crew members, out of respect for those crew. It could possibly consider violation by proxy, and as such, would be disallowed.
Thu, Sep 8, 2016, 10:00am (UTC -5)
And did it bother anyone else that with minutes to go before the ship explodes, Geordi and Barclay are casually walking instead of running?
Thu, Sep 8, 2016, 10:09am (UTC -5)
"And did it bother anyone else that with minutes to go before the ship explodes, Geordi and Barclay are casually walking instead of running?"
To be fair you have to assume such things are an aesthetic and directoral means of showing movement and action in order to create a pace and dynamic for what's being shown. People running 'feels' different from people walking, and so this plays into the scene texture the director wants. If the characters are feeling a sudden emergency (someone's been shot, there's an intruder, the core is breaching, etc.) they tend to show running, while during scenes where they're thinking over a problem the tone is more constructed and somber to show that they are not thinking chaotically. These are all storytelling tools.
If you wanted to be literal and suggest what 'should' really happen then you'd have to just forget most of what happens in Trek and realize that in any emergency people would be constantly beamed all over the place to remove travel time. This would be storytelling death, however, and so the narrative uses travel as a part of the story rather than as means of explaining to you how they're getting from point A on the ship to point B.
Sat, Sep 10, 2016, 12:36pm (UTC -5)
It eventually got to be mildly irritating to me when I would see members of the crew walking to the emergency. Beaming point-to-point notwithstanding, if time was of the essence, they would race there, not walk while discussing options with the clock ticking...
Just my take on it... RT
Wed, Sep 21, 2016, 10:49pm (UTC -5)
Also amazing to me is how the writing never loses sight of the real issue, which is Barclay's suffering. What might have devolved into making fun of his holodiction instead serves as a vehicle for us to ironically laugh at the rest of the cast. Each of them is made to look foolish in the episode. When the real crew encounters their facsimiles and become outraged they somehow come off looking even more foolish. Riker not only fails to keep his dignity in the face of the clown-Riker, but in fact he succumbs entirely and we can see that the shell of composure the crew can put on that Barclay can't may not be as solid as they would like everyone to think. Even Picard is made to look foolish when he accidentally pronounces "Mr. Broccoli." Guinan herself takes Geordi down a peg when he tries to dismiss Barclay's problems. In an episode about a man who feels small, it's amazing that the writers decided to find a way to show how everyone can feel small if they're out of their comfort zone. The difference is that Barclay is always out of his comfort zone.
Barclay's talk with Geordi in Ten-Forward is especially well done, as the writing homed in on the fact that even what we in the audience see Barclay go through is only a glimpse at his discomfort, and when Geordi claims to get it and Barclay says "you *can't* understand," he's quite right, and is indirectly speaking to the audience as well. We feel entitled to judge him because the show's about him, but he tells us clearly we are not equipped to judge what we don't understand. That's as Trek as notion as I can think of.
Special props to one particular line in the show where even Marina Sirtis missed the double meaning. At the start of Deanna's counseling session with Barclay she asks him "Have you ever been with a counselor before?" The phrasing would be odd except that the line is deliberately awkward in order to allude to the fact that Barclay had clearly been having sex with the various incarnations of Deanna in the holodeck. Rather than merely being random fantasy element, it's fairly clear that he is infatuated, or at least attracted to, her specifically. When you listen to the text of the scene it's easy to realize that the entire scene's tension and Barclay's panic are meant to have been caused by that one line, because in asking whether he's "been" with a counselor before, to which he answers "Yes...well no" it's clear that in his mind he's mixing up fantasy with reality and knows he can't keep it straight well enough to interact with her properly. The rest of the scene, rather than being merely a vaguely nervous scene with a man afraid of counselling, is obviously supposed to be Deanna further and further doing things that the holo-Deanna probably had already done with Barclay, but as romantic preludes - turning down the lights, telling him to close his eyes, etc. It's all ambiguously sexual enough to make Barclay go nuts. By the end we should know exactly why he needs to get the hell out of there, and although the scene is decently funny as it is it should have been drop dead hilarious. The writing certainly is, but both the director and Sirtis missed it. Pity.
It shouldn't come as any surprise that another episode I find myself admiring greatly is one of Cliff Bole's, who apparently could masterfully write for many styles and bring out character nuances few other writers ever did.
Fri, Sep 23, 2016, 2:14pm (UTC -5)
Fri, Sep 23, 2016, 2:46pm (UTC -5)
Sun, Oct 2, 2016, 11:53pm (UTC -5)
Mon, Oct 3, 2016, 12:22am (UTC -5)
"By the way, why was every cast member re-created in the holodeck except Worf?"
Because he is not a merry man.
That was too easy.
Wed, Feb 8, 2017, 2:37pm (UTC -5)
The light touch in the writing is admirable. Barclay is very sympathetic and has a hero turn at the end showing that he's valuable - but because of the comedic slant to the show, I didn't feel clobbered over the head by a message-of-the-week. And the comedy walks the line of having crew members making fun of Barclay a bit, which could be really uncomfortable to see, except that the tables are frequently turned and other crew members are also put in uncomfortable places at times. Especially Riker, who has that cocky thing going, and can only be improved by being occasional cut down to fun-size.
As an aside: This is one of three times I can remember that Guinan has slightly harsh words for Geordi. She shuts him down witheringly when he's badmouthing Ro in the eponymous Ro episode, and she gives him a pretty harsh response in the flesh-and-blood Leah Brahms episode, when he moans to her that Brahms is not acting like his fantasy woman. I don't remember Guinan smacking down any of the other crew members - so it gives the impression that she thinks Geordi's brand of immaturity requires a little tough love.
Or maybe she just plain dislikes him and thinks he's a pain in the ass?
Sat, Feb 18, 2017, 4:05pm (UTC -5)
Mon, May 1, 2017, 11:15pm (UTC -5)
Also Wesley's being a dick in this episode as usual, not only was it obnoxious to point out the obvious to a Starfleet Academy trained adult with a higher rank and far more experience but Barclay hadn't even finished his sentence and giving him an insulting nickname? I wonder if Wesley would have appreciated being called "Willy Sucker" instead of Wesley Crusher or just see Barclay say at one point "Where's your Dad? Oh wait." and see his expression.
Tue, Jul 4, 2017, 2:18pm (UTC -5)
It was almost as painful to watch Barkley's discomfort enacted as it must have been for what the character is supposed to be feeling.
I genuinely cracked up when Picard called Barclay Mr. Broccoli. One of the funniest scenes in TNG for sure. And then Data tried to explain the common mistake, Picard gives him one look and shuts him up.
I have to wonder if they have sign-up sheets for holodeck use. I'm surprised anybody can just enter another person's holodeck program. This results in a highly embarrassing situation for Barkley and some entertaining moments.
The episode suffers from heavy technobabble in terms of what causes the acceleration and what the solution is. And of course Barclay has the outside-the-box solution. This part seemed highly contrived in a way to arrive at a happy ending.
I'd rate "Hollow Pursuits" 2.5 stars - a good but not great episode - kind of typical for TNG when it wants to shine a spotlight on a non-sci-fi situation, that of different types of people in the workplace and the issues they may face. Some heavy-handedness, a bit extreme acting but perhaps makes the lesson to keep trying to work with the person suffering the discomfort or mental illness which has become very topical in today's society.
Thu, Jul 27, 2017, 9:23pm (UTC -5)
Tue, Aug 1, 2017, 11:35pm (UTC -5)
Wed, Aug 23, 2017, 4:01pm (UTC -5)
Fri, Sep 15, 2017, 7:18pm (UTC -5)
The episode was decent not great. It was interesting idea for shy introverted people like Barclay taking their daydreaming of being more assertive from one's imagination into the holodeck allowing him to act out what he was too shy and timid to ever do in the real world.
The episode did a good job also of its characterization. Barclay's relating to Geordi in Ten Forward on what it's like to be a shy person in social settings was spot on.
The jeopardy plot with ship malfunctioning generated genuine suspense and tension
I do question though the right of the crew to enter barclay's private program. To me that's an invasion of his privacy
And Wesley starting the nickname for Barclay was a very poor reflection on his character. And one would think him being a smart kid that he'd have been victim of such things himself.
Fri, Nov 10, 2017, 4:07am (UTC -5)
Wed, Nov 15, 2017, 4:34pm (UTC -5)
Although written as just painfully shy I wonder whether Dwight Shulz was trying to suggest someone on the low end of the autistic spectrum.
Anyway his awkward interactions in the early scenes permit us to see what an utter thug and bully Riker is-grabbing his arm in the cargo bay and threatening him.
In the modern workplace Riker would be suspended for that.
If the stone age commander got away with that his sexist behaviour later in the holodeck would get him the sack for sure.
Did I say that Riker is my least favourite TNG character?
Wed, Nov 15, 2017, 4:54pm (UTC -5)
Funny, I mentioned Barclay's character as a comparison to Tilly in another thread. Still, I'm not sure it's autism, as there could be many social anxiety disorders that could explain Barclay's condition. Or maybe he's just a quirky guy.
Fri, Nov 24, 2017, 12:26pm (UTC -5)
Mon, Dec 18, 2017, 12:49am (UTC -5)
@PeteTongLaw: you're right, it is unfortunate that the engineering staff is depicted as all men and wouldn't be cast that way nowadays but interestingly this was already a step back for TNG because the first season depicted a female chief engineer in only the second episode, and the second season featured Ensign Sonya Gomez prominently in a couple of episodes as part of Geordi's staff and she was intended to be a reoccurring character. At least by 1995 we had a main cast chief engineer with B'Elanna Torres on Voyager.
Yes, it was dickish of Wesley to also be a bully to Barclay when his character is the type that in the real world would also be made fun of for being a know it all child prodigy but it also makes sense in a way because it's not uncommon for those that want to fit in and be accepted to follow group think even if it's something negative like bullying another person. Wesley probably just wanted to be part of the group and be in on the joke though it was nasty. That rang true to me.
Anyway, this was a good, entertaining episode that is also thoughtful for one, addressing the issues of holodeck use privacy and the recreating of actual people to use however you want, and two) portraying a less than standard heroic Starfleet officer type who is socially awkward and struggling to fit in. That struggle and the efforts of his shipmates to reach out in various methods was really fascinating to watch. The Ron Jones conducted orchestration was excellent work. Same with the costuming. The humor was so good and you can tell the actors are just having so much fun playing their holodeck counterparts. Barclay is also an interesting complex character and Dwight Schultz really brought him to life. I also enjoyed the misdirection at the end of the episode that you think the character is leaving the episode for good and I remember the first time watching as a kid thinking how disappointing after really enjoying this unique character and then being delighted that it was just another holodeck re-creation. The save the ship dilemma did feel forced but I did at least like the reasoning and deduction used to figure out the solution. The one thing that I've never liked at all and I've never seen pointed out by anyone else is the lame end of Act One/cut to commercial when the officer's drinking glass has a leak in it and the officers in Ten Forward make this huge dramatic deal over it and the music swells ominously. I mean c'mon, your glass springs a leak and then the mood of the episode is supposed to become grim and dangerous and the audience is supposed to go "Oh no!" It was a bit over the top. I guess the writers couldn't figure out a smoother way for an act break. But still overall, very good episode. Also, reading these comments was the first I've ever heard of Schultz being some kind of nutjob which would be shocking if true. In fact, the guy wanted to do Star Trek and got connected with the role on the show because he worked with Whoopi Goldberg on the movie "A Long Walk Home" and asked her if he could get on the series. Fun fact!
Tue, Dec 19, 2017, 12:59am (UTC -5)
Tue, Jan 23, 2018, 5:30am (UTC -5)
I also think Wesley was just being a normal kid in making up the "Broccoli" nickname - right or wrong, it's what kids do (and not only kids, actually).
Every time I watch this one and hear Barclay say "you CAN'T understand..." boy, can I relate. I was that shy, awkward person most of my early life.
LOVE the quick reverse of sense of humor when Riker and Troi see the Goddess of Empathy!
Sat, Jan 27, 2018, 2:43am (UTC -5)
Lt Barclay is a quite recognisable person. I guess many of us can find some similarities. What I really like is that Picard really recognises the problem and does not try the simple solution. Geordi does not like the task but takes it on seriously and realises that it is ok and that her also appreciates the qualities of Lt Barclay.
Yes, young Crusher is a self important man who compensates his young age , and also lack of mature social abilities, with a small bullying tendency. But also here, although I do not like his personality, he does also contribute.
People are different and it is mostly a good diversity of a team that makes it successful.
Mon, Feb 5, 2018, 11:35pm (UTC -5)
I really liked this one! Sadly, in real life, people would probably use the holodeck for much more perverse and immoral pursuits. But still, in a good family show like this, it shows the dangers of addiction. It actually reminds me of the way many are addicted to their phones and other devices today!
I was never shy, but I had friends who were. It's amazing to me how they change from "normal" when they are around me and other close friends, to completely quiet when around others! But we all have different imperfections and insecurities. I feel for Barclay and am glad he made progress
Thu, Apr 5, 2018, 2:51pm (UTC -5)
Fri, Apr 20, 2018, 4:43am (UTC -5)
Fri, Apr 27, 2018, 4:52am (UTC -5)
I was really enjoying this episode right up until the point that the technobabble problem and subsequent solution revealed itself. Past that point I just switched off and started playing with my phone, waiting for the episode to come to its inevitable conclusion.
I know this show can do better, and it's great when A and B stories successfully meet, but this was not one of those times.
Wed, May 9, 2018, 10:09pm (UTC -5)
I think the issues of technology addiction and how socially awkward people are treated are more in the forefront now, so I appreciate the handling of them.
And I love when Picard puts the onus on Geordi to address the issue.
Fri, Jun 15, 2018, 9:55pm (UTC -5)
Social outcast who is mercilessly picked on by the crew exacts his revenge holodeck style.
Oh, and he saves the ship too.
5 stars
Sat, Jun 23, 2018, 10:48pm (UTC -5)
Instead of personally getting him, his commanding officers could had just sent security personnel to drag his butt to the brig pending disciplinary measures that could have included rank reduction, confinement or getting kicked out of star fleet. He was basically a wanted criminal when Geordi and Riker went looking for him. He didn’t have any right to privacy at that point.
Tue, Jun 26, 2018, 9:18pm (UTC -5)
Mon, Jul 23, 2018, 4:02am (UTC -5)
@Corey (July 9, 2013): Because this is the 2000’s, we have social media now. One no longer has to even consider any other views. Friend the ones that agree, block the ones that don’t. Voila! Your worldview has 24/7 validation and woe be to the fools that don’t step in line.
@SkepticalMI (February 6, 2014): Agreed. It’s spooky the ease with which people will read a blurb on their website of agreeing choice, and with little to no research just adopt what they’ve been spoon-fed as the gospel truth. Worse is how they’ll regurgitate it with dripping vitriol in a crusade to bolster their ideology. As if it’s like rooting for a sports team or something. It’s mind-boggling that the advent of such amazing technology and access to information has served only to make many more ignorant.
@213karaokejoe (June 15, 2014 x 2): Without a doubt, the floppy hat is chuckle-worthy. So is your comment, “As a school teacher, I’m trained to see that angle.” Alright, settle down Agent 213... 007 is still on the job, we’ll call you if needed. ;-)
@Dave (February 22, 2016): That was definitely pretty blunt. A tad bit over-the-top, but very nicely blunt. Consider decaf.
@RandomThoughts (September 10, 2016): Most definitely. ANY time there’s an emergency I chuckle at the fact that instead of just beaming there, they “hurriedly” go through the corridors, take turbo-lifts, stop and make small-talk... I get that the beaming special effects can probably be costly, but at least make them RUN. haha... oh well, what are ya gonna do. It’s Star Trek, and even with all its quirks I love it.
@Sean (November 10, 2017): Agreed. Barclay kinda makes the episode as he also seems like a huge magnifying glass on my own real (or perceived) shortcomings.
@CodyB (Not that far up there, scroll up ya lazy chowderheads!): Same here! Some of my most favorite episodes involve the holodecks. But you know how the *true* Star Trek fans can get about them... so it’s best not to poke them and make them venture forth from their enlightened hovels. ;-)
@Roger W Norris (Right above): Any relation to Chuck? OK... that was lame. Lemme try again. Um... your idea to cut off the matter stream seems perfectly logical. Nicely done, and I’m proud to take over the most recent comment on this episode from you, sir. *salute*
Thu, Sep 6, 2018, 1:54am (UTC -5)
Fri, Oct 12, 2018, 2:14am (UTC -5)
@Prince of Space
Thanks for the comment. I was just watching "The Hunted" with my Wife the other night, and decided not to say "They are walking to the emergency", as Worf and a crewman were in no particular hurry to get to the escapee. It would have broken her immersion, and I'm having a hard time getting her to like the show anyway. :)
Regards... RT
Sat, Mar 30, 2019, 5:16pm (UTC -5)
Fri, Aug 9, 2019, 8:57pm (UTC -5)
We get some good Guinan scenes, Troi is used well, the comedy is great, the holodeck scenes are witty/funny, and Picard's management skills are showcased to good effect - he brings the awkward Barclay into the fold - though this requires the contrivance of Georgie and Riker becoming heartless, tactless brutes for an episode.
And while the episode degenerates into another "forced action climax", it's an interesting one, and for once the engineering team seem like actual engineers working sequentially through a tough problem.
With the rise of virtual realities, machine learning AIs, smart phones and face swapping and deep faking technology, TNG also seems quite prescient about tech addiction. With this episode and The Game, you have some of the most chaste, innocuous, but pin-point precise science fiction tales about modern techno-sexual fantasies/fetishes/addictions.
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