Star Trek: Discovery

General Discussion

Season 2 premieres January 17, 2019. Until then, feel free to discuss your thoughts or speculation about the upcoming season or the interim shorts released on CBS All Access. (I likely will not be reviewing the shorts.)

Like this site? Support it by buying Jammer a coffee.

◄ Season Index

223 comments on this post

Sat, Oct 13, 2018, 4:31pm (UTC -5)
A red angel? Is Discovery starting to crib from the weaker religious symbolism of DS9?
John Harmon
Sat, Oct 13, 2018, 10:34pm (UTC -5)
So how about that first short? It sure was terrible.
Sat, Oct 13, 2018, 10:44pm (UTC -5)
Watched TNG's The Child and Sins of the Father yesterday. How far Trek has fallen :(

I guess the bright side is DSC can't really get any worse than S1... can it?
Mr Tease
Sun, Oct 14, 2018, 4:02am (UTC -5)
Season 1 was flawed but I really enjoyed watching it, so I'm excited a for season 2. For me Enterprise was horrific, and Discovery was a real step in the right direction. Just wish it wasn't a prequel.

I get tired reading fan forums for Sci fi type programmes, they seem to be endlessly filled with people who watch the shows every week just to complain about them, until they get cancelled then complain that there are no Sci fi type shows.

Discovery reaction and sites haven't been too bad so far but I foresee them to becoming like Dr who or the walking dead- it's tough to find places to go to talk about eps you enjoyed.
Mon, Oct 15, 2018, 3:36am (UTC -5)
I enjoyed Discovery but I have not found myself wanting to rewatch it like i do TNG DS9 VOY. I can watch them over and over again and enjoy them but not Discovery.
Mon, Oct 15, 2018, 3:37am (UTC -5)
What can I say, I have no enthusiasm whatsoever for STD's season two. Season one was literally a chore to sit through and watch, it was just THAT bad (and I'm not even touching on how completely detached it was from anything Star Trek related; speaking as someone who's seen ever episode of every Trek series, even the animated one).

Unless CBS has completely reboot the series, which I very much doubt, I'm going to have difficulty sitting through it once again. But hey, I'll give it the benefit of the doubt, I did sit through all of Voyager and Enterprise in hopes those would improve. Unfortunately they never did and I get the same feeling we'll be on the same path with STD. Heh, ironically, the only positive of STD... re-watching some Voyager episodes recently actually seem palatable by contrast! I never would've imagined anything could make Voyager look good!
Mon, Oct 15, 2018, 4:08pm (UTC -5)
I agree with the commenter who said they enjoyed DSC S1 but found it flawed. I find Michael and Saru to be very compelling, very Trek characters. Also share the prequel bummer - I’m more interested in seeing the new characters develop than seeing Pike in the captain’s chair...

The 1st short was pretty good, but could have been 5 min longer to develop the ideas a little more. Looking forward to the one about Saru, who is my favorite DSC character
Patrick D
Tue, Oct 16, 2018, 1:16am (UTC -5)
I gave up on the show after the second episode and have had no desire to revisit it ever again. I might give it a chance if they start doing episodes like "The City on the Edge of Forever", or "The Measure of a Man" or "The Inner Light"...but, I'm not holding my breath. (And that goes for the Picard show too).
Tue, Oct 16, 2018, 11:43am (UTC -5)
I enjoyed watching STD season 1. I was not really happy with the ending.

I recently rewatched it and I again really enjoyed it and I guess I'm not as taken-a-back with the ending..... no wait, I am :-)

There are issues they have to fix.... spore drive being the most obvious as it doesn't exist in the trek we know.

But I'm REALLY looking foward to season 2 after watching the trailers. Little different tone.... better story maybe?

SMG's bland acting will continue to bother me no doubt, but the addition of Anston Mount as Pike is exciting. We'll get to meet some new species... and get to know some of the regulars from season one better. More Georgiou is welcomed as well.

I heard some Klingons are getting hair :-)

I heard they fired the SJW contingent of the writing staff...

I enjoyed Tilly's short and can't wait for the other 3.

Here's to a season long story arc that gets wrapped up better that season 1 and to Peck giving us a palletable Spock.
Tue, Oct 16, 2018, 5:22pm (UTC -5)
The trailer looks more promising. It looks like some kind of scifi story. The fanservice elements are the biggest drag. No need for the Enterprise or Pike or Spock. Having Burnham be related to Spock was dum to begin with. I struggle to understand what this is all about. Fans will obviously be aggravated by bad handling of known stuff and non-fans won't care. So why do it?

OTOH, I do wonder if all the people who complain about SJW's and liberals hijacking Star Trek have ever watched the show. Did they forget about the condescending speeches Picard gave in 'The Neutral Zone', the treatment of labour relations in 'Bar Association', the Ferengi in general, the contempt for theism in 'Who Watches the Watchers?'? Star Trek has always been "liberal".
Tue, Oct 16, 2018, 5:45pm (UTC -5)

I haven’t seen all of discovery yet, but based on the ridiculous fanboy rage against The Last Jedi, I’m pretty sure “SJW” is just code for “writers who put women in positions of authority.”
Peter G.
Tue, Oct 16, 2018, 9:07pm (UTC -5)
@ Elliott,

"I haven’t seen all of discovery yet, but based on the ridiculous fanboy rage against The Last Jedi, I’m pretty sure “SJW” is just code for “writers who put women in positions of authority.”"

You will no doubt be correct in this assessment in some cases, but this is definitely not what is meant in others. I guess YMMV about which is which. But I'd say "men are incompetent, evil, or wrong, and only women can save the galaxy" isn't an unfair way to read TLJ if one wanted to look at the gender axis portrayed in it. One can find a similar message in DISC; or at least it wants that to be the message, because the real message feels more like "everyone is incompetent, evil, or wrong."
Tue, Oct 16, 2018, 10:03pm (UTC -5)
@Peter G

I don't want to go too far down the rabbit hole until I've actually watched the full season, but looking at TLJ, the most compelling characters are both men, Luke and Kylo, and those characters are both extremely grey. And I think Po and Finn are portrayed very heroically, just flawed. I think certain people reacted very viscerally to the Holdo character and let that resentment bleed over onto the rest of the film. It's disheartening. Anyway, at some point I'll hopeful have something more insightful to add about Discovery.
Peter G.
Tue, Oct 16, 2018, 10:19pm (UTC -5)
@ Elliott,

I'm not saying the argument is unassailable, just that there is a real argument there beyond "something, something, misogyny."
Wed, Oct 17, 2018, 1:31am (UTC -5)
Not looking forward to it all. I couldn’t even finish the first season. I hate the long con approach to serialized storytelling. Just showing enough to create unanswered questions, confusion and ambiguity. It’s sloppy. Plus the look is wrong for this era. The characters are bland. The cast is ho hum exceotbfir Doug Jones. The series relies too much on TOS. It’s got fantastic production values but horribly weak writing/writers

DOS was first Trek show I gave up on. Kurtzman has no clue how to write. It’s all sound and fury. No fundamentals of good writing. The only reason 90s Trek thrived was Michael Piller. A magnificent head writer who knew how to bring the best out of his writers there’s a reason TNG Seasons 3,4 and 5 & DS9 season two were so consistent and solid. Ira Behr did decent enough even though I thought season four was weak, season six uneven after occupation arc.

Gene Roddenberry also had enough sense to insist that TNG didn’t rely on TOS going so far as to explicitly state no TOS aliens or TOS characters or related characters. And Piller similarly realized after DS9 season one to stop bringing in TNG characters and do its own thing—likewise with his choice to take voyager to the delta Quadrant to force writers to create new races(although the writers after he left became lacy )
Latex Zebra
Wed, Oct 17, 2018, 6:12am (UTC -5)
Looking forward to it.
Season one was not without it's flaws but pretty much every 1st season on Trek was weak when you look back.
If people are going to turn their back on it then that is up to them. They'll be the ones complaining about it in February without having watched an episode.
Jason R.
Wed, Oct 17, 2018, 7:10am (UTC -5)
"OTOH, I do wonder if all the people who complain about SJW's and liberals hijacking Star Trek have ever watched the show. Did they forget about the condescending speeches Picard gave in 'The Neutral Zone', the treatment of labour relations in 'Bar Association', the Ferengi in general, the contempt for theism in 'Who Watches the Watchers?'? Star Trek has always been "liberal".

True, but what passed for "liberal" in 1987 ain't so now. Or more precisely, what's left in 2018 isn't really liberal by any reasonable definition.
Wed, Oct 17, 2018, 9:52am (UTC -5)
Won't quote the info, but you may go down the DCS SJW rabbit hole here if you so desire :-)
Wed, Oct 17, 2018, 10:13am (UTC -5)
Thanks Yanks, that about sums up my feelings on the subject. :-)
Paul M.
Wed, Oct 17, 2018, 11:16am (UTC -5)
It's interesting how everyone approaches these things from their own perspective and cultural baggage in mind. For whatever reasons I won't speculate on, Americans seem obsessed with identity politics, principally focusing on its various non-national expressions - race, gender, etc. So people talk about the percentages of non-whites or females or what have you and in what way they are presented on screen. Just an observation, not a condemnation... because I find myself critically examining Trek (and not just DIS) from a somewhat similar perspective, but one influenced primarily by me not being American.

In my view, it's kinda sad for a franchise that depicts a utopian future of united humankind to be so exclusively peopled by English-speaking-and-sounding might-as-well-be Americans. In Discovery, for instance, except for (presumably) Captain Georgiou, we have Michael Burnham, Gabriel Lorca (as per producers intentionally "modeled" after US Southerners), commander Landry, Ash Tyler, Tilly, Paul Stamets, dr. Hugh Culber, Admirals Cornwell and Brett Anderson... notice the pattern here?

I know DIS is an American TV show and is therefore primarily concerned with speaking to American audiences, but this "national sameness" is still.. well, I won't say it's actively bothering me, but I do feel it's a missed opportunity for some real worldbuilding.
Wed, Oct 17, 2018, 12:18pm (UTC -5)
Paul M - I observed the same thing early on when I was watching Discovery and there was a discussion alone these lines in one of the episode threads. TOS especially took special care to select crew members reflecting a wide international and cultural diversity - or at least wider than we normally see on television - and this helped to give a sense of international collaboration that many people would hope to see in the future (well, unless you're Donald Trump). It was pointed out that on the International Space Station today there are a wider range of nationalities than we see on the Discovery, and I would daresay even NASA is far more diverse.
Wed, Oct 17, 2018, 12:59pm (UTC -5)
Personally, I think accents are very important in sci-fi to provide a sense of scale. What I find interesting is that STD made the actor playing Lorca change his English accent into an American one. Babylon 5 took the opposite approach, making one of the main actors playing an alien adopt a foreign accent. While I don't know the precise motivations behind these changes, it doesn't surprise me that one of these shows is truly great sci-fi and the other... well, isn't.
Wed, Oct 17, 2018, 2:00pm (UTC -5)
Marina Sirtis put on an alien accent in the first season or two before dropping it. That may have been better or it may have been that we associate it her being a better character in the later seasons.
Wed, Oct 17, 2018, 5:30pm (UTC -5)
I don't remember Marina Sirtis putting on an accent. I mean, she always had a slight accent because she's Greek, but apart from that...
Peter G.
Wed, Oct 17, 2018, 5:51pm (UTC -5)
"I don't remember Marina Sirtis putting on an accent. I mean, she always had a slight accent because she's Greek, but apart from that..."

She's Greek by descent maybe but her normal speaking accent is English (British). They didn't want the English accent and it seems they asked her to do something vaguely Eastern European or Israeli (which are totally the same...). It ended up sounding like neither in my opinion, although later in the series it resolved itself into a more eccentric 'formal talk' with sort-of English overtones.
Thu, Oct 18, 2018, 3:43am (UTC -5)
DIS, ENT and even VOY are very American in terms of their casting and sensibility. TOS, TNG and DS9 weren't. It's far from the biggest problem with Discovery though.

I was disappointed the two British actors in Discovery (Isaacs and Latif) were asked to play American. I can't think of a comparable instance in previous Trek, at least in terms of the main cast - Dominic Reed, Alexander Siddig, Colm Meaney and Patrick Stewart all played their roles with their real accents, Marina Sirtis a version thereof.

I was disappointed Jason Isaacs's character was given a southern US accent and then insta-outed as a Trump-esque "make the Empire great again" apparent racist. It's incredibly divisive and just lazy, terrible writing. I was never a Trip fan, but he's a much better example of a southern character who's relatable and three-dimensional. Discovery could have even gotten away with the Lorca reveal if Lorca had had any motivation. It's basic writing failures.
Fri, Oct 19, 2018, 4:20pm (UTC -5)
Is it bad that the sole thing that really made me perk up was seeing a glimpse of a D7 in that trailer?
Dirty Mac
Fri, Oct 19, 2018, 11:27pm (UTC -5)
I love the image Jammer used for his main page. The trailers that have been released for season two, plus the casting choices for Pike and Spock, not to mention the change up in producers/writers, have me hopeful for a better, more powerful and focused season two of Discovery--still...that scene in the turbolift, when the Motion Picture alien sneezes, seems so slapstick... I hope Kurtzman and Co. aren't resorting to more Orville like comedy. Please give us smart and serious sci-fi/characters.

One love!
Just One Comment
Sat, Oct 20, 2018, 12:25am (UTC -5)
I certainly enjoyed the first half of the first season, along with all the unique new characters. Really had to force myself to watch through the Mirror Universe episodes though and did not finish the season. I will try Season 2 of course though and maybe finish up 1 beforehand.
Rift Aview
Mon, Oct 22, 2018, 5:23am (UTC -5)
Josh - there is a clear difference between the liberalism of TNG, which was rooted in 18th century Empiricism (individual responsibility, individual freedom, the importance of logical and rational thinking) and the "liberalism" that typifies STD (no-one is accountable for their actions it's "society" that made you do it, no-one is an individual instead they're part of identity groups, emotion and how you "feel" trumps logic every time).

This gets right at the heart of why STD is so disliked. Barring a few exceptions - who are often played for laughs - the characters in it are completely antithetical to the values of the Starfleet that we used to know. If this was a show about Romulans and the Romulan Empire it would be fantastic - emotional, ruthless people obsessed with inter personal drama and war with no care for the actual wonders of the Universe, taking part in a (well written and cinematic) drama - but it pretends to be about the Federation, so it's terrible.
Mon, Oct 22, 2018, 6:12am (UTC -5)
Rift Aview,

But, but, ... Michael said...

"No. We will not take shortcuts on the path to righteousness."

Mon, Oct 22, 2018, 12:00pm (UTC -5)
@ Rift Aview
I just listened to a Sam Harris podcast were he talked about that. You confuse liberalism with what Harris and guest called a subset at a few universities and even that subset is misrepresented by you.
I know everybody in the US today is about digging trenches and vilifying the other side but to me this seems to be mostly hysteria. Like people just decided to go crazy. People imagining stuff because of their echo chamber. A lot of explanations why this could happen(cable news, social media, growing up in the post 9/11 paranoia) but we scientists actually don't know yet because it is happening right now.
My point is: You are not helping.
Just think what kind of character you would be on TNG . Sounds like the first act with maybe an A and a B story. A shuttle crashed, crew members are missing and Picard meets with your side. You are a guy (I suppose) who says that the other side is completely crazy, evil and will probably kill the crew members. Then cut to the missing crew members (probably Laforge and a red shirt) were their guy says that: The other side (Your people) are mad and malicious. Second act emotions boil over, fighting starts (red shirt is killed while fixing the heisenberg compensators of the shuttle) third act: You and the other guy meet and Picard shows you that you are not so different after all. The end.
Wed, Oct 24, 2018, 9:38am (UTC -5)
Really conflicted about DISCO. The cast really is great and the crew could be something special. The characters of season 1 were all well done. I hope Lorca and the klingon-man come back somehow.

But the plot was awful, recycled, unfocused, and more soap-opera than anything approaching sci-fi or trek. This Red Angel stuff unfortunately seems like more of the same.

I'm all for letting the show improve tho. Season 1 of TNG wasn't very good... however there were real sci-fi writers behind it and Gene Roddenberry to at least give the show a direction. With Alex Kurtzman in charge of the properties I really fear there is no actually sci-fi oriented brain behind these shows... it's just random Yale writing graduates recycling the TV Tropes they were taught in college and doing "character studies" as though thats the only kind of television or fiction that can exist.

Sad to say that I have more hope for the Orville Season 2. Or maybe happy? In that at least there will be Black Mirror and Orville to satisfy television based science fiction for the near future.
Wed, Oct 24, 2018, 9:43am (UTC -5)
@Rift Aview

I can *kind* of see your point. However, I fear you are conflating bad writing with a subset of modern-day liberalism. The reason the characters on DISCO act so emotional more stems from lazy writing and a focus on soap opera plots over hard science fiction. Also writers who are mostly from upper middle class and just don't have enough life experience in practical matters. (I think an important part of Gene Roddenberry is he had real life experience as a police officer, grounding a lot of his writing and ideas.)
Wed, Oct 24, 2018, 9:50am (UTC -5)

Excellent point about not rehashing TOS on TNG. Upon rewatching it I was struck about how genuinely new it is in both tone and content from TOS. Such a contrast to DISCO which mentions Sarek and Spock and Klingon and mirror universe as often as possible without introducing much new. If they don't improve soon there will be very little to even remember from this show.

It reminds me of Fords quote that is he gave the people what they said they wanted, he would have made a faster horse.
Wed, Oct 24, 2018, 4:19pm (UTC -5)

"Excellent point about not rehashing TOS on TNG. Upon rewatching it I was struck about how genuinely new it is in both tone and content from TOS."

Seriously? .... Have you seen 'Naked Now' for starters?
Wed, Oct 24, 2018, 5:31pm (UTC -5)
A year or so ago I was at least a little excited for discovery. Now I am not at all. There is just no one who cares about the spirit of this franchise involved creatively anymore. I’ll be checking for comments by people whose reviews I generally agree with (like Peter G). If some of them rave about it I’ll give it a shot. Otherwise, no more. I’ve been hoping things will improve ever since the first JJ film and they haven’t.
John Harmon
Thu, Oct 25, 2018, 12:40pm (UTC -5)
And now they've announced that a Star Trek Animated series similar in tone to Rick and Morty from one of its writers is coming out.

What the hell is going on over there???
Thu, Oct 25, 2018, 3:06pm (UTC -5)
*insert Picard facepalm*
Thu, Oct 25, 2018, 3:25pm (UTC -5)
That animated comedy looks like shit. If I wanted to see low brow humorous sff I’d watch the Orville—that has nailed stupid so well. And with it seeming more and more like the new Picard series isn’t a TNG show but a full on Picard only kind of thing—CBS and that idiot Kurtzman are doing nothing to make me want to subscribe.

I’m just gonna have to accept that good Trek does in the 90s
Thu, Oct 25, 2018, 5:17pm (UTC -5)

I don't know what the hell is up with the new trek cartoon, but I think you'll be missing something with STD season 2.

What's wrong with a 'full on Picard thing"?
Thu, Oct 25, 2018, 5:37pm (UTC -5)
I don’t think I’ll be missing much wiith season two. The trailer and spoilers I’ve read did nothing for me. I know what to come to expect from Kurtzman stuff and the writers he has assembled

As for the Picard show I’m wary. Not only because it is
Also coming from Kurtzman but also because it seems Patrick Stewart will have creative input and while hes a good actor not so much good for ideas based on stuff he’s wanted in the past. Also I wanted the TnG cast involved not just Picard. Part of TNGs appeal was the chemistry with the cast and if you’re going to play for nostalgia by bringing back Picard it makes no sense to not have everyone involved. Rather than a new cast. And finally I have a nagging feeling it’ll turn into some ponderous dark character study and that’s not really what I want to see
Thu, Oct 25, 2018, 5:41pm (UTC -5)
“And finally I have a nagging feeling [ The Picard show] turn into some ponderous dark character study and that’s not really what I want to see”

One thing was very clear in his announcement of the show is he wanted to do something optimistic, so there’s that.
Thu, Oct 25, 2018, 7:26pm (UTC -5)
@John Harmon, I know, it's like CBS is going out of its way to get the dumbest ideas possible and throw them at Star Trek. Sadly, Star Trek is a franchise I feel mostly belongs in my past. Nothing the franchise has done since 2005 has been even remotely worthwhile.

I've been rewatching TNG with my girlfriend and really enjoying it. It's unbearably, loveably corny in some parts, but I'm also reminded at just how Shakespearean the show gets at times. There's some real character drama there.
Thu, Oct 25, 2018, 11:27pm (UTC -5)
@John Harmon

"And now they've announced that a Star Trek Animated series similar in tone to Rick and Morty from one of its writers is coming out.

What the hell is going on over there???"

It's quite simple, actually:

The guys at CBS saw the successful ratings of "the Orville" and completely misunderstood the source of its success (as well as the very nature of that show).

Note the similarities:

(1) A Trek-style show with comedic elements.
(2) "the support crew serving on one of Starfleet's least-important ships"
(3) Written by a guy who is known for an iconic animated comedy series.

There's simply no way this new show isn't a direct reaction to the Orville, which is kinda stupid. Why create a lame copy-of-a-copy, when you hold the rights to the original inspiration that started it all?

The lesson that CBS *should* have learned from "the Orville" is that thoughtful optimistic sci fi can be commercially successful. They should have taken that as a cue to stop all the cr*p they are currently doing and concentrate on creating a single quality show that's worthy of the name "Star Trek" (preferablly set in the 25th century).
Fri, Oct 26, 2018, 2:34pm (UTC -5)

Yeah theres def a handful, McCoy in the pilot and Scotty shows up eventually. But in contrast to Discovery its handled way differently and way less prevalent. Its also usually less about nostalgia and even when they do throw in the references they typically do a new spin on it.


Yes unfortunately an accurate read on their business decisions. The brand name of Star Trek seems to be in full zombie mode. At least Orville is around to hold the torch for now.
Fri, Oct 26, 2018, 4:15pm (UTC -5)
"And now they've announced that a Star Trek Animated series similar in tone to Rick and Morty from one of its writers is coming out. What the hell is going on over there???"

CBS has come down with a serious case of Netflix Development Syndrome. Between this and the Picard series, they're in a development phase where they are simply trying to create more, more, more, as quickly as they can. And since Trekkies are apparently the unique audience they believe they hold captive, they are trying to turn out a lot of different Trek-based things while they think they have an opportunity. (What data they have to support this is beyond me, but one assumes such data exists.)

This strategy strikes me as self-defeating, because they will end up simply creating so much stuff that it will become watered-down and routine, just like the endless parade of Netflix shows -- which once were novel, and now are so numerous you can't keep track of them. See also: Lucasfilm and the Star Wars saturation over the past few years. But like with "Solo," I think they are going to find there are diminishing returns on putting so much content out there when the demand may not be what they think it is.
Fri, Oct 26, 2018, 4:20pm (UTC -5)
Exactly. I mean, Luke Cage and Iron Fist just got cancelled, even though Marvel is huge at the moment. Makes me wonder what the longevity is for these new shows (and for Discovery). It's dangerous for franchises to stretch themselves too thin.
John Harmon
Fri, Oct 26, 2018, 5:48pm (UTC -5)
Yeah this doesn’t seem like a good idea. Oversaturation and watered down Trek is what killed it in the first place.

Jammer, I wouldn’t blame you one bit if you skipped reviewing this new animated series
Sat, Oct 27, 2018, 8:36pm (UTC -5)
Now they're making a friggin comedy cartoon Starfkeet academy series???

What the hell??! I don't think you can get much further from what these shows are supposed to be about. They're going to ruin Picard. They'll probably have him make a guest appearance in this cartoon like his Avery character in American Dad.

How many people would kill to write for a new Trek show? Why are the powers that be continuously handing it off to idiots??? If they only want to make money then Christ almighty make a show we want to see! Are we going to one day see a time where VOY sits near the top of an all-time best series of Trek simply because they've purposely set out to manufacture 10 of the shittiest shows they can think of?
Sun, Oct 28, 2018, 2:08am (UTC -5)
People get a little riled up.
Do I like STD. Not really. Was it succesful for CBS. Definitely.
They picked Kurtzman because almost everything he does turns into money even though it isn't great.
The popcorn muncher will always be more numerous than dedicated Trekkies.
It is just capitalism.
Sun, Oct 28, 2018, 2:48am (UTC -5)
I'm not sure that this is a viable business strategy at all. At least not in the long run.

The "Popcorn munchers" are more numerous, yes, but there's also far more competition in that area. What reason does the average "muncher" has to subscribe to a new streaming service that gives him absolutely nothing his doesn't get elsewhere? And let's say that they do... what reason do they have to remain loyal? What's to stop them from abandoning ship the minute something else catches their attention?

It should be noted, by the way, that the classical Trek films were about as financially successful (once you factor in the expenses) as the Abramsverse films.

It should also be noted that in a single year, "the Orville" managed to get a steady viewership of 3 million and to create a very loyal fanbase. They managed this by creating a clear and unique brand (unique to our era, at least) and not by appealing to the masses.

So no, I don't really see any business sense in diluting a brand that had millions of loyal followers over 4 decades. I think it is downright stupid. Just look at the comments here, for example. CBS is turning their current version of "Star Trek" into a silly farce.
Sun, Oct 28, 2018, 3:01am (UTC -5)
"Are we going to one day see a time where VOY sits near the top of an all-time best series of Trek simply because they've purposely set out to manufacture 10 of the shittiest shows they can think of?"

No, because nothing that was produced after 2005 should be called "Star Trek" in the first place. It doesn't look like Trek. It doesn't feel like Trek. It doesn't obey the "laws of nature" that were established for Trek. It doesn't have the aliens and technology that's normally associated with Trek. It isn't consistent with the established in-universe history of Trek.

So why would anyone call this stuff "Star Trek"?

CBS must really like Rule of Acquisition #239: "Never be afraid to mislabel a product".
Sun, Oct 28, 2018, 8:58am (UTC -5)
The people who made these decisions earn between 10 and 100 million a year. Are you suggesting that they don't know what they are doing?
What are your accomplishments in that field? Are you a CEO of a media company? Do you work in film? Do you have a degree and/or are successful business wise?
Again capitalism through position and salary seems to think otherwise than you do.
Or as the Dude said:
And yeah I'm teasing. :D
Paul M.
Sun, Oct 28, 2018, 1:28pm (UTC -5)
@OmicronThetaDeltaPhi: "No, because nothing that was produced after 2005 should be called "Star Trek" in the first place. It doesn't look like Trek. It doesn't feel like Trek. It doesn't obey the "laws of nature" that were established for Trek. It doesn't have the aliens and technology that's normally associated with Trek. It isn't consistent with the established in-universe history of Trek. So why would anyone call this stuff "Star Trek"?"

These kinds of "gatekeeper" arguments never resonated with me. "Looks like Trek, feels like Trek..." What does it mean, really? TNG (especially Season 3+) looks and feels nothing like TOS. Hell, TOS movies -- except for ST5, I guess -- feel very little like the TOS series. DS9, then, feels very differently from both earlier incarnations of Trek. I'll admit that all Second Era Trek shows (TNG, DS9, VOY, ENT) look rather similar, but I'm not sure that's much of a compliment, given how stagnant Trek became in its visual style, soundtrack and storytelling tropes.

Speaking of Discovery, I'm pretty much with Jammer: the show hasn't blown me away, but it's also fun and far from being the worst Trek has had to offer. I mean, for the love of all the gods, I shudder to think of so many episodes of TOS Season 3, various "brilliant" Voyager installments and dreadful dreariness of ENT in general. Berman-era Trek in its later years evolved into something so unexciting and frankly boring that I'm having trouble understanding all this hate for DIS. News at eleven, Trek hasn't been very good in a long long time, but DIS at least looks and feels like it isn't a paraplegic in a wheelchair trying to be hip.
Sun, Oct 28, 2018, 2:16pm (UTC -5)
I'm totally with OTDP on this one. And yeah, Enterprise was dreary - but the difference between Enterprise and Discovery is the difference between "completely disposable" and "actively offensive". I'd take the former anyday. And it was at least possible to watch Enterprise or Voyager with young children or elderly people - all Trek from TOS through to ENT was something that three generations could watch together. The elderly relative I often watch Star Trek with (and who loves DS9 and TNG) asked to stop watching Discovery halfway through because it was too violent and nasty without being compelling or relatable. DIS contrasts with the Berman era very sharply on several fronts - the approach to science, the approach to characterisation, the approach to violence, and the approach to storytelling. The show is essentially designed as a notification feed, if you'll pardon the analogy - just a constant stream of hooks, twists, shocks sensation and spectacle with the sole purpose of maintaining viewer attention and getting you to return for the next episode. It doesn't matter that what's happening makes no sense on any level (character, plot, scientific, ethical) as long as Something Is Happening. There must constantly be Something Happening. It's a classic situationist spectacle. Increasingly since the millennium (probably starting in VOY/ENT but getting much worse in the Abrams/Kurtzman era), the approach to canon has also changed from organic to fetishistic - instead of creatively building on concepts, values, societies and settings from past Trek, post-2005 Trek instead namedrops in a fetishistic way. The mindset being that it doesn't matter that the worldbuilding and characterization are completely wrong as long as you pepper the dialog with enough tokenistic old Trek references into for fans to lap up (like namedropping the Xindi in Star Trek Beyond, or briefly referencing In A Mirror Darkly in DIS only for it to never go anywhere).

I grew up with Star Trek but I'd never watch Discovery with kids; the first half of the season was bad enough but the empty stylised violence and nastiness in the second half was beyond the pale. In theory, a more adult, gritty Trek series for the prestige TV era is something I'd be in favor of, but Discovery has nothing to say, no thoughts in its head, and uses sound and fury to paper the gaps. There are several other contemporary sci-fi shows on Netflix and other platforms that I would consider watching with kids because even though they're mature and can be scary, the storytelling is meaningful and the characters are at least good role models. It's not that there aren't individual good episodes of Discovery (I enjoyed the pilot, and thought episodes 9, 11 and 14 were well-written), but even if a skilled writer turns in a decent script one week, everything is so tightly serialised that individual good episodes are sunk by the whole. I thought Into The Forest I Go and the two episodes by Lisa Randolph were easily the show's best installments, but they can't exactly be rewatched in isolation.
Mon, Oct 29, 2018, 6:05am (UTC -5)

"The people who made these decisions earn between 10 and 100 million a year. Are you suggesting that they don't know what they are doing?"

When it comes to maximizing their profit from "Star Trek", yes. And I am not "suggesting it". I'm saying it straight-out.

"What are your accomplishments in that field? Are you a CEO of a media company? Do you work in film? Do you have a degree and/or are successful business wise?"

That's completely irrelevant (though I'm willing to bet that my real-world business experience is greater than yours).

Do you have an actual argument to back up your opinion and/or challange mine?

@Paul M.
I've learned from personal experience, that trying to have a civil discussion with a person that accuses others of "being a gatekeeper" is akin to playing chess with a pigeon.

It's interesting that you mention "Enterprise". Despite its flaws, that series was a prequel that more-or-less sticked to the rules of being a prequel. They goofed up once in a while (like with that Ferengi epsiode) but in the end ENT did serve its purpose of bridging between our present day to the time of TOS.

Now compare "Enterprise" with "Discovery" on that front... there's absolutely no comparision. Nothing in DSC makes any kind of sense when we try to take it as a part of a consistent universe: Not scientifically, not historically, and definitely not in the story-telling sense. It may or may not be a good stand-alone sci fi series (I honestly can't tell. It is so far removed from my prefered kind of sci fi that I can't even judge it properly on this front). But it is not a coherent addition to the 50-year-old legacy called the Star Trek Universe.
Mon, Oct 29, 2018, 12:37pm (UTC -5)
That's completely irrelevant (though I'm willing to bet that my real-world business experience is greater than yours).

Do you have an actual argument to back up your opinion and/or challange mine?
I don't need to have business experience in media to point out that you don't know what you are talking about.
And as a scientist I must say that it is very hard to debate an opinion because opinions are subjective. So let us give your opinion/arguments a little reality test.

First paragraph: Boils down to nobody knows the future. So that one is true!
Second paragraph: unproven assumptions and questions that cannot be answered. There is nothing to discuss here.
Third paragraph: Here you compare the earnings of old Star Trek movies with the reboot to proof that auld Trek is as financially viable as the new ones. Your comment about the expenses probably means adjusted for inflation. So let's break down all the mistakes you make here.
You compare movies that were released over a span of 23 years with the new ones. The movie market has changed radically since then. Society, too. For example, there is far more competition. But let's forget that and just look at the earnings adjusted for inflation (I only use the earning in the US because in 1979 people in China weren't watching many movies) The rebooted Star Trek (2009) is the most successful. And if you would use worldwide earnings it would be: 1. Into Darkness; 2. Star Trek (1979); 3. Star Trek (2009); 4. Star Trek Beyond. By comparison the last of the old ones Nemesis "made" the least amount. It actually lost money. Insurrection didn't do much better and only one of the TNG movies made more than half of what the least successful reboot movie Beyond did and that was First contact (214 vs 347). So from a financial standpoint the reboots were were more successful in a far more competitive market.
You argument here is dis-proven. Dis
Mon, Oct 29, 2018, 12:43pm (UTC -5)
@ Omicron sorry. For some reason half of my post didn't make it but rest assured that it was equally devastating if not more! :)
Peter G.
Mon, Oct 29, 2018, 12:43pm (UTC -5)
The argument about whose business credentials "prove" their point more is ridiculous. A point isn't proven based on who's the one saying it. The original proposition was that the execs must know what they're doing because they're the ones being paid the big bucks, and this seems to me to be the red herring causing the debate. It's a red herring because even in business no one assumes that whoever's at the helm must know what they're doing. It's pretty well-known that many major CEO's screw over their companies completely, either deliberately or through incompetence. The common mentality these days is quarterly gains, and being able to pitch new projects that impress the board. You'll get your bonuses from short-term gains, as well as support for your innovation. By the time these things fall apart, company stock goes down, and the plans are revealed to be foolish, the CEO has long since taken their golden parachute severance and retired in luxury. So the argument might better be considered as: do the execs know what they're doing *for their own careers*? I'd have an easier time accepting that they do know something about this. But knowing about how to create franchise programming, reinvent and sustain an old business model (Trek), and to ensure artistic quality? No, I doubt they know that much about that because there's no science to it that looking at stats will reveal.
Mon, Oct 29, 2018, 12:50pm (UTC -5)
In short: Viewer numbers for Orville in the 18 to 49 are down from 2.73 to 0.89. And a very nice bit about how meaningless the words "very loyal fanbase" are.
And I encouraged you to view this as the successful capitalistic strategy that it is. Rebooted movies made a lot of money and the streaming numbers for CBS almost doubled since Discovery started. They turned a property that was generating flop after flop (Insurrection, Nemesis, Enterprise) into a profitable race horse and they will ride that horse until it is dead and then sell the parts.
To quote Morty: Nobody belongs anywhere, nobody exists on purpose, everybody's going to die. Come watch TV.
Mon, Oct 29, 2018, 12:53pm (UTC -5)
@ Peter G.
I wrote that while laughing. It was sarcasm.
I agree with the picture you paint of capitalism in the 21th century.
Peter G.
Mon, Oct 29, 2018, 12:57pm (UTC -5)
@ Booming,

"I wrote that while laughing. It was sarcasm."

I don't doubt it, but the object of dispute seemed to me to possibly be a fake argument couched in a real one, and I was targeting the real one.
Mon, Oct 29, 2018, 3:50pm (UTC -5)
@ Peter G.
Well, you got me.
I think in this day and age what you call " how to create franchise programming, reinvent and sustain an old business model (Trek), and to ensure artistic quality" is no longer possible. The question is if the Netflix approach works. Funding as much as possible and hoping for a regular stream of hit shows.
Star Trek Discovery serves one main purpose. Getting subscribers. Therefore the show must appeal to as many as possible. What franchise made more money. Transformers or Star Trek? And who made Transformers I and II? Alex Kurtzman
You will never again see a show that is what most old Trekkies would call Trek. Nerdy science stuff, ethical debates and so on. All these shows that carry the name Trek are only supposed to draw in as many people as possible from all directions.
That is why I'm not surprised that they make something like a Star Trek comedy show and probably more stuff that will sound completely idiotic to a person who doesn't understand what Netflix did to media. Star Trek is still cultural significant which makes it useful to get subscribers.
Or to put it more bluntly.
CBS market cap is around 20 billion
Netflix market cap is at 124 billion
But hey what do I know. :)
Mon, Oct 29, 2018, 4:33pm (UTC -5)
Welcome aboard Booming!!
Jason R.
Tue, Oct 30, 2018, 6:54am (UTC -5)
Booming, these things are cyclical. I'm reminded of how branding goes in retail. A company like Coach has a brand name that stands for luxury, exclusivity. They have a loyal following. Someone logically says let's open many more stores, sell at outlets to the masses. It works, for a while. But over time, everyone has a coach purse. Everyone is buying that $400 purse for 50% off and before you know it Coach isn't luxury anymore - it's cheap trash. And the masses? They've moved on. And now Coach has a hard time going back because they've trained their customers to think of their purses as bargain bin merchandise. They killed their golden goose.

Netflix is a behemoth that burns through cash producing buckets of programming, most of it godawful, with just enough quality shows to keep people subscribing. It remains to be seen if that business model is sustainable in the long term.

CBS will never compete with Netflix on Netflix's terms, nor should it try. CBS thinks that it can leverage Trek (the Coach brand of its lineup) by making it all things for all people. Come see Trek on sale, 50% off! Trek for less! Trek comedy, Trek drama, Trek for all! Trek on every TV.

We'll see what happens in the long run, but I think turning Trek into a mass market brand a la Star Wars is a mistake. I think CBS, like Coach, will end up with neither the niche exclusive market, nor the mass market. They'll just be nowhere.
Tue, Oct 30, 2018, 8:26am (UTC -5)
@Jason R

I agree with your analysis and prediction. Here is the unknown factor: can these various Star Trek series be GOOD? I mean, did Star Wars start to seem less special because there were too many of them? Or because, with Solo, it became clear that they were content to make mediocre and forgettable stuff? If literally every single new Star Wars movie was a high quality piece of entertainment (and I am someone who liked Last Jedi very much, as well as Force Awakens and especially Rogue One), would it still feel over-extended?

The orthodoxy among the Star Trek producers is that the death of Star Trek in the early 2000's was due to over-extension. But that's not strictly true. The death of Star Trek in the 2000's was due to the low quality of the last two series and movies (Voyager, Enterprise, Insurrection, Nemesis.) It only felt over-extended because it was all crap.

So...let's say Discovery Season 2 is great. (I happen to think this very unlikely, mind you. In my opinion, they learned the wrong lessons from season 1. It wasn't too dark, or too gritty, or too unaligned with canon. It just didn't have the courage of its convictions, or the writing chops.) But let's say it is. And let's say this new comedy series is hilarious. And let's say the new Picard show is new and amazing. Then, over-extension ceases to be a problem, no? I have no particular problem with Star Trek being anything at all - space war, comedy, school story, drama, adventure, political show, anything - as long as it's GOOD.

I know. I'm having pipe dreams. But still.
Jason R.
Tue, Oct 30, 2018, 8:54am (UTC -5)
Ubiq I agree completely that if it's good, that is, in some ways, all that matters. In theory if you made a Star Trek slapstick comedy a la Pink Panther, and it genuinely as funny as Pink Panther, it should be successful. But what are the odds of that happening?

Going back to my retail example, Coach could start producing $7,000 purses and go toe to toe with Prada and Chanel - but would they want to? Even if they could succeed on quality, on marketing, on rebranding, would it make any sense? Would it be an optimal use of resources?

Brands are investments. They are packed with value in terms of built-in audience, good will, expectations. When CBS purchased the rights to Trek, it paid for that package. So what sense does it make to wipe the slate clean and start over? Commercially, it makes no sense at all. If Trek isn't Trek, then what did CBS buy?
Tue, Oct 30, 2018, 9:14am (UTC -5)
@ Jason R.
I don't think that your example is a fitting one for the international streaming market.
Or the strategy of CBS.
First of all Star Trek is not an exclusive brand. It is the opposite. People aren't sitting in their middle class or lower class homes and say: If I could just afford some Trek.
No. People who don't watch Trek don't want to watch Trek.
And as I pointed out 10 years ago Trek was basically a dead brand which still had value as a cultural phenomenon. In other words. Everybody knows Spock.
Netflix in 2013 had 35 million subscribers. They now have around 140 million. Name another billion dollar company that has grown four times in five years. Especially in media? Their is none. This is a revolution.
Why do you think the biggest fish aka Disney pulled their stuff from Netflix.
CBS is just trying to survive and again they doubled their sub numbers because of Discovery. It is subscriptions or death for them. For all of these companies.
Peter G.
Tue, Oct 30, 2018, 9:15am (UTC -5)
@ Jason R.

"Commercially, it makes no sense at all. If Trek isn't Trek, then what did CBS buy?"

But we already know the kind of people we're dealing with here. For ST: Beyond the exec's instructions were to make an action film, that it not be to Trekky, and that it be a general sort of adventure film that could have the Star Trek names and words pasted on to it. The *only* question on their minds is does it make money. And of all the criteria they have to consider, the quality of the material is only one, and certainly not the chief factor. And even in this context "quality" doesn't at all mean adherence to the brand's core identity; that's probably not even on the list. You're right: they have no interest in maintaining branding.
Tue, Oct 30, 2018, 9:24am (UTC -5)
And we should also consider historical sociology.
What were the times when Star Trek shows were really successful.
The Kennedy years and the decade after the cold war ended. Both times when America felt pretty well about itself. When the US thought that they actually are a force of good. That the future is a bright one.
But these days the US looks quite differently.
Jason R.
Tue, Oct 30, 2018, 9:40am (UTC -5)
"And as I pointed out 10 years ago Trek was basically a dead brand which still had value as a cultural phenomenon. In other words. Everybody knows Spock."

You're wrong on several points. First, Star Trek wasn't a "dead" brand. Dead brands don't have legions of fans writing fiction, attending conventions, playing card games, reading novels etc...

That was Star Trek's magic and its value. Movies would come and go, TV shows would rise and fall, but Trek was immortal.

It was never about mere recognition as you imply i.e. everyone knows Spock. That was exactly the wrong conclusion to draw. I am not discounting the value of name recognition, but that was only a fraction of the Trek brand's true value.

I will concede my retail analogy is not perfect, but it is a stark lesson in business of the dangers of diluting a brand beyond recognition. The masses are fickle. Those who fight in those murky waters for a true mass audience had better be titans, because not many are going to thrive.

Can CBS turn Trek into mass entertainment? Is that the optimal use of *this* brand? Maybe if you want to goose the stock price for a couple years so Mr. CEO can get his quarterly bonus. Is it a long term strategy to effectively stripmine Trek? I just don't see it.
Jason R.
Tue, Oct 30, 2018, 9:43am (UTC -5)
Boomer maybe we don't even disagree after all. You seem to be implying that CBS is selling the family silver to pay its rent for the month. In other words out of desperation. Cam't say I disagree.

And if they really think they are going to compete with Netflix? Then they're insane.
Tue, Oct 30, 2018, 10:18am (UTC -5)
Jason R.
I meant dead brand in a financial way. And name recognition as a vehicle to draw people in who look for the next media fix. So far it worked pretty well.
And yes CBS is in a way selling it's family silver and when do families tend to sell their silver? In desperate times.
But I wouldn't say that they are insane. What else are they supposed to do? Wait for their slow death or attack with everything they've got and hope for some miracle to happen.
Tue, Oct 30, 2018, 10:21am (UTC -5)
I'll just say that having gatekeepers for art isn't *necessarily* a bad thing. There are Wagner and Shakespeare societies for a reason. The Star Wars franchise is a great example that, so long as the originals exist, you can always create a re-interpretation or sequel or whatever that is worthy even if there is an (over)abundance of spinoff material. "Return of the Jedi" was already kind of a betrayal of the precedent set up by the previous films, with Lucas trying to re-make the original but bigger and more complicated. The prequel trilogy was horrendous, but a lot of the spinoff media from it such as the Clone Wars series is quite good. I didn't care for Rogue One or Solo, and thought Force Awakens was mediocre, but Last Jedi was, in my view, the best SW film since Empire. Regardless of how you feel, at no point is it too late or is there just too much stuff around for good art to be made out of an old franchise.

What CBS is doing is no different from Marvel. A lot of the TV and films being produced from source material that is 50 or 60 years old is awful, but a few good things emerge, too. I hate the Abrams films and haven't finished Discovery, but I am open to the possibility that any of these new projects can be good and can be Star Trek, no matter how much crap gets churned out in the interim.
Wed, Oct 31, 2018, 8:34am (UTC -5)
"The prequel trilogy was horrendous, but a lot of the spin-off media from it such as the Clone Wars series is quite good."

I liked Rebels and both versions of Clone Wars (the 2003 and 2008 series).
Patrick D
Thu, Nov 1, 2018, 8:03am (UTC -5)
Maybe CBS should scrap the lame Star Trek comedy series and put the money towards remastering Deep Space Nine in HD? They could advertise it and everything!
Patrick D
Thu, Nov 1, 2018, 5:21pm (UTC -5)
@ Jason R.

I concur. Star Trek was a *hell* of a lot more popular and a pop culture juggernaut in 1991 with only TOS and TNG. The 25th Anniversary of Trek was an EVENT. Two years ago was the 50th anniversary and it was a barely a blip on the cultural radar.

Even Back to the Future which only features 3 films (and a short-lived animated series) is still a touchstone that subsequent generations have embraced. They didn't have to bludgeon the public with more, more, MORE content like say...fucking STAR WARS. Harry Potter is only seven books and it's a pop culture behemoth.

Quantity of content is meaningless if the quality isn't there.
John Harmon
Thu, Nov 1, 2018, 10:01pm (UTC -5)
@Patrick D well said
Sat, Nov 3, 2018, 11:24am (UTC -5)
@Jason R. "I think CBS, like Coach, will end up with neither the niche exclusive market, nor the mass market. They'll just be nowhere."

Yep. Here's the thing. There are already far too many TV shows that I want to watch. If something isn't interesting or distinctive enough to catch my attention, I probably won't end up watching it. Star Trek Discovery isn't a better space opera than "The Expanse," it doesn't have better action than Netflix's "Altered Carbon," and it's sci-fi isn't as clever as "Black Mirror." So where does Trek fit in? Aside from its name, what makes it stand out from the crowd?
Sat, Nov 3, 2018, 11:28am (UTC -5)
@Patrick D, unfortunately, Harry Potter is going down that route with the new movies. Still, I find the constant onslaught of content to be less offensive with movies than TV. At most a franchise will pump out 2 movies a year, which I can usually find time to watch. And, books and comics aside, Star Wars is primarily a movie franchise. But TV shows are 10-20 episodes per year. And nowadays they're heavily serialized so you have to remember in detail everything that happened from the last season, which might have aired a year ago. I find myself just dropping so many TV shows because it feels like homework to keep up with them.
Peter Swinkels
Mon, Nov 5, 2018, 8:59am (UTC -5)
As much as I liked the new take on Star Trek and the rather daring and sometimes even shocking plot twists I am uncertain whether I will continue watching Star Trek. Reflecting on some of the comments I have read here I get the impression some people are upset because they feel the franchise’s creators went too far in updating the show. I don’t whether this is true or not, but for me changes to the show did feel weird and took a while to get used to. I suppose it all comes down to whether I wish to invest the time and energy in getting to know Star Trek Discovery a bit more or to let go of Star Trek which of which I have been a huge fan since I was a teenager or to let it go in favor of other franchises or activities. Not out of frustration but because otherwise I may forget there are other things to life than Trek.
Peter Swinkels
Mon, Nov 5, 2018, 9:03am (UTC -5)
EDIT: “I don’t KNOW whether this is true”
Mon, Nov 5, 2018, 6:59pm (UTC -5)
@Peter Swinkels, I don't think it's about "updating" the show. "Updating" implies an improvement based on new technology or ideas that supplant the old ones. Updating implies that the newer version is superior, more advanced. There are things on Trek that needed updating, like the special effects and acting. However, much of what Discovery did wasn't "updating" so much as different. Some types of stories are more popular in some periods of time than others, but I don't think serialization is inherently superior to episodic TV. You can tell compelling stories in a short story, and tell lousy, meandering stories in long-form storytelling. I think this is a bit of a fallacy common amongst reviewers nowadays. They assume that just because something is heavily serialized or has a lot of plot twists that it's a step forward for storytelling, rather than just a different type of storytelling.
Thu, Nov 8, 2018, 8:37pm (UTC -5)
re. "Calypso" Short Trek

First of all -- not sure what to make of these short treks - not even a full 1/2 hr with commercials. What can possibly be achieved in such a short time?

So the Discovery has just been sitting there for 1000 years with a lonely computer?? Reminded me a bit of the Companion in "Metamorphosis" as the USS Discovery computer befriending the black dude after tractoring in his escape pod. The two develop a friendship, try and satisfy each others' needs etc. I guess the computer realizes the dude needs to get back to his wife and so off he eventually goes in a shuttle. Some trite stuff about being reminded what it means to be human -- maybe supposed to be a feelgood thing about AI.

Just hope DSC S2 is much better than S1 -- definitely not too many brain cells are being wasted on these short treks.
John Harmon
Fri, Nov 9, 2018, 8:49am (UTC -5)
I was really looking forward to Calypso. Even in a short, the idea that it's 1,000 years in the future and is a guy stuck with an AI has the potential for some good sci-fi.

Instead it was crap. They did nothing with it. Guy shows up to ship, wants to get to home planet, AI says it can't leave, they spend some time together, then AI gives guy a shuttle. That's it.

It shouldn't even count as a story. Stories usually have plots and turns, even short ones. Calypso was literally just a guy hanging out on the ship for a bit with no troubles and then leaving.

I have to ask, where did that AI come from? It wasn't in season 1 and the ship still looks brand new. Are they saying the Discovery always had this canon breaking AI? Why did the ship still look the same after 1,000 years? Actually I can answer that. Because these shorts were filmed desperately and quickly during season 2 as a way for CBS to try and gouge foreign markets for money (that almost nobody took them up on) so they didn't have time to redress the set.

Dude didn't even bother to ask what happened to the crew? Also it's 1,000 years in the future and humans are basically the same as we are now? Social structure and everything? No hint as to what the Federation might look like that far in the future?

It pains me that Calypso was so nothing. Absolutely nothing happened. It was a waste of 20 minutes.
Charles Liddle
Fri, Nov 9, 2018, 7:38pm (UTC -5)
I assume "Calypso" is intended as a tease in case the Powers That Be decide to
further expand the Trekverse to show the Federation as it stands 1000 years in
the future. "Calypso" was a somewhat entertaining way to spend 15 to 20 minutes.
The next short showing Saru's backstory sounds more interesting.
Fri, Nov 9, 2018, 10:25pm (UTC -5)
"Excellent point about not rehashing TOS on TNG."

Literally the second episode of TNG is a carbon copy of a TOS episode AND references the TOS ship and crew.

I'm not sayin', I'm just sayin'.
Fri, Nov 9, 2018, 11:50pm (UTC -5)
Just finished watching Calypso. It was a decent episode of "The Outer Limits".

But seriously, I think Calypso is the least dreary, most optimistic story to come out of STD thus far. Unlike most of the regular characters in the series, Craft is actually likable and isn't concealing some hidden agenda. The setting doesn't really make sense in the context of Star Trek canon, but then STD has been playing fast and loose with canon from day one.

Overall, it felt like a completely different show--a pastiche of 2001, Wall-E, and Her--that just happened to be filmed on the Star Trek sets. The only element of STD that carried over was the clunky and emotionally inert dialogue that has always characterized the series.

Bottom line: Short Treks still aren't Star Trek, but I'll take more lowkey drama like Calypso over most of what we saw in Season 1.
Sat, Nov 10, 2018, 2:49am (UTC -5)
Well. 'Calypso', eh?

The least offensive STD episode so far was also quite possibly the most aimless. It really didn't work. It didn't work on film, and it wouldn't have worked as printed narrative. It really had nothing, other than — as John Harmon pointed out — 'Guy shows up to ship, wants to get to home planet, AI says it can't leave, they spend some time together, then AI gives guy a shuttle.'

Sigh. Devoid of any real substance, and any time it *did* try to make a point, it ham-fisted it. No finesse. No subtlety. No graceful analogy. Nothing, nothing, and more nothing.

Well, still. It was inoffensive, compared to STD S01. I really don't see that as a net positive, though just another in a long line of disappointments.
Sat, Nov 10, 2018, 6:30pm (UTC -5)
Dan said:

"'Excellent point about not rehashing TOS on TNG.'

Literally the second episode of TNG is a carbon copy of a TOS episode AND references the TOS ship and crew.

I'm not sayin', I'm just sayin'. "

It's more than that. TNG started essentially as the version of TOS that Rodenberry wanted to do in the 70's, the basic ideas of which got implemented in the first movie.

-Older, calmer captain/admiral (Kirk) = Picard
-Upstart, impatient 1st officer (Willard Decker) = William Riker (barely changed the names!)
-Vulcan 3rd in command (Spock (or Xon)) = positronic Vulcan Data
-Attractive female telepath bridge officer who has feelings for the upstart 1st officer (Ilia) = Troi

Now they added some characters to that (most importantly Worf, although Rodenberry never saw him as an important character). But TNG basically started as a second take on that first TOS movie. It was really only when Rodenberry left that TNG grew into something distinct.


John Harmon said:
"Because these shorts were filmed desperately and quickly during season 2 as a way for CBS to try and gouge foreign markets for money (that almost nobody took them up on) so they didn't have time to redress the set. "

I think they're primarily aimed at American subscribers to the CBS service. If people are subscribing to the online service because of Star Trek, CBS doesn't want them to be able to cancel their subscription for 9 months at a time and still be fully caught up.

Before we knew much about Discovery, I made some comments on this site saying it would be a good idea for them to do some Star Trek projects besides the series to keep people subscribed. The nature of a streaming service means this kind of one-off episode can makes sense, which isn't the case for a linear network with a fixed schedule. There's nothing wrong with the long as they're good projects (so you're not watering down your brand).
Peter G.
Sat, Nov 10, 2018, 11:24pm (UTC -5)
@ methane,

I never noticed the similarities between TMP and TNG. Very astute observations.
John Harmon
Sun, Nov 11, 2018, 12:33am (UTC -5)
@methane from what I’ve read CBS tried to sell the shorts to Netflix for $40,000,000 so they could get more money and they would be available in foreign markets but they wouldn’t bite
Sun, Nov 11, 2018, 1:56am (UTC -5)
@John Harmon

Netflix wouldn't bite probably because they're already shelling out for the entirety of STD's budget:

'Star Trek: Discovery's Budget Reportedly Paid For By Netflix, Not CBS'
Sun, Nov 11, 2018, 5:40am (UTC -5)
"I meant dead brand in a financial way."

How do you figure that?

Star Trek is a brand that has - quite literally - millions of loyal fans who are more than happy to open their wallets and spend money on their beloved franchise. Or at least, this was the case before CBS spent an entire year doing everything in their power to alienate these fans.

"I wouldn't say that they are insane. What else are they supposed to do?"

I think that watering down a five-decade-old brand that has millions of devoted followers into some kind of mass-entertainment product definitely qualifies as "insane".

As for they were "supposed" to do, that's quite simple: They were supposed to do everything in their power to maintain the uniqueness of the Star Trek brand and maintain their loyal fan base. They should have also hired writers that can write actual Star Trek, and let them do their stuff with as little intervention as possible (remember "Enterprise"? That series would have a been a thousand times better had UPN let B&B create the actual prequel they wanted to create).

Unfortunately, desperation sometimes leads even smart people to do stupid things.
Sun, Nov 11, 2018, 5:56am (UTC -5)
Oh, and one more thing:

I'm not necessarily saying that CBS should never ever make concessions in order to broaden the appeal of "Star Trek". Sometimes, in the business world, we need to make compromises, and that's fine.

But you gotta be smart about it. Adding a bit more action in order to (say) double your audience may well be worth it. Killing a half-century-old brand in order to double your audience short-term - is not.
Sun, Nov 11, 2018, 8:19am (UTC -5)
Discovery has killed nothing.

I just watched Calypso and I enjoyed it.

I guess we'll see how it ties into Discovery later.

Only 18 minutes, but touching nonetheless.

I like Aldis Hodge... makes me want to go watch some 'Leverage' 😀

Some reviews on Youtube are scathing. I don't see it that way.

So, Discovery is going to end up sent somewhere far away I guess....
Sun, Nov 11, 2018, 8:24am (UTC -5)
@Peter G.
"I never noticed the similarities between TMP and TNG. Very astute observations."

This surprises me. It was so obvious early on.
Sun, Nov 11, 2018, 11:41am (UTC -5)
"Discovery has killed nothing."

That's your opinion, but most fans of pre-Abrams Trek would disagree with you. Even among those who like Discovery, there's this common notion that "I can only enjoy it if I pertend that it isn't Trek".

Of-course, there are fans who think otherwise (like you) and that's perfectly fine. But this doesn't change the fact that CBS has a serious branding problem.

You don't need to take my word for it, either. Just look at the comments, both here and on the "Will You Take My Hand" review (which kinda served as a general S1 discussion ever since the first season ended).

"I'll just say that having gatekeepers for art isn't *necessarily* a bad thing. There are Wagner and Shakespeare societies for a reason."

I agree.

The problem is that in the context of Star Trek, recently, this word 'gatekeeper' has become a form of bullying. It became a derogatory term refering to all those "pesky nerds" who care (even a little bit) about things like continuity and consistency and the Star Trek ethos.
Sun, Nov 11, 2018, 1:26pm (UTC -5)
@Yanks, Discovery has killed my enthusiasm for Star Trek as a franchise. Even during the JJ Abrams movies, I managed to keep my enthusiasm alive, thinking that maybe the dumbed down movies would create enough demand for Trek that we'd get the thoughtful Trek TV show we've all wanted. But now that we've gotten that TV show and it's worse than I could have imagined, I really don't know what's left for this franchise. Good on those who like Discovery, but it was the final nail in the coffin for me. Star Trek is a franchise that belongs in my past.

@OmicronThetaDeltaPhi, 100% agree about fans using the term "gatekeeper" to bully others. I was called a "gatekeeper" because I argued that Star Trek should be about something other than generic science fiction and stick true to its liberal humanist roots. Can franchises grow and evolve? Sure! But what's the point of a franchise if it leaves behind everything and anything that made us fall in love with it in the first place?
Paul M.
Mon, Nov 12, 2018, 1:33am (UTC -5)
I'll reiterate: I am having a bit of trouble understanding the teeth-gnashing Discovery elicits when compared to late-era Berman Trek. It's one thing to dislike Abrams/CBS Trek -- truth be told, I am not sold on it; just go read some of my comments on those threads -- it's quite another to pretend Trek before that was the epitome of Trekness.

"Discovery betrayed Trek", "Trek in name only", "STD killed Star Trek"... Has anyone actually watched Voyager, Enteprise, Insurrection and Nemesis? One can hardly do worse than those sorry excuses for Trek.
Mon, Nov 12, 2018, 6:09am (UTC -5)
They were bad Star Trek, but they were Star Trek. There's definitely a golden period of Berman-era Trek from 1989-1999 (TNG Season 3 to VOY Season 5, including the whole of DS9), followed by a long weak period of decline from 1999-2005 (VOY S6 to ENT S4), which nevertheless isn't without its strengths by any means - there were plenty of good episodes in VOY S7 and ENT S3-4, for instance. Nemesis is indeed terrible but I have a lot of time for Insurrection, a classic TNG story told with a lot of heart.

However, even during this period of decline in which Voyager (in its late seasons) and Enterprise (right from the start) were creatively lacking and increasingly running on empty, they still largely had a Star Trek feel, Star Trek values and Star Trek science.

I think the rush to serialization with Discovery is part of the problem. Let's face it, if DS9 had tried to open season 1 (instead of season 6) with a complex war arc spanning multiple episodes, it'd have fallen flat on its face. The confident, cohesive storytelling that we associate with DS9 from S3 onwards (but especially S6-7), with all the different characters and elements working in sync, is something that took years to build up to and develop - not just on DS9 but through TNG's worldbuilding with the introduction and development of the Cardassians and Bajorans and the deep look into Klingon society throughout the Worf/Duras arc. Discovery tried to roll out a complex serialised show straight out of the gate not only without having built up any foundations of it own, but also not making meaningful use of the foundations provided by previous Trek series (ie. instead of using Okuda-science, Moore-Klingons and Roddenberry/Berman values, the show threw all those out of the window and built itself around its own nonsensical pseudo-science, completely reinvented Klingons whose society, culture and values are totally unlike the ones we know, and a Starfleet that also bears no resemblance to the one we know in terms of its culture and values). I could care less about aesthetic changes like how the Klingons look, the technology, how the ship looks etc, but it's when you totally change the culture, values and science across the board that the show becomes something else, something completely unlike Star Trek. Voyager and Enterprise were bad a lot of the time but their culture, values and science was solidly Trekkian with minor exceptions.
Mon, Nov 12, 2018, 6:09am (UTC -5)
"How do you figure that?"
I figure that through box office results. The last two movies Insurrection and Nemesis were either flops or bombed. And Enterprise was a money sink from start to finish. The argument that there are millions of fans didn't help those projects and therefore is invalid.
For me personally Star Trek was over with the first Abrams movie. Which wasn't a problem for me. If there is a desire for this kind of entertainment (positive, exploration for a wiser humanity) then we will get that sooner or later. It is a little sad that teens don' t have this parallel universe anymore were people are just more evolved but as I pointed out before: Times are pretty bad and shows reflect that by either being super dark or the opposite (because we need a break sometimes)
Mon, Nov 12, 2018, 6:20am (UTC -5)
Two points: Insurrection was kind of the opposite of Star Trek the means of the many thinking. The more or less state that the radiation could save billions. Plus their was magic in it (time stopping through the power of love)

The other point is that there are aspects that never made sense in Trek for example Klingons: These guys should live in caves, spending their days eating each other. We only ever saw one Klingon scientist and she looked like as if she belonged to a oppressed minority. These guys would have never made it into space.
Mon, Nov 12, 2018, 8:25am (UTC -5)
@Paul M., wolfstar's response has it right. Voyager and Enterprise weren't always good storytelling, but they were recognizably Star Trek. Fans at the time were very critical of those shows, and still are. In fact, I'd argue one of the biggest problems with those shows is that they merely tried to replicate the TNG formula rather than innovate. The best Treks, like TNG and DS9, push the boundaries of Star Trek, but ultimately stay within the boundaries. They question and interrogate the franchise's underlying liberal humanist philosophy, but ultimately reaffirm it. It's a tough balancing act. Not every single episode of Voyager, Enterprise, or even DS9 and TNG, got it right, but those shows as a whole looked and felt like Star Trek.
Mon, Nov 12, 2018, 3:18pm (UTC -5)
I don't have time to read all of the comments here, but I'll give you my current perspective on Trek and Sci Fi in general, coursing through the neurons in my thinkin' noodle.

I recently read something called "The Songs of Distant Earth" by Arthur C. Clarke, and have refamiliarized myself with 2001: A Space Odyssey and 2010 as well. Both are fine movies, and the general feeling it gave me was that things like Star Wars and Star Trek are sort of capitalizing on the harder sci-fi that was being put out there in the 50's and 60's. It's a cultural thread that began with the "Space Race" between the USA and the Soviet Union, and here we are, nearly 70 years out from that whole situation, and while there hasn't been any contact from alien species and we still have yet to find a way to transport ourselves from here to another inhabitable planet, there is *just so much cool stuff to buy.*

I feel like these two series, Star Trek and Star Wars, are really kind of emotionally manipulative, hyper-expensive and incredibly long action figure commercials, compared to what I'm experiencing as I dig into the harder elements of science fiction. I know that's a "Bombastically Exaggerated Internet Opinion [tm]" but they really kind of are, and almost always have been. The extra thought going into TNG's scripts starting with Season 3 was largely due to the influence of Michael Piller, who took over as the showrunner at that time, when Gene Roddenberry's health started to falter. He opened up the show to scripts from outside writers, and we ended up getting a first episode ("Evolution") that resembled harder Sci-Fi in many ways, and had a thread of intellectualism going through it that the 60's Trek (relative to the times in which it was produced) had a bit of, too.

But as TNG became successful, and the TOS Movies came to their logical (sorry I couldn't resist) conclusion, something about the Trek culture changed (Looking at you Rick Berman and Brannon Braga), and it sort of slumped back into the "Glorified Action Figure Commercial" territory that I mentioned. DS9 kept producing strong episodes from time to time, but it was typically more about drama than actual Science Fiction, per se (The most prominent example being risks to a main character's life or freedom that you know aren't going to be substantiated by the end of the episode, since they are a regular and are contracted to return to act in the next ep).

Long story short, I think that Star Trek has always sort of tried to skirt the edge between being basically a Merch Machine like the Star Wars franchise and trying to open people up to digging into harder Sci-Fi, but it has never gone straight up, "Total Hard Sci Fi" and it's going to take someone coming along with a vision for the show that has some real "grahmbahr" (as a Naussican would say) for that to ever be something that might happen.
Mon, Nov 12, 2018, 6:00pm (UTC -5)
Geez, these Short Treks are just not doing it for me. Bring Discovery on. There four regular bridge crew members that received zero character development during the 1st season. Couldn't these Short Treks have been used on them at least?

As to the discussion above, there is some rich, thoughtful input, but what "Star Trek is" varies in everyone's opinion so to say something "is" or "is not Star Trek" merely reflects just that -- that person's opinion what Star Trek is.

There are endless variations of Star Trek in TV series, books, movies, comics, etc., and yes Enterprise, Nemesis, and Discovery are also among those just as much as The Next Generation and Deep Space Nine are.

If others enjoy one of my less-preferred variations of Star Trek, their fanship of Star Trek is not in some form inferior to mine. My example: I am not a fan of Enterprise at all (relatively speaking, of course) but I would never call it "not Star Trek" or consider its fans any lesser Star Trek fans.
Tue, Nov 13, 2018, 8:46am (UTC -5)
But Mertov the question is if Star Trek can be anything, is it actually anything at all? If what Star Trek is really just depends on the viewer, then what is it that we're actually fans of? Why call Discovery "Star Trek" instead of "Galaxy Quest" or "Space Voyage"? I think a franchise does need some sort of clear and consistent identity, not just so fans know what they're getting, but also stories within the franchise can build upon each other and feel connected. People can and should discuss - civilly - what properties are intrinsic to Trek and what can change/grow with time. But I think to say that it's just "our opinion" to me is a sign that the franchise has an identity crisis and maybe doesn't stand for anything other than earning $$$ for CBS.
Karl Zimmerman
Tue, Nov 13, 2018, 9:01am (UTC -5)
Personally, I thought Calypso was fantastic. The editing was a bit jerky at times, but besides that, it's the first Trek product which the new team has put together that felt like Trek.

I think some people are missing some of the subtlety of the story.

1. The whole thing is an allusion to the Odyssey. In the Odyssey, Odysseus (who, like Craft, was away from home for ten years) ends up stranded on an island and enchanted by the nymph Calypso. After seven years, he remembers his wife, and the escape begins. Craft is Odysseus, and Zora (the ship's AI) is Calypso.

2. One key element of the story has been revealed by Micheal Chabon off camera. Craft notes that he has been fighting an enemy called "V'Draysh" for a decade. Chabon has confirmed this is the Federation. A lot of the elements that at first don't make sense - the Betty Boop cartoon in the "alien" life pod, and Craft being unaware of human food and the days of the week - are because he grew up a human in a planet totally cut off from Earth culture.

3. The show was refreshing because it had nothing to do with anything else in Trek (it clearly only takes place on Discovery because it saved the showrunners money to use standing sets). Remember Trek began as a pseudo-anthology before it became this canon-obsessed mess. Fundamentally though the Trek world is still big and open. You can use the Trek format for anything from westerns, to spy stories, to romances, to comedies. Thus the fact that this story has nothing to do with the rest of Trek doesn't really bother me. The story is about the two characters - not about canon or even a plot (there really was none).
Tue, Nov 13, 2018, 9:32am (UTC -5)
Karl, great input. Thanks. I would still prefer some world building within Star Trek: Discovery, that is why I felt like developing one of the existing characters (that did not get any in the first season) would have helped the viewers identify him/her better.

Dom, I hear you. The way I see it, I can list several reasons why I watch any Star Trek, such as my love of science-fiction, ethical dilemmas, space action, good production, crews working together, interplanetary story-telling, variety of different species, etc.. (I can go up to a dozen or a bit more). For someone else, those 12 or 15 elements (or fewer) they seek from watching Star Trek may be slightly (or quite) different.

I don't expect every Star Trek variety to contain *all* of these elements, in fact, none of the series or book series, or comic series of Star Trek contains all of them at once (some come close and those are the ones I call "my favorites" even though I still like the others). DSC contains some of those elements in my opinion. As long as they are within the Star Trek universe I don't consider them equal to any other Science-fiction movie or series (not that they may be great series themselves). There are no Spocks, or Enterprises, or Andorians in others.

I understand that for some people the number of aspects they expect are far fewer and unless those two or three are not in a certain TV, book, or comic series, it's not for them, and they may well dislike it (strongly) and in their opinion it may not represent the Star Trek they desire. I can list an episode or two, or a book or two, from the Star Trek universe, that did not represent Star Trek from my point of view. Having said that, they are nonetheless Star Trek to other fans who may like them. I hope that clears it up.
Tue, Nov 13, 2018, 1:30pm (UTC -5)
Yeah, this notion that everything in the Star Trek universe must, at least, have a certain number of common intrinsic values is, to my mind, a misunderstanding of precisely the benefits of having such a wide universe. Just because Star Trek can literally contain ANY kind of story is not evidence that it represents nothing - it's evidence rather that it can represent everything.

Since someone just brought up The Odyssey, I'll add the ancient Greek canon of stories as another example of an "expanded universe" that, within its boundaries, could encompass basically any type of storytelling at all. Within that shared universe of heroes and gods and half-gods, you've got everything from epic dramatic poetry to war stories to adventures to closet domestic dramas to romantic comedies to slapstick comedies to outright fantasies. The Greeks understood the advantages of using common characters and settings and even plots to tell vastly different types of stories, with vastly, even incompatible, worldviews and themes. And that's the thing - not only did the genres and tones change, but the values and philosophies of life and the world changed too. And now, we consider all that stuff part of the overall Greek canon of literature. If the stuff is good, it's good.

On the other hand, the whole "Discovery isn't real Trek" crowd also reminds us that audiences being unwilling to accept such vastly different approaches to the same basic material also hasn't changed in thousands of years. When Euripides borrowed the characters and situations from Sophocles and Aeschylus, critics at the time also said he wasn't treating the material seriously enough, or that it wasn't "real" tragedy. And this was two and a half thousand years ago. So, people crying foul at Discovery not being "real Trek", know that you're in good company.

Here's my take: the Abrams movies are not good movies, and they are not good Star Trek. That doesn't mean Star Trek cannot be a pure action movie - it means it should not be a mediocre action movie. If someone came along and made a Star Trek action movie as good as Raiders of the Lost Ark or Mad Max: Fury Road, I'm sure we'd all have less problem with it.

Discovery did not fail as a season because it was not true to Star Trek. It failed as a season (despite doing quite a few things right in the first half or two thirds) because it failed to follow through with its dark implications. It got cold feet, it made the ambiguous Captain EEEEVIL, and then it introduced a dumbass speech by Michael assuring its angry audience that don't worry, it was only kidding, it's gonna be real Star Trek from now on. The season failed due to cowardice and impatience. Deep Space Nine largely ignored complaints about it not being real Star Trek, and now we largely consider it the best of the lot. That says something. Discovery should have had the courage of the DS9 writers. Discovery needed to have the courage to be LESS like the rest of Star Trek, and it would have been a far better show.

So, yes - Star Trek can be anything, just as much as a story about Apollo or Agamemnon can be a anything. It just needs to be done fully and honestly and skillfully. That's my take, anyway.
Tue, Nov 13, 2018, 4:27pm (UTC -5)
@Ubik, you're absolutely right to point out that, fundamentally, the Abrams movies and Discovery failed because they failed at storytelling, Trek aside.

I do feel personally there is a real risk in the franchise losing its identity. I don't want Trek to do a Mad Max impersonation. If I want Mad Max, I can see Mad Max. If I want sci-fi with a focus on technology, I can go to Black Mirror.

For me, Trek's liberal humanism should be the through-line. This is different from a heavily serialized approach to storytelling that obsesses with continuity. I don't care much for that. I'm not one of those fans that needs to know where Kirk was every day of the week. But, as you and others pointed out, TNG and TOS were anthology shows, yet both had an overarching vision and philosophy. There was quite a bit of flexibility within that format - action episodes, mystery episodes, etc - but they were tied together by the underlying philosophy and some boundaries on the storytelling (no explicit gore, sex, etc).
Tue, Nov 13, 2018, 5:52pm (UTC -5)
"Yeah, this notion that everything in the Star Trek universe must, at least, have a certain number of common intrinsic values is, to my mind, a misunderstanding of precisely the benefits of having such a wide universe. Just because Star Trek can literally contain ANY kind of story is not evidence that it represents nothing - it's evidence rather that it can represent everything."

Well said Ubik. It's a setting and within that setting, each Star trek fan hopes for what they, in their individual opinion, desire to see. I can find some of what I desire to see in each reincarnation of Star Trek. There are some Star Trek book series, or episodes of Star Trek, or one Star Trek movie where I can't, that is why they are my least favorite. But they are still part of Star Trek, and fans who happen to like them are no less valuable Star Trek fans than I am.
Wed, Nov 14, 2018, 11:54am (UTC -5)
3 stars for Calypso - strange and compelling, and I liked the more literary approach. Karl's comment above is fantastic. It strains credibility that the ship could float in space undisturbed and with full power throughout the TOS and TNG eras plus another 800 years (just how far out is it?), and that the computer would gain complete sentience in that time (especially without having any additional input or anyone to interact with). But I'm happy to overlook these contrivances for what was a pleasant and thoughtful 20 minutes with its heart in the right place.
Sat, Nov 17, 2018, 10:23pm (UTC -5)
John Harmon said: "from what I’ve read CBS tried to sell the shorts to Netflix for $40,000,000 so they could get more money and they would be available in foreign markets but they wouldn’t bite"

Well...of course they tried to sell the shorts overseas. Producers try to sell everything they make to as many markets as they can. That doesn't mean they weren't primarily made for the domestic market.

I'm not surprised if they weren't able to agree to a price. Discovery is a Netflix property everywhere but Canada, so there's no reason for anyone but Netflix to show what amounts to advertisements for a Netflix property. I'm sure Netflix would pay some basic sum to show them, but they aren't worried about Discovery fans dropping Netflix because they don't have the shorts (because then viewers wouldn't be able to watch the main show). So Netflix isn't going to pay CBS much for them, & CBS might just keep them & hope they spur the inevitable DVD sales (whether they get sold separately or with DIS season 2).


To the discussion about "What is Star Trek?"

(I say this as someone who hasn't seen Discovery)

Star Trek is a universe that can contain any kind of story, from comedy to character drama to horror to hard science fiction to whatever. But it needs some basic "givens", or else it's not Star Trek. If you pick the Federation or the Klingons or whatever at a certain time that we've already seen, you have a basic idea of what the society is and what the "average person" stands for (remembering that their are always people outside the norms of society, and mad admirals trying to take over Federation ships). If you go outside those time periods you can show more differences (like the differences in Klingons from TOS to TNG, or in Vulcans from ENT to TOS to VOY), but you'd like viewers to understand how the cultures got from point A to point B. Technology also has to remain somewhat consistent (even though every Trek has had some magic technology come in for an episode or 2 and then be forgotten completely).

To stay distinctive, Trek should also stay somewhat intelligent, and overall hopeful, even though it can portray dark periods. DS9 was plenty dark, but I think it still had an overall optimistic viewpoint...the ideals of the Federation were scarred, but they survived.
Carlos Rodriguez
Sun, Nov 18, 2018, 6:09pm (UTC -5)
Wow so much moaning. Personally thought s1 was fantastic if different. Not perfect but what is? I’m a huge trek fan all my life but you know what it’s just a tv show. If missteps happen it doesn’t mean it’s a write off. Looking forward to s2.
J Fenzel
Mon, Nov 19, 2018, 8:10pm (UTC -5)
Well said, Carlos. I have yet to see anything beyond episode 1, and despite the scathing comments I've read here I will be purchasing the season 1 Blu Ray and making my own judgement. I too have been a Trek fan all my life and have found things I love and things I don't like so much in each carnation. Looking forward to actually seeing the season play out. And btw I'm really intrigued with the new Picard series and what direction the producers will take it.
Sun, Nov 25, 2018, 11:32pm (UTC -5)
This thread is one of the whiniest and obnoxious I’ve seen in a long time. Projection much? I didn’t recognize any of the supposedly preachy or “SJW” elements in DSC, but then again, I wasn’t obsessively looking for them like a hypersensitive adolescent.

I thought DSC was mediocre. Not because of ugly Klingons or acne (lol seriously?) or canon issues or any other bogey-man. It just wasn’t very well written or well acted, IMHO. I’m withholding judgment on S2 until I see it, but I’m neither optimistic nor pessimistic.

To quote the Shat (ironically in this case), those moaning about politics need to get a life. S1 was a middling sci-fi adventure/exploration story. Whatever political avatars you think you see are in your head. Get over it and please stop hijacking every discussing with your self-absorbed and narcissistic complaining.
Patrick D
Mon, Nov 26, 2018, 9:16pm (UTC -5)
Well said, Jangus!

This video sums up how I feel about people who complain about "too much political correctness" in Star Trek.

Seriously, have they been watching the same franchise as the rest of us?
Tue, Nov 27, 2018, 9:27am (UTC -5)
@ Jangus
Sun, Nov 25, 2018, 11:32pm (UTC -6)

The SJW crap was flung by the writers. Not in the carrying out of Discovery. well, not until the last episode.

Good article here if you care to read it.

Patrick D,

Good video. I like listening to Steve, although I don't totally agree with him here. He is commenting only on the idiots.
Tue, Nov 27, 2018, 10:49am (UTC -5)
Jangus: "Whatever political avatars you see are in your head" of the show's writers explicitly said that the Klingons were intentionally made "reminiscent of" Trump. I don't see how it can get any clearer than that.
Paul M.
Tue, Nov 27, 2018, 12:00pm (UTC -5)
@Yanks: "The SJW crap was flung by the writers. Not in the carrying out of Discovery. well, not until the last episode.
Good article here if you care to read it."

I had an intense urge to stop reading after coming upon this little gem: "You think it is a coincidence that there is not a single beautiful woman on board? " I don't know about the writer but Burnham, Georgiou, Tilly, Landry and Owosekun are rather pretty women. I mean, they are not supermodel levels of pretty, but faaaaar from what one would call ugly. So, if there aren't supermodels on the ship, it's SJWs ruining stuff left, right, and center? Believe me, these women -- and women (or men) on American TV in general -- are much prettier / handsome / hot&sexy than anything traditionally found on European series or movies.
Tue, Nov 27, 2018, 1:23pm (UTC -5)
Yanks: The quora thing is laughable. Just somebody coming up with interpretations of things. Some of them borderline pathological. I don't see any prove there. And Martin-Green is a beautiful woman when it comes to facial symmetry and other aspects. And Michelle Yeoh started as a model.
And the argument about the Klingons is also pretty crazy.
A major theme of the show will obviously be about Federation and Klingons getting to know each other.
And what is this perception that the writers are " trying to demonize the Klingons simply because they resist assimilation".
Two things: The Federation does not assimilate and the Klingons have started a war of conquest.
After reading it again I'm actually not sure if the author is super meta and this is actually a genius way of mocking right wing crazies.

@NCC-1701-Z I read the article. Being against Trumpian politics doesn't make you whatever a SJW is. Having a problem with the leader of the government branding the media as enemy of the people (a term used by Nazis and Stalinists) and attacking the judiciary constantly is not a social issue.
I am writing a paper about populism and Trump checks all the boxes. If somebody is interested "What is populism?" by Jan-Werner Müller (politcal science professor at Princeton)
Tue, Nov 27, 2018, 1:33pm (UTC -5)
I have to add this:

It is quite interesting.
Tue, Nov 27, 2018, 5:06pm (UTC -5)
I'm not American, and am more left-wing than right. I think the whole Discovery/SJW debate, while it might superficially seem a silly way to write off the show, and to fly in the face of past Trek's values, is worth having - it opens up interesting faultlines and allows us to look at how discourse has changed, and how approaches to television writing can sometimes change for the worse in response.

DS9 only had one straight white male in its main cast (and in its entire recurring cast, the only two straight white American males are Admiral Ross and Eddington), yet no-one calls it SJW Trek or would think of doing so. Not only that, many of those who dislike Discovery - perhaps even the people calling it SJW Trek (which for me is going a bit too far) - would point DS9 or the similarly diverse TNG as their fave. Likewise, TOS had an alien, an African woman, a Scottish guy, a Japanese guy and a Russian guy in its main cast of characters, with Kirk and McCoy being the only 2 straight white American males... and yet no Trek fan would think of berating its political correctness or calling it an SJW show. So why do many people who love TOS, TNG, DS9 and have no problem at all with these shows' diversity (in fact, they welcome and enjoy it) call Discovery "SJW Trek"? What are they actually getting at, what are they picking up on?

For me, it's about whether you consider diversity a starting point - an ingredient that goes into the mix to make a good Star Trek show - or an end point, an achievement in and of itself. TOS, TNG, DS9 and VOY had baked-in diversity and treated it as just one ingredient - having a varied main cast of characters (of different species, ethnicities and genders) wasn't the end goal in and of itself but a natural springboard for engaging characters, interesting interactions and good storytelling, in an inclusive future that we could all imagine ourselves being a part of. Since then, over the past decade or so, with the rise of social media and the resulting culture wars etc., diversity and representation have been placed on a pedestal to the point that some writers and creatives increasingly don't think beyond them: they think representation alone is enough, that as long as you tick all the right boxes, people will automatically be happy at seeing a member of their identity group on-screen and will enjoy the show merely on that basis - to see themselves represented - so you don't have to bother with decent writing, characterization or storytelling, or to properly flesh your characters out and give them depth, relatability and compelling motivations. As a gay guy, I'd take the thoughtful allegories of Rejoined, The Outcast, Chimera and Stigma anyday over Stamets/Culber on Discovery. They're Trek's first out characters, but Culber's characterization doesn't extend beyond "look, a gay", and Stamets is (as Zack Handlen on AV Club put it) "just a persistent vocal tone" crossed with a BSG hybrid (ie. like most of the Discovery characters, he is a function, not a person). There's hardly anything I call tell you about these people - they're not relatable, likeable (Culber seems nice, but we barely knew him) or even interesting. The show thinks it's enough to go "look, some gays" without putting any further effort in, as if that's all it takes to delight us - the shallowness and narcissism it assumes of the viewer is actually insulting. Because both characters are openly gay, we're supposed to see this as progress, when actually it's retrograde because almost no effort has been put into their characterization beyond their sexual identity, and they've thus been reduced to their identity label.

So for me, the issue with Discovery's characters in contrast to DS9's equally diverse cast (and that of TOS, TNG, VOY...) is that it's as if the Discovery writers thought representation was the only thing they had to do. The characters have barely been thought about or developed beyond the box they tick and the plot-driving function they fulfil. DS9's the most diverse Trek series but it never once felt tokenistic because all of the characters and performances were so rich - they weren't there to fulfill quotas, they were complex, engaging, relatable people who had great storylines and wonderful interactions with each other. I could say similar about TOS and TNG. Discovery's diversity feels tokenistic and surface-level, as if we're automatically supposed to find certain characters awesome - even as they constantly do stupid or awful things - just because of their gender or identity. Kira and Sisko are my all-time favourite Trek characters, whereas Michael is a terrible character and poor SMG is constantly hamstrung by the writing (as Michael's thoughts, actions and motivations have no consistency or solid underpinning and vary wildly depending on the dictates of each week's plot), yet the show almost forces us to side with her (by virtue of taking her perspective, as if she were a first-person playable character in a video game). The show essentially celebrates Mirror Georgiou as a cool badass anti-heroine, yet Lorca was character-assassinated and disposed of within the space of a single episode, via a couple of terrible lines of dialog that served to supposedly made him racist and quasi-Trumpist, at which point we apparently weren't supposed to think any further and were supposed to instantly dislike and no longer care about the captain we'd spent the whole of the season up to that point getting to know. (There was a "Poochie has to return to his home planet" vibe to it - as if someone said in the writers' room "How do we make Lorca evil?" and someone else said "Have him say something racist, then have him say 'make the empire glorious again'". It's so facile.)

That's why I think people, including those who loved previous Trek series that were just as diverse if not more so, are perceiving Discovery as (for want of a better term) SJW Trek. Because for the other Trek series, diversity was a starting point, whereas for Discovery, it's an endpoint.
Wed, Nov 28, 2018, 1:57am (UTC -5)
@ Wolfstar. That is actually a good argument. Well laid out and everything.
I don't agree on all points, though. You forgot Chief O'Brien (straight white male) and I would also say that the show was mostly heteronormative. Women still wear high heels, dresses, make up and have long hair in the 24th century while men still do none of these things.
Even the bisexual encounter of Jadzia was still just the continuation of a heterosexual relationship and then there was the good awful episode where Quark had a sex change and was all silly, super emotional and vain but on the other hand you had Jadzia and their former hosts which was pretty progressive when it comes to gender identity. Sisko calling her old man and all these things. Worf and Jadzia having really rough sm sex.
But I get what you are hinting at. The only person that has kind of a personality is Rapp: he is arrogant, focused but can also be caring and impulsive.
The others are mostly one dimensional.
And Lorcas character made no sense which is really weird because they obviously had this planned from the beginning.
I would also disagree with your final point. I think some people perceive Discovery as SJW (which by the way is an undefined derogatory term for people one disagrees with) because the times are just more divided and people are older. So when you watched DS9 back then and there was some transgenderism (Jadzia) in it you would think: "What a curious way to look at things." I am young and life is ahead of me. The West is superior.
Now you are far older, your body has started to fall apart. It is proven that there is correlation between getting older, becoming more afraid of things and moving to the right. That is why senior vote conservative. Add to that a divided society and fast change and a big chunk of people will start to think: "All these minorities make us weak. The Chinese will eat us alive. We must support the real Americans!"
And young people are always looking for some form of identity. And that often requires an enemy (aka minorities and/or the elites).
Koval, chairman of the Tal Shiar
Wed, Nov 28, 2018, 3:29am (UTC -5)
Jolan-tru Earthlings, I'm Koval, chairman of the Tal Shiar.
Congrats, one of you discovered (ha-ha) the truth: we produced "Discovery" to tease you, silly Starfleet's fans :-P ... And to "put the last nail on the coffin" of the Federation... Mwahahahahahaha!!! I'm a real veruul

Look how COOL we are, and come aboard the D'deridex warbird named "D'discovery"! Join the Imperial Fleet ]:-)

Thu, Dec 6, 2018, 8:29pm (UTC -5)
Re. The Brightest Star - Short Trek

So we get the story of the Kelpian Saru joining Star Fleet -- nice little tale. Seems like the perfect guy to join Star Fleet -- always been curious about the stars and questioning his pre-warp civilization's philosophies of "balance". I liked how Captain Georgiou handled the Prime Directive -- she tells Saru he can never come back to visit his people.

I guess Saru got the technology to make a communicator from a previously crashed space vessel on his planet.

Kelpian society seems awfully dreary -- periodic self-sacrifices en masse. But given only about 15 mins. of actual show time, can hardly get into any kind of serious exposition of the culture. But at least it makes its point.

Thing that's annoying about these Short Treks is that it seems there's as much time for commercials as for the Trek!
Fri, Dec 7, 2018, 7:29am (UTC -5)
Saru is Discovery's most engaging and best-performed character, and his race is its most interesting concept. So I'd been optimistic about this. Unfortunately it was far too facile, definitely weaker than Calypso. I'm starting to think these Short Treks just aren't a good format at all.

Until now we've been told that Kelpiens are hypervigilant and constantly aware of threats, with a finely attuned survival mechanism and great speed, all as a result of being a prey species that has to use its wiles to ensure its own survival - but here they're shown essentially as domesticated and docile, and willingly lining up to be killed (by who?) as part of an ingrained religious system. This goes against what we learned in season 1.

The beacon technology essentially falling into Saru's lap, him being able to use it to not only send a message but establish a dialog, and Starfleet being sent to rescue him and him only from the planet, are all highly contrived. Yeoh is a welcome presence but Georgiou's dialog is terrible here. Saru's relationships with his father and sister are also poorly sketched and incredibly formulaic. He has conflict with his father, who's conservative, rigid and loyal to tradition, but feels protective of his sister, who's innocent and pixie-like? Gee, where've I seen that dynamic before, apart from every formulaic family drama ever?

The idea of Saru as some agrarian peasant from a pre-warp society plucked from obscurity because some technology fell into his lap goes against what we've seen of him so far and doesn't serve his character well.

1.5 stars
Fri, Dec 7, 2018, 10:49am (UTC -5)
I didnt think it was out until the 8th.
John Harmon
Sat, Dec 8, 2018, 3:20am (UTC -5)
After that short, I’m utterly convinced that they have the worst writers in Hollywood working on Discovery. They just do not know how to write Trek.
Sat, Dec 8, 2018, 7:36pm (UTC -5)
Looking forward to the day when Star Trek returns to TV.
Sun, Dec 9, 2018, 7:31pm (UTC -5)
Just took this one in.

I enjoyed it. No harm was done and a nice backstory for Suru.

I would have liked to learn some about the Ba'ul, especially since Star Fleet knows of them.
Sun, Dec 9, 2018, 7:35pm (UTC -5)
Guess I should have said I just took in "The Brightest Star"

Also, "Saru" .... eeeesh .... too many beers watching the Steelers lose :-)
Peter G.
Wed, Dec 12, 2018, 8:42am (UTC -5)
@ Booming,

You do realize that this isn't a site where we have registered accounts, right? It's not possible for someone's account to be hacked if they don't have one. Anyone can post "as" someone else. I wonder how one could block a user on a site like this.
Wed, Dec 12, 2018, 8:59am (UTC -5)
@ Peter G Well, you at least need the mail addy?
Wed, Dec 12, 2018, 9:07am (UTC -5)
*slingshots around sun*
*puts up "Don't feed the troll" sign*
*slingshots back around sun*
Peter G.
Wed, Dec 12, 2018, 9:25am (UTC -5)
@ Booming,

"Well, you at least need the mail addy?"

You mean you think the troll has been giving his real mail address? Well, even so, only Jammer would see that. We only see the chosen handle.
Wed, Dec 12, 2018, 10:34am (UTC -5)
I assumed that you can only use a certain nick in connection with a specific mail addy. But now that I think about it ... :)
Wed, Dec 12, 2018, 6:20pm (UTC -5)
I notice a disturbance in the force. A great evil was erased.
Thu, Dec 13, 2018, 8:52pm (UTC -5)
Thoughts on the new Discovery trailer: I could do without the stakes of the villain wanting to "end all sentient life in the galaxy". What is good, though, is that characters like Tyler and Stamets will be free to exist as people this season, rather than as plot functions the way they did in S1. Also good to see Saru's sister, glad there will be more Saru material. Feeling fairly positive about Anson Mount but not sold on the new Spock or (still) SMG - and the less Mirror Georgiou, the better. Hoping for more of an ensemble feel rather than the story once again being told from Burnham's perspective.
Thu, Dec 13, 2018, 9:37pm (UTC -5)

"This thread is one of the whiniest and obnoxious I’ve seen in a long time. Projection much? I didn’t recognize any of the supposedly preachy or “SJW” elements in DSC..."

Nice strawman you have there.

There wasn't a single person here who complained about Discovery being "SJW" (whatever that term even means. Whenever I type these three letters I can feel another neuron dying in my brain).

" I was called a 'gatekeeper' because I argued that Star Trek should be about something other than generic science fiction and stick true to its liberal humanist roots. Can franchises grow and evolve? Sure! But what's the point of a franchise if it leaves behind everything and anything that made us fall in love with it in the first place? "


I'm getting really sick and tired of people playing this "the classic-Trek fans cannot handle anything new" card while completely ignoring our specific points of criticism. There's also something quite ironic in that argument, given that there's nothing really new or bold in Discovery. Sure, it is doing stuff differently than other trek. But does it do anything differently from any other generic sci fi action series that we've seen in the past 10 years?

Oh, well... at least we still have the obvious shills to amuse us. I just love it when people who never posted here before, drop by to post a single comment that basically says "stop moaning. I'm a longtime fan of Star Trek and I find Discovery fantastic. Besides, it's just a TV show". Yeah, a longtime Trekkie saying that it's just a TV show... really believable ;-)

As Garak once said, these guys need to learn how to make their lies less transparent ;-)
Thu, Dec 13, 2018, 10:47pm (UTC -5)
@ Omicron
to quote from wiki:" A straw man is a common form of argument and is an informal fallacy based on giving the impression of refuting an opponent's argument, while actually refuting an argument that was not presented by that opponent."
There was actually a person who complained about Dis being SJW(search for it). Jangus clearly didn't use a straw man argument. ;)
And your second last paragraph and last sentence are also a little strange. Is your opinion more important because you are a valued elder of the trek verse? :o
I have to admit that it is pretty early in the morning and I am !extremely! drunk, like super drunk... drunk... blarb
Oh and don't worry about dying neurons there are like an endless amount, like a lot, it is a huge number... yeah
John Harmon
Fri, Dec 14, 2018, 1:17am (UTC -5)
Saw the new trailer for season 2. Spock says:

“Something is going to kill all sentient life in the galaxy”

Cool, so glad they’re doing another season long plot about a hilariously, impossibly huge catastrophe. It can’t be something small. It always has to THE END OF EVERYTHING every time. That’s Alex Kurtzman for you.

Also glad to see everyone knows what Section 31 is and that they have their own Starfleet shaped badges, despite not being affiliated with Starfleet in any way and not actually being an organization so much as a handful of lone operating domestic terrorists.

These writers/producers/show runners have no clue. Expect nothing new in season 2. Star Trek is no more and will never be again
Fri, Dec 14, 2018, 11:08am (UTC -5)
@John Harmon
Fri, Dec 14, 2018, 1:17am (UTC -6)
Re: DSC S2: General Discussion

"Saw the new trailer for season 2. Spock says:

“Something is going to kill all sentient life in the galaxy”

Cool, so glad they’re doing another season long plot about a hilariously, impossibly huge catastrophe. It can’t be something small. It always has to THE END OF EVERYTHING every time. That’s Alex Kurtzman for you. "

No, that's Star Trek for you pretty much from the get go. ... and least since TMP.

"Also glad to see everyone knows what Section 31 is and that they have their own Starfleet shaped badges, despite not being affiliated with Starfleet in any way and not actually being an organization so much as a handful of lone operating domestic terrorists. "

You need to reread the Charter, Article 14, Section 31. There are a few lines that make allowances for bending the rules during times of extraordinary threat.

Section 31 has and always will be part of Star Fleet.

"These writers/producers/show runners have no clue. Expect nothing new in season 2. Star Trek is no more and will never be again"

Oh poo poo... shooting it down before even seeing it.

It's obvious this season will have a different tone from the trailers, but you refuse to see the effort to make this feel more like trek.
Fri, Dec 14, 2018, 11:29am (UTC -5)
OmicronThetaDeltaPhi wrote:

"Oh, well... at least we still have the obvious shills to amuse us. I just love it when people who never posted here before, drop by to post a single comment that basically says "stop moaning. I'm a longtime fan of Star Trek and I find Discovery fantastic. Besides, it's just a TV show". Yeah, a longtime Trekkie saying that it's just a TV show... really believable ;-)"

Oh you mean like yourself and The Orville which you seem to bring up every other day? Please get off your high horse and engage us here in the Star Trek discussion as equals.
Peter G.
Fri, Dec 14, 2018, 11:47am (UTC -5)
@ Yanks,

"You need to reread the Charter, Article 14, Section 31. There are a few lines that make allowances for bending the rules during times of extraordinary threat. "

Did I miss something? When was this mentioned?If it was said somewhere and I failed to note it, thanks for pointing this out! Very interesting if canon.
Fri, Dec 14, 2018, 12:21pm (UTC -5)
@Peter G: Star Trek Enterprise Season 4, "Divergence"

Ironically, in that very episode S31 got played for chumps.
Peter G.
Fri, Dec 14, 2018, 12:29pm (UTC -5)
Thanks! I've probably watched that episode all of once ever :p
Jason R.
Fri, Dec 14, 2018, 1:09pm (UTC -5)
"No, that's Star Trek for you pretty much from the get go. ... and least since TMP. "

I gotta disagree. In most of Star Trek from TOS through to Voyager, the stakes were rarely so grand as the whole galaxy. Indeed, in TNG with a couple of exceptions (eg: the borg) even the Federation was not really at stake in most episodes.

The same holds true for most of the movies by the way, although I tend to give movies a pass on this because there is a tendency to want to up the drama factor with a film.

But I agree with the previous commentator that a galaxy ending threat is tiresome for a series. Certainly that's not how the best trek series approached things. It would be nice if Trek could get back to some exploration, some wonder. They had a drive that could take them *anywhere* in season 1 of Discovery and as near as I could tell, they went *nowhere* and discovered nothing.
Fri, Dec 14, 2018, 5:47pm (UTC -5)
Section 31 is a retcon that was invented for a single DS9 episode (Inquisition), then followed up in a later not-quite-as-good episode (Inter Arma) and resolved in a terrible episode that showed that the concept and its ramifications were too big for the writers to address with any sophistication (Extreme Measures). Its usage in Enterprise S4 was rather fan-servicey but at least sensible and restrained - it wasn't necessary but it worked fairly well, and gave an underutilized character (Reed) some worthwhile material. The problem with the continuing use of the Section 31 concept (in Into Darkness and now Discovery), though, is that writers just use it as a cheap way to circumvent Trekkian values and make the Trek universe 'edgier' in a really shallow way - they're not interested in exploring the ramifications of Section 31's existence or the ethics of its actions, they just use it as a get-out clause that allows them to include non-Trekkian content and characters as a way to be 'cool' because they don't have the skill to write good stories that exist within the confines of the Trek value framework (which has a LOT of leeway, as has been repeatedly proven from TOS right through to ENT). Section 31 was conceived as a way of shining a light on the darker side of the Federation, but in the hands of hack writers, it's been reduced to something pseudo-edgy that can be namedropped to explain away non-Trekkian actions, characters and motivations. I could honestly live without Inquisition and Inter Arma for the blessing of no more tenuous Section 31 stories.
Fri, Dec 14, 2018, 6:07pm (UTC -5)
You're right Jason, it is over the top, but saving Earth countless times is really no different. .... only ship in the quadrant etc...

I guess in SCI-FI nowadays, bigger is better :-) Kind of like 'The Force Awakens'

As far as section 31 goes, to me, there has been no doubt that it would have to be prevalent in this series. They've got to bury the spore drive technology for one... I AM glad that our mirror Georgio is still on the show. I really enjoy Michelle Yeoh.

We'll see how they employ it. Ever and every time it's been mentioned in trek, the masses have screamed for more.... now we get it and folks don't give it a chance. They could do it well.

This is how I think a Section 31 series could work and be very interesting:

I remember what Sloan said to Bashir...

"SLOAN: I just wanted to say thank you.
BASHIR: For what? Allowing you to manipulate me so completely?
SLOAN: For being a decent human being. That's why we selected you in the first place, Doctor. We needed somebody who wanted to play the game, but who would only go so far. When the time came, you stood your ground. You did the right thing. You reached out to an enemy, you told her the truth, you tried to stop a murder. The Federation needs men like you, Doctor. Men of conscience, men of principle, men who can sleep at night. You're also the reason Section Thirty-one exists. Someone has to protect men like you from a universe that doesn't share your sense of right and wrong."

I think a smart writer(s) could make this a great series with this as the foundation.

There's talk of a series centered on Yeoh, I would welcome this.
Sat, Dec 15, 2018, 6:18am (UTC -5)
Just caught the new S02 trailer, and I'm going to agree with some previous posters: this 'galaxy-ending threat' business is as tedious as it is not-Star Trek. Another whole season of artificially high stakes, transparent plot 'twists' one will see coming episodes away, poor plotting and writing, and fucking SMG.

Yay ... fuck me.


Also, just watched 'The Brightest Star'.

• Admittedly, some lovely camera work;
• Ridiculously bad make-up — it looks exactly like the plastic/rubber/latex it actually is, without even bothering to try to apologise for the fact ... which looks jarringly even more obvious in contrast to the cinematography and colour grading;
• Wooden acting;
• More questionable Starfleet behaviour, with the slightly re-hashed 'is there anyone out there?' plot point having already been explored ... and better dealt with/resolved by more compentent showrunners, writers, and directors (cf: TNG S02E15 'Pen Pals').

In any case, pretty boring, but mostly harmless (read: pointless).

Final rating: GNDN, although one star for nice cinematography, especially in the establishing shots.
Sat, Dec 15, 2018, 6:20am (UTC -5)
Re: Section 31

'I think a smart writer(s) could make this a great series with this as the foundation.'

Uh, yeah, no thanks.

Bad enough the franchise is about to get another dry ass-raping with a Rick and Morty-style cartoon. We don't need the insult of a S31-centred series adding to the cartoon injury.
Sat, Dec 15, 2018, 10:11am (UTC -5)
@ MadManMUC

Can you tone down the language? We get it. You do not like the show and even a trailer makes you really emotional. No reason for so man fuck/rape comments. If there ever was a reason to write dry ass-raping...
Sat, Dec 15, 2018, 5:34pm (UTC -5)
The 4th season of Star Trek: Enterprise provided the template for what Trek is now for the last 14 years and frankly it has just decimated this once venerable franchise. While season 4 was really the only watchable season of the series, it's non-stop fan-service was just low hanging fruit. Want something like "The Measure of a Man" or "The Inner Light" in your Trek? Tough luck. We have Section 31 (again) and The Mirror Universe (again) to keep the average viewer, I guess, entertained. ("See Star Trek: Picard as he battles an alliance of The Borg and the Dominion and only a pact with Section 31 and the denizens of the Mirror Universe can save the day!") But, here's the thing: if Star Trek: Discovery was cancelled and the JJ Trek movies (along with any other Trek projects) were no longer made, the average viewer wouldn't care. In fact it wouldn't even be much of a blip in Entertainment Weekly. Remember when "All Good Things..." was a cultural event?

Where did Trek go wrong? Was it when Deep Space Nine altered what Trek was supposed to be about that it's practically unrecognizable from Gene Roddenberry's vision? Is it the 10-year bout of sustained mediocrity with Voyager and Enterprise? How did we get here? How do we fix it? (Personally, I think the Powers that Be need to study up on what made TOS and TNG what they were. Examine what made those two shows work beyond the superficiality of Klingons, Tribbles, and green animal women.)

[Also, "dry ass-raping" is apt for this franchise."]
Sat, Dec 15, 2018, 8:00pm (UTC -5)
-- [Also, "dry ass-raping" is apt for this franchise."] --

No, it's not. Ask those who have been dry-ass raped for real.
Sun, Dec 16, 2018, 12:19am (UTC -5)

"Oh you mean like yourself and The Orville which you seem to bring up every other day? Please get off your high horse and engage us here in the Star Trek discussion as equals."

Why are you looking for a fight? I wasn't talking about people like you.

I was specifically talking about people who never participated in any actual Star-Trek related discussion, and whose sole "contribution" is mocking others (and sometimes to say "Discovery is great"... without even bothering to say *why* they think so).

I have absolutely nothing against the actual fans of the Discovery. So how about *you* get off your high horse and stop treating me as the enemy?

Thank you.
Sun, Dec 16, 2018, 10:27am (UTC -5)
PatrickD: I'm baffled by people like you. On one hand you moan about Star Trek not being that idealistic science fiction tale anymore and in the very same post defend the use of a rape metaphor. It is also a homophobic and misogynistic metaphor.
(And because you, of course, will not understand why. Here the explanation: Have you ever thought about why especially heterosexual men like to use anal sex/rape metaphors? And why these are always aimed at portraying the act of getting fucked in the ass as something inherently bad? Because that is something that a heterosexual men will almost never experience while it is not uncommon for women and the norm for homosexual men to do it. Let me make it clear that I'm not telling you to not use it. I am just telling you what you are when you do.)
Sun, Dec 16, 2018, 10:54am (UTC -5)
Before people start piling on me, let me tell you a story. I was sexually molested for YEARS when when I was a child by a MALE. Unwanted, full-on sodomy. Second of all, I'm a bisexual, so I know a thing or two about anal sex. During that extremely long patch of time when I was recovering from what was done to me, Star Trek pretty much was the thing that kept my sanity together for a good decade and a half. The stories and philosophy was a respite from the awfulness of real life. So, when I see this beautiful creation that has meant so much to myself and millions of others being turned into a mindless, shoot-em-up cash cow, I get a little defensive. So, I will use the term, "defiled" from now on. Happy, everyone?
Sun, Dec 16, 2018, 11:58am (UTC -5)
I hear you, Patrick.

I just "love" it when people put artificial political correctness before having actual respect to minorities and people who are different. You say one wrong word, and people start making assumptions and accusing you of being a racist or a homophobe or god-knows-what-else.

I'm an heterosexual, but I'm ... ehm... "different" in other ways, and I've been getting this kind of cr*p all my life. People seem to be far more eager to point fingers at others for being intolerant, then to actually being tolerant themselves. And in recent years, this ludicrous game of political correctness has reached record heights of absurdity (which, unfortunately, also bled into the latest iterations of our favorite franchise).

I guess that's one of the reasons that Classic Trek's utopian vision is so important to me. For 40 years, Star Trek showed us different kinds of people (and aliens) actually working together and respecting one another. For me, it's not just a "respite" or a form of escapism, but an actual roadmap for a better future. I'm even using some of Trek's principles in my own personal life (and you'll be surprised how far this can take you even in the grossly imperfect world of the early 21st century).

I guess that the people for whom Trek was always nothing more than entertainment will never understand this. What can I say? Lucky them.
Sun, Dec 16, 2018, 12:34pm (UTC -5)
By the way, regarding DS9 and the Trek philosophy:

I personally love DS9 for the way it pushes the boundaries of Roddenbery's vision. Yes, there's some pretty questionable stuff in there, but I still think that DS9 was - at it's core - very Trek-like (they almost lost me with the S31-does-genocide thing, but they won me back with the way the war was resolved in the last episode)

I can tell you this:

I've introduced my wife to Star Trek and we're watching all the episodes of all series (up to Enterprise) together. It was during DS9 that we've had our deepest most interesting discussions about the issues on the show.

TNG may be a happier and purer viewing experience, but DS9 is actually the show - in my view - that has the courage to confront the difficult questions that stem from the Trekkian philosophy. In short: If you want respite, watch TNG. If you want to get into the details of how to maintain the dream in less-than-ideal circumstancecs, watch DS9 ;-)
Sun, Dec 16, 2018, 1:57pm (UTC -5)
@PatrickD: So you were raped and nevertheless use that word in such a trivial way?! You do realize why these kinds of metaphors are used and still use them?!
I am to part of the LGBT community and grew up in a rural area which wasn't great to say the least.
And that brings me to Omicron. What a great way to defend anal rape metaphors. First they took our anal rape metaphors and I said nothing. But not you my friend. No, you will fight for your right to never grow, to never learn and to use what ever despicable language you might fancy.
And when you whine about political correctness what you are actually saying is: Please do not point out something that could make me feel uncomfortable. So it is actually you who wants other people to shut up. Especially homosexuals and transsexuals who get beaten and killed to this very day.
So thank you for telling people to stop pointing out the inherent intolerance towards minorities that is still a very important part of the societies we life in.
Sun, Dec 16, 2018, 7:42pm (UTC -5)
""For 40 years, Star Trek showed us different kinds of people (and aliens) actually working together and respecting one another. For me, it's not just a "respite" or a form of escapism, but an actual roadmap for a better future. I'm even using some of Trek's principles in my own personal life (and you'll be surprised how far this can take you even in the grossly imperfect world of the early 21st century).

I guess that the people for whom Trek was always nothing more than entertainment will never understand this. What can I say? Lucky them.""

Speaking of high horse...

Because people who like anything past those 40 years (ex: those who may like Discovery) would be an inferior version of Star Trek fan -- ones who only considered Star Trek as entertainment and would "never understand" what you may. Nice way to presume, judge and box a ton of people together. Let's of course not neglect to throw in the mocking and condascending "lucky them" in there..

It's not a surprise though, nothing you haven't done before. You were also the one who implied that people to whom Discovery represented the "lowest common denominator."
Sun, Dec 16, 2018, 8:05pm (UTC -5)
@ OmicronThetaDeltaPhi

“nothing that was produced after 2005 should be called "Star Trek" in the first place. It doesn't look like Trek. It doesn't feel like Trek. It doesn't obey the "laws of nature" that were established for Trek. It doesn't have the aliens and technology that's normally associated with Trek. It isn't consistent with the established in-universe history of Trek.”

I finally watched the first two episodes of DIS, DSC, Disco, STD – whatever they are calling it – and in preparation for writing my own review, I skimmed through most of the comments there on the first ep review, and then came here. Partway through that process I saw you and Jammer having a spat, so I went to your comment thread and read most of what you've said in the last two years. (BTW, I'm glad you changed your mind about leaving the site)


Yeah, I'm bored and have some time on my hands.

Let me just say—we are of one mind.

All the Star Trek up to 2005 was set in the Star Trek universe that Gene Roddenberry created. They bent some rules, they sometimes strayed, but they never left that universe.

Everything since 2005 has kicked that vision apart and created its own. Which is not to say they are all bad, or lacking in value—they just aren't Star Trek. I gave up on DS9 because I got tired of the religious blather and I couldn't find any characters to connect with (that's very important to me) but I would never say it wasn't Star Trek, because it was still in Roddenberry's universe.

I can understand how someone who had never seen and loved and lived Star Trek might like Discovery. I didn't.

On another topic--My first comment on this site was in 2007, so I think I have the cred to comment on its evolution. Yeah, it used to be more civil, I think. Of course, back then we used to get 30 comments on an episode and now we get hundreds, so that is to be expected.

I will say that this is still the best place to discuss Star Trek—I think I'll just stick to discussing the pre-2005 Trek.

Now I think I'll go rewatch TOS.
Sun, Dec 16, 2018, 8:52pm (UTC -5)

"On another topic--My first comment on this site was in 2007, so I think I have the cred to comment on its evolution. Yeah, it used to be more civil, I think. Of course, back then we used to get 30 comments on an episode and now we get hundreds, so that is to be expected."

I don't think it's just the sheer number of people. There are at least three additional reasons this is happening:

1. Discovery is genuinely dividing the fans in a way that is completely unprecedented in the history of Star Trek.

2. Many (though not all) fans of Discovery aren't fans of classic Trek at all. For them Discovery is just a cool sci fi show, and they are mostly unaware of the decades-long legacy of the franchise. So we have two groups of people who are coming from completely different points-of-views. This leads to misunderstandings, and - given the emotional stakes associated with being a "fan" of something - these misunderstandings leads to conflict.

3. It is known that TPTB are actually paying people to create this kind of mayhem on trek-related discussion boards. After all, it is in their best interest to paint people like you and me as negative crazy people who do nothing but complain. And while this place is relatively clean in this respect, I'm quite sure that at least of few of these troll-shills have found their way here is well.

Anyway, I agree that this place is still the best place to discuss Star Trek.
Sun, Dec 16, 2018, 9:18pm (UTC -5)
By the way, Grumpy_Otter, as you can see, I've learned from my past mistakes, and I'm mostly ignoring people who proved - time and again - that they aren't willing to bother with the basic rules of civil conversation.
Sun, Dec 16, 2018, 9:29pm (UTC -5)
LOL.. What is actually entertaining is when someone who makes it a habit to insult, belittle, and box other Trek fans, pretends to take the higher moral ground..
Sun, Dec 16, 2018, 11:52pm (UTC -5)
Will the two of you stop trying to get the last word? This is third-grade behavior and not for this board. Consider this your warning before I escalate to banning IP addresses.
Mon, Dec 17, 2018, 1:14am (UTC -5)
Dear users,

An argument broke out in this thread earlier which devolved into two users sniping at each other for about two dozen posts. I asked both users to stop, warned them that continued sniping would result in suspension, and deleted all the irrelevant comments, none of which had anything to do with Star Trek. When one of the users continued to post about the matter, I took the unusual step of temporarily banning the user's IP address for not heeding the warning. The user then bypassed my IP ban despite saying he would leave the board.

I am going to bed because it is late and I have to work in the morning. If there is garbage on this thread in the morning relating to what was fair, unfair, who started what, lamenting injustice, etc., my response is simply this: I am not interested in debating it. Talk about Star Trek or stop wasting everyone's time.

Bandwidth wasted on who started a silly online spat is for third-graders. It will be deleted when I see it. Period.

I apologize for whatever irrelevance may be here in my absence. I will clean it up eventually. I just ask that everyone act like adults. Thanks.
Mon, Dec 17, 2018, 2:11am (UTC -5)
That's not what happened.

The only true portion of what Jammer said is this:

"An argument broke out in this thread earlier which devolved into two users sniping at each other for about two dozen posts"

That immensely silly argument was deleted, and rightly so.

Afterwards, one of the users (me) wrote a reply in a different tone. In that comment I've also thanked Jammer for his deletion of the silly argument mentioned earlier.

This comment of mine was promptly deleted.

I've tried to post it again, *while promising Jammer that this will be my last post on the matter*, and it got promptly deleted again.

I've wrote Jammer an e-mail saying that it isn't fair to let someone accuse me of belittiling people without allowing me one measly post in which to defend myself. In response he banned my IP.

I will re-iterate:

When Jammer said "enough!", I was happy to comply.

All I asked was to be allowed to write a single post in my defense, in response to the other guy's accusations. Or alternatively, that the attacking post be deleted. Is that such an unreasonable request?

BTW I'm still banned (still forced to use a proxy).

And I'm willing to bet that this post of mine is also going to be deleted the minute that Jammer sees it. God forbid that you learn the full story, rather than his one-sided description of it.

At any rate if this gets deleted, I'm just going to post it again. Don't worry. I will not disrupt your discussions in any way. I'll simply make sure that a single copy of this post exists at all times, since the people here have the right to know what's going on.

I'm really sorry for all this mess. All this could have easily been avoided, had Jammer actually bothered to read the posts he deleted. I'm still quite shocked at what he did. And I'm still hopeful that he will come to his senses after a good night sleep.
Mon, Dec 17, 2018, 8:51am (UTC -5)
Sorry Jammer, This is your forum. It was not my intention to cause you discomfort.
Life long and prosper!
Mon, Dec 17, 2018, 8:52am (UTC -5)
Live long and prosper. :)
Mon, Dec 17, 2018, 9:15am (UTC -5)
(Just for clarification purposes)
Booming, it has nothing to do with you. Jammer's talking about the spat Omicron and I got into yesterday.
And yes, it's Jammer's site/forum, his request should be honored.
Mon, Dec 17, 2018, 9:20am (UTC -5)
Thanks for clarifying Mertov. ;)
Mon, Dec 17, 2018, 9:32am (UTC -5)
Yes, Booming, no worries. Sorry for the confusion.
Mon, Dec 17, 2018, 1:04pm (UTC -5)

"Where did Trek go wrong? Was it when Deep Space Nine altered what Trek was supposed to be about that it's practically unrecognizable from Gene Roddenberry's vision? Is it the 10-year bout of sustained mediocrity with Voyager and Enterprise? How did we get here? How do we fix it? (Personally, I think the Powers that Be need to study up on what made TOS and TNG what they were. Examine what made those two shows work beyond the superficiality of Klingons, Tribbles, and green animal women.)"

The only difference in DS9 from TNG and TOS was is wasn't stationed on a Star Ship. They still explored humanity, met new races and projected Gene's "vision".

Star Trek Voyager WAS TNG-lite aside from boring Picard speechs every episode. While I love Picard and a lot of his rants, it was a bit much at times. Also, you trumpet "Gene's vision" a lot.... TNG didn't take off until Gene got his hands out of the kitchen - you do know that right?

IMO what we got in Enterprise was fantastic, but I didn't learn to hate B&B like many did. I can understand some "fatigue", but it was more "B&B fatigue" than "Franchise fatigue" that I heard trumpeted around the boards back in the mid 2000's.

There is no fanbase ever that eats it's own like StarTrek's does. I first came to after I had purchased and watched Enterprise because I wanted to find out why it was cancelled. I was floored at the vitriol online concerning this series I had just watched and enjoyed.

I've repeatedly watched all the series and love them all for what they bring to the table. I even include Discovery in that list because for the most part, I enjoyed season 1 there too. (ranked the individual episodes very highly) Admittedly, there are more "personal hurdles" to get over with STD, but for the most part I enjoyed it. Visually, it dwarfs every other series before it and aside from the appearance of the Klingons I'm happy with all the other Star Trek races (aside from the male Orion slaves). I also enjoy all the actors minus SMG's inablity to show any realistic emotion.

JJ's movies were pretty damn good minus the ending of STiD and a few other quibbles. STB was for all intents and purposed a glorified TOS episode.

So let's "examine" what made TOS and TNG "work".

TOS was the first of it's kind and technically didn't "work". It didn't pull in the required ratings and got cancelled after 3 seasons. It wasn't until reruns that it really became a cult hit show.

TNG was also alone in the market and as a result garnered quite the fanbase. would the preachy Picard and company fare well in a market like DS9/VOY/ENT were in? Could they have sustained a crappy newtork like VOY and ENT were asked to do? Would you pay CBS All Access to watch any of these series? (having not seen any of them before) TNG and DS9 had it made in syndicaton. Could any of these shows survive for 7 years in today's marketplace?

I don't think it's possible for any SCI-FI show to last as long and be as beloved as our trek shows were in today's environment. I mean look at 'The Expanse' ... one of the seasons got 100% from the critics on rotten tomatoes and it got cancelled.

Look at your comment... "superficial Klingons" (STD). Now their appearance was all hosed up, but their actions were pretty much in keeping with the Klingons of any time period. But some refuse to see past appearances. Do I like the look?, Do I like the subtitles? ... no, but I can easily see the actions taken in Discovery as Klingon.

Whom should I quote here....

McCoy? - "I know engineers, they LOVE to change things" (each trek is different)

Picard? - "Live now; make now always the most precious time. Now will never come again" (We only get to see new threk the first time once, enjoy it)

Sisko? - " I'm not Picard." (DS9 is not TNG.....STD is different too)

Janeway? - "Three years ago I didn't even know your name. today, I can't imagine a day without you." (how I felt the first time I watched each series for the first time)

T'Pol? - "She was important." (what we all might say about Discovery after it gets time to find it's legs, just like all the spin-offs did)

Don't throw the baby out with the bathwater.
Mon, Dec 17, 2018, 2:25pm (UTC -5)
For me the enthusiasm lessened with Voyager. It was the first show I didn't watch till the end. Enterprise took what I didn't like about Voyager and kind of made it worse. In TNG and DS9 I cared about the characters. VOY and Enterprise I didn't.
In DS9 almost anybody had an arc. Sisko emotionally devastated widower to confident emissary. Kira battle hardened, traumatized unable to trust outsiders to compassionate fighter for the freedom of her former enemies. And so on. TNG was a little weaker on that front but most characters were engaging. Everybody hated that Risa-Worf episode in DS9 which I actually liked because it gave us the deepest insight into why Worf is such a strange fellow. I hated the episode were Sisko gassed a planet to get Eddington . Sisko should be in Jail or killed by marquis assassins. Sure there is the gender bender trannies are silly episode with Quark which is terrible but the let's gas planets to get a rebel leader still makes me cringe.
So DS9 and TNG gave me the whole emotional spectrum because I cared about these shows. The only hate I felt for VOY was for 7 of 9 probably even more than Kate Mulgrew because it was so obvious why they brought her on. Apart from that there were a few things I liked but it just didn't move me and it was even worse with Enterprise. Here they included the model/sex bomb from the beginning. And I cared even less. it was after 9/11 and every cultural product from the US was already seen trough that lens. Go jingo! In hindsight I'm not sure that there was actually that much triumphalism and american machismo.
Until the last episode I would say that DIS was a little more engaging than VOY but not necessarily in a good way. I didn't like the looks of the Klingons and the way they sounded. I also wasn't a fan of the general art style. Everything was so dark. I only cared about Saru and Rapp's character. Saru because he was the most trekkian character and Rapp grew on me in the whole time loop episode but maybe it is because he is gay(in real life). Could be.
And then came the last episode which I found very bad. Terrible almost. Apart from the fact that the Federation wanted to genocide their way out of a war but the rushed writing style really threw me off even though a few jokes worked for me and I liked the glimpses of Kronos we got.
Where does that leave me. TNG and DS9 were important parts of my life but life has to go on. I will always remember them fondly. Maybe DIS will get better. That would be a nice bonus or maybe not then that wouldn't diminish what TNG and DS9 meant for me. It gave me hope for a better world while sitting in a small rural town in northern Germany thinking that everybody would hate me if they actually knew me.
Nol Lon
Mon, Dec 17, 2018, 7:00pm (UTC -5)
One thing that has always appealed to me about the Japanese media industry is that a story is the way a story is mostly viewed as the brainchild of its author, not as a "franchise" owned by a media company. (Not to say it hasn't viewed authors as fungible, there just doesn't seem to be the quite the same cargo-cult delusion that stories and their authors are somehow *separately* fungible.)

I wish American media companies would be more willing to break with old franchises, rather than try to keep each new generation of artists trapped in the media landscape of the Baby Boomers and their parents created. The hold that era has on the public imagination does seem to be breaking down now, albeit slowly. I think xenophobia also plays a role in this as it seems to me the media-sphere views the decades before global communications as a sort of stronghold of pure Americana unsullied by foreign incursions (the Beatles et al notwithstanding.
Wed, Dec 19, 2018, 12:07am (UTC -5)
I consider the Trek franchise lucky getting Michael Piller In season three of TNG. I consider him the architect of the very best of Trek and giving us a cohesive fleshed out universe in the 90s with TNG DS9 and VOYAGER. And even ENT felt like Trek.

It’s everything that has come afterwards that feels fake

Read any book about 90s trek or have seen any interview with Piller and it becomes obvious how important he was. He opened up outside script submissions which I’d argue contributed greatly to TNG. Sure they had staff writers but I think for the most part they weren’t as strong on ideas. Also Piller didn’t just rush an idea to episode. He would let some lie fallow for years until he thought a good episode could be made from it. He also tended to have the writing staff work together in breaking an episode even if one writer was assigned to actually write the teleplay

I don’t think it’s a coincidence that TNG seasons 3-5 are considered The heyday of TNG and Trek for that matter. And I don’t think it’s a coincidence that when he stepped back to focus on DS9 that the quality dipped in seasons 6-7 with Jeri Taylor running things. Tng season seven was pretty awful but over on DS9 season two it in my opinion is in the top tier of DS9’s seasons. Ds9 seasons 2/3 were at its most Trek like under his supervision. Granted ira’s direction wasn’t bad just a decidedly different shift in tone

He also wrote the seminal The Best of Both Worlds that was a turning point. He conceived of the idea of All Good Things. He created DS9 and VOY. He wrote the strong pilots.

He also refused to give the Borg a queen bee when everybody else on the tng staff wanted to. And say what we will about voyagers first two seasons but looking back at them you can see they had far more of the right tone and attitude as well as Trek feel than the other seasons. Jeri Taylor not only oversaw a horrible final season of tng but the awful third season
of voyager and took a hatchet to piller’s script for Basics Part Two rewriting large important deaths of it hitting certain key elements.

I’m just disappointed he didn’t remain on voyager cause I think he was a much better person in charge than jeei Taylor or Braga or biller
Wed, Dec 19, 2018, 12:18am (UTC -5)
Rewriting large swaths of his script and gutting key elements **

I’d recommend looking at memory aloha of the behind the scenes insight he provided on episodes. You’d be surprised at how episodes changed for the better as a final product due to his input. For instance, piller thought—and he was right-the original dream endings for Remember Me and Future Imperfect were unsatisfying and made the decision to scrap them. He’s the one who bought the idea of a transporter holding a pattern to bring a TOS character forward in time. He was the one who stood by Rascals when the staff didn’t. He saw two separate story ideas—one with worf learning he had a brother and another one about his father being accused of treason— and widely thought they’d work much better as one story

He was the lone voice even going against Michael Doen’s objection to have Worf refuse blood transfusion with Romulan in The Enemy. Things like that
Wed, Dec 19, 2018, 9:49am (UTC -5)
I think it is also misleading to always look at the big names. It is a big team and there are often changes that aren't obvious to the outside.
Tue, Dec 25, 2018, 8:24am (UTC -5)
Merry Christmas everyone!
Sat, Dec 29, 2018, 1:11am (UTC -5)
I dont know where the Michael Piler thread started but yeah his contributions were ledendary. Dont discount t them just because he and Berman utterly ran out of energy by Voyager season 1
Wed, Jan 2, 2019, 11:02am (UTC -5)
@ OmicronThetaDeltaPhi

You said, "3. It is known that TPTB are actually paying people to create this kind of mayhem on trek-related discussion boards. After all, it is in their best interest to paint people like you and me as negative crazy people who do nothing but complain. And while this place is relatively clean in this respect, I'm quite sure that at least of few of these troll-shills have found their way here is well."

Is that an educated guess/assumption, or you have some proof of it? I'd hate to have my cynicism verified with proof, lol
Wed, Jan 2, 2019, 11:21am (UTC -5)
Is there a list we can get on to get paid for writing comments about Star Trek? If so, sign me up...or at least pay for the ridiculous All-Access fee...

In all seriousness, I don't doubt there are people who astroturf big shows/movies like Star Trek, though I'd be more likely to believe they'd be spending their time on the easy spam boards like Rotten Tomatoes, Metacritic, and IMDB, etc.
Wed, Jan 2, 2019, 11:22am (UTC -5)
@Grumpy Otter

Evidence - yes. Plenty.

Absolute ironclad proof - no.
Wed, Jan 2, 2019, 3:52pm (UTC -5)
Startrekwatcher said: "Read any book about 90s trek or have seen any interview with Piller and it becomes obvious how important he was."

Amen. Piller was to TNG what Coon was to TOS; he sought out political and philosophical material, brought in fresh writers and had a big influence on TNG-era world-building. IMO DS9 was also at its best when he was involved in the early seasons.
Thu, Jan 3, 2019, 4:05pm (UTC -5)

I'll take TNG Season 6 over 5 any day. Probably 4 as well. It stands clearly to me as the second best season.
Thu, Jan 3, 2019, 8:37pm (UTC -5)
Re: "The Escape Artist" Short Trek

I enjoyed this light-hearted comedic short trek -- Harry Mudd gets the last laugh here in a somewhat clever scheme of creating androids of himself and collecting ransoms from various bounty hunters (Orions, Klingons, Tellarites). Not something to scrutinize carefully, one just has to sit back and let Mudd employ his smooth-talking, propositioning, threatening etc. Wilson does a decent job as an actor (and director). But realistically, for his schemes and existence to last as long as they do is pushing it.

I didn't mind the DSC Harry Mudd character in Season 1 but I liked Roger C. Carmel's portrayal from TOS far more. These are largely inconsequential episodes but just use the Trek framework for some inter-stellar crime drama/comedy.

However, bigger picture -- I hope that's it for Harry Mudd. Hopefully DSC can focus on much more important things. If DSC is intent on filling backstories from TOS, there are more worthy things to focus on.

These Short Treks are really short -- just 2 acts and 14 minutes of actual content. Not a good ratio given 25 minutes of elapsed time.
Fri, Jan 4, 2019, 11:56am (UTC -5)
We got a disco version of the DISCO theme music. How meta is that?
Sun, Jan 6, 2019, 3:33pm (UTC -5)
"The Escape Artist" --- I second Rahul's comments above. Probably the most entertaining short trek, but thats a low bar. These short treks have really not done anything for me. I still feel like an opportunity to develop some of the bridge characters - totally ignored in Season 1 - has been wasted by not focusing these on them.
Bring on Season 2.
Sun, Jan 6, 2019, 7:57pm (UTC -5)
Enjoyable short.

I like the guy that plays Mudd.

I love the expression of the Star Fleet Officer that greets the Tellarite in the transporter room.

All these shorts have been entertaining.

I guess we'll have to be on the lookout for mechanized Mudds from now on.

We all agree that they went way too far with the Klingons, but what do you think of the Tellarites? .... I think they're pretty good.
Wed, Jan 9, 2019, 1:44am (UTC -5)

I guess we will disagree. Season six had some good episodes but it suffered from a few issues from my vantage point.

You could tell it was an aging show at this point. There wasn’t a sense of purpose that I identify with the earlier seasons especially 34 and 5. It wasn’t as consistently entertaining.

There was an increase in fluff pieces that seemed like filler. Fistful of Datas for example. And making Birthright two parts.

You could tell DS9 was the baby getting the attention. Piller stepped back from overseeing the writing to focus on getting Ds9 up and running. Jeri Taylor’ has more input and I never thought she was a great showeunner. Just look at this season and season 7. As well as voyager season three

Then tng and ds9 were also competing for stories

TNG 6 just was very uneven. I can sit and watch pretty much watch and enjoy every episode from season three to end of season 5 with only a few clunkers to be had(allegiance, cost of living, suddenly human, matter of time and perfect mate). Season six had more clunkers with times arrow two, true q, birthright, rightful heir. And in my opinion even the standard episode of the week that in seasons past would have been rock solid—now could have used a few more rewrites to improve them like relics, tapestry, starship mine, face of the enemy, frame of mind.
Wed, Jan 9, 2019, 1:48am (UTC -5)
I’d rank
Tng as follows


In terms of modern Trek seasons overall my favorites are

Tng 4
Tng 5
Tng 3
Ds9 2
Ds9 7
Tng 1/6
Ds9 3
Ent 1
Ent 3
Ent 4
Voy 6
Voy 4
Wed, Jan 9, 2019, 1:27pm (UTC -5)

I always felt that Season 6, from "A Quality of Life" onward, was one of the most consistent runs in the show. "Chain of Command Part 2" and "Tapestry" are classics, and in my opinion, "Quality of Life", "Ship in a Bottle", "Face of the Enemy", "Lessons", "The Chase", "Frame of Mind", "Rightful Heir", "Second Chances", and "Timescape" are very good. You're definitely not alone in your opinion though; I've seen plenty of people say that seasons 3-5 of TNG were the peak, and the decline began in Season 6. I'm sticking with my opinion-the second half of Season 6 was excellent, and there was a sharp decline in the first half of 7. Season 5 has a stretch from "The Game" to "The Masterpiece Society", in which all the episodes are on the lower end of mediocre at best. And even after that, there are still some shockingly awful episodes like "The Outcast", "The Cost of Living", and "Imaginary Friend".

As for how I'd rank the best seasons? Probably......

DS9 S4
DS9 S5
DS9 S7
DS9 S6

Those are the seasons that land squarely in the positive for me. Enterprise Seasons 1-2, TNG Seasons 1-2, and Voyager Seasons 2-3 were largely awful. The rest of Voyager and Enterprise, along with the final season of TNG and DS9 S1-3, range from ok to pretty good for me.
Peter G.
Wed, Jan 9, 2019, 1:43pm (UTC -5)
Iceman, although I generally agree with you about the quality of the series and seasons, I took note of your placing TNG S3 above all others, which is strange to me, because in my assessment of that claim that TNG 3-5 are the best (which I disagreed with above by saying that S6 is awesome), I actually hesitate for a second reason, because I often feel like S3 is really uneven and belongs more with S7 beneath S4-6. Pretty much the entire first half of that season is blah, and I rarely want to rewatch any of them. Out of the first 12 eps or so I'd say that Ensigns of Command, The Survirors, and The Defector are pretty tempting to watch on any given day, but the others are only for when I've run out of "must watch" eps and need something I haven't seen in a while. Things really pick up with Deja Q, though, and from then on it's top-notch (aside from Allegiance, Menage a Troi, and Transfigurations, 2 of which are among the worst in the series). But no other season between 4-6 has so many weak ones, and in fact I would even argue that the average quality from S7 is higher among the mid-range episodes, except that S7 is lacking in classics, to the average probably resides around the same as S3.

Incidentally, any list I would make would have TOS 1-3 at the top, or at worst equal to TNG 4-6 and DS9's better seasons.
William B
Wed, Jan 9, 2019, 3:14pm (UTC -5)
I agree with Peter to an extent about the first half of TNG s3, compared to the second half especially, but I rate Who Watches the Watchers and to a lesser extent Booby Trap, The Enemy and The High Ground highly. I also think that Evolution, The Bonding and The Price are interesting failures in that there's a sense that they are attempts to grapple with difficult characters (Wesley, Troi) and issues (gifted people peaking early, death on a starship, what it means to be in charge of a shipload of people's emotional health) at the start of the Piller era. I think The Vengeance Factor is the only ep in that run that I really genuinely dislike. In the later parts of the season, while I think Allegiance isn't a good episode, I sort of like the ideas behind it, and count it as another in the interesting failure category. At some point I will try to see if Transfigurations is worthwhile once you get past its surprising boringness. Menage a Troi I think is bad.

I have always liked TNG s6 a lot and disagree with people who bash it. My understanding is that the people behind the scenes were also very fond of it; I think Ron Moore thought it was their best year on TNG. I think that there are some valid criticisms of it. The music is getting more beige. Some eps like Starship Mine are entertaining but don't seem to have all that much to say. On that note, I feel a little like there are eps in season 6 that show an overall more assured but less experimental show than the one in early s3. At the same time, the season does take a number of risks (like Chain of Command) and knocks lots of them out of the park (even if others, like Birthright II, really backfire).

I have a hard time ranking TNG seasons. 3-6 are my favourites, but they all have different strengths and weaknesses. I think I'd tend to say that season 5 has the most weak episodes of that run, but also some of the show's biggest classics.

I'd place TOS s1 near or perhaps even at the top of a season list, and TOS s2 I'd also rank very highly. I tend to view S2 as being weaker on average than s1, but containing a higher density of the show's absolute best. I'm not as big on TOS s3.

I also have a hard time ranking DS9 seasons. I think my favourite VOY year is season 4.
Wed, Jan 9, 2019, 8:49pm (UTC -5)
@William B-

Yeah, I have a hard time ranking the TNG golden years (3-6). Season 5 has possibly my favorite television episode in all of science fiction, "The Inner Light", and "Darmok", another phenomenal outing. Perhaps that's enough to compensate for that really weak run in the middle, maybe not. It's hard to say. I had a hard time ranking them with the DS9 golden years as well (4-7). They're all really great seasons. I just feel that the DS9 seasons were perhaps a bit more consistent overall (I know you disagree based on your ratings, but different strokes I suppose). Take that ranking with a grain of salt. The top 6 or so are pretty much equal for me. I do feel that TNG S5 is the weakest though, and TNG S4 is a bit below the rest.

I was ranking modern Trek, but I am quite fond of TOS, even if the quality fades over time. Season 1 is really good and consistent. Season 2 is a mixed bag but has a lot of classics. Season 3 is largely awful, and would be right down there with the worst seasons of Trek.

@Peter G.-I really like "The Ensigns of Command", "The Survivors", "Who Watches the Watchers", "The Enemy", "The Defector", and "The Hunted" (unpopular opinion?). Some average stuff in there, but the only really bad episode to me is "The Vengeance Factor". And to me it's still not as bad as the lows from other TNG seasons. And, as you said, the second half is even better-so many great episodes in that run-"Yesterday's Enterprise", "The Offspring", "Sins of the Father", "The Most Toys", "Sarek", "The Best of Both Worlds Part 1". So I'd still say TNG S3 is the show's finest. I don't really re-watch TNG seasons as a whole though-one of the nice things about it is that you can go back and re-watch your favorites in almost any order-but maybe re-watching "Menage a Troi" again would change my mind.
Thu, Jan 10, 2019, 8:34am (UTC -5)
Haven't we ranked all the ST seasons before? :-)

Sat, Jan 12, 2019, 7:17pm (UTC -5)

Yup! It was on the "Invasive Procedures" thread ( and I stand by what I posted a few months ago-DS9 S7 is the clear winner of the three season 7's for me).
Tue, Jan 15, 2019, 9:56am (UTC -5)
Favorite Trek shows:


Favorite seasons:
DS9 4 - some great world-building and setup for plot threads that pay off
TNG 5 - some of the best episodes of Trek ever
DS9 6 - Star Trek does a war arc and does it really well
TNG 3 - Star Trek figures out how to combine high-concept sci-fi with character stories
DS9 5 - manages to find the right balance between impending war and fun stories
DS9 3 - this is where DS9 starts to get really good

Overall, I think DS9 managed to find the best balance between telling standalone, episodic stories than worked on their own right, but also having season-long arcs that tied everything together. After Season 2 at least, I feel like I have a decent sense of what each season does for the show. TNG's seasons are a far less coherent. I could point to some excellent episodes in TNG Season 5, but as a whole it really doesn't mean anything except for signifying the year in which the episode was broadcast.
Tue, Jan 15, 2019, 10:15am (UTC -5)
Not to hate on modern Trek again, but have you all seen this interview with Alex Kurtzman? He claims the problem with Star Trek during the 90s was people couldn't tell Voyager and DS9 apart from each other. [insert Picard facepalm gif here]
Peter G.
Tue, Jan 15, 2019, 10:22am (UTC -5)
Hahaha! So the problem with VOY and DS9 was that they both felt too much like Star Trek! Touche!

Regardless of the pros or cons of their various series (and there are things I liked about LOST and Fringe) whenever I've heard JJ or Kurtzman speaking in interviews about anything they come across to me as utter numbskulls. Like kids with lots of money and expert camera people.
Tue, Jan 15, 2019, 10:54am (UTC -5)
I agree. I've never heard them talk about the meaning of their work or larger themes like philosophy, war and peace, etc the way that Lucas or Spielberg or Ron Moore or even Matt Reeves does when talking about their projects. They are very skilled at what they do, but what they do is largely pump out fun if bland work for corporations. I've never gotten the sense that JJ has something he's dying to say through his work.

But I don't mean to het sidetracked into bashing them. I really am curious if oversaturation is going to be a problem. Or was it just that the marketing in the 90s didn't really do a good enough job convincing people to watch?
Tue, Jan 15, 2019, 10:56am (UTC -5)
I'm not going to defend Kurtzman entirely, but in the context of what he's saying, it makes sense. The example he gives is the Marvel movies, where you have Ironman, Captain America, Thor and Spider-man that are all incredibly different in tone and philosophy. I'm a fan of both the Ironman and Thor movies, but the movies have about as much in common as ice cream and pizza (they're both easily accessible indulgent items). Go ahead and ask anyone on the street and they'll tell you the difference between Ironman and Thor.

So then with DS9 and Voyager, we have a station versus a moving ship, but otherwise a lot of things are the same. We've got The Captain, The First Officer, The Security Guy, The Doctor and they're all dealing with aliens of the week while wrestling with Federation principles in the same time period. The shows have a ton in common thematically, although I think there's a huge gap in the level of execution of the two. And try asking the average person what's different about them and think you'll get a sort of "it's Star Trek" type of response.
Tue, Jan 15, 2019, 11:07am (UTC -5)
I will add that Kurtzman may try to make his projects radically different just to coverup the fact that he can't nail a good new formula like they did with TNG back in the day. A cynic can definitely have a field day with Hollywood executive hype-talking.
Tue, Jan 15, 2019, 11:20am (UTC -5)
Chrome, fair point about whether or not the average person understood the differences. As I said above, there's a valid question as to whether or not the shows were marketed well.

However, in terms of substance, DS9 and Voyager couldn't be more different. DS9 was a serialized show (well, as serialized as TV got in the 90s). It was a darker show about war and moral ambiguity. Voyager was episodic and generally heir to TNG's moral clarity. Voyager was about exploration and high-concept science fiction, whereas DS9 was about society and politics. Sure there was some overlap, especially during the first two seasons of DS9.

That to me is a far starker divide than whether or not a superhero uses their fists or technological gadgets to defeat a villain. In fact, I feel like Marvel's really only gotten the hang of differentiating their movies within the past few years (outside of the fact that they star different characters).

In fairness, I'm definitely coming at Kurtzman's statements as a cynic and someone not impressed with his work on Trek. That said, if they do a better job marketing each show as distinct, I'm all for it. I'm a Trek fan, but I'd actually be relieved if the marketing just told me up front that one particular Trek show isn't my thing, but another one might be. However, I don't feel like I'm getting that clarity at all. Season 1 of Discovery seemed like it was really going for the grimdark action vibe, very different from TOS Season 2 seems like it's going to lean heavily into the TOS nostalgia. So what is Discovery - a sharp departure from the past or fan service?
Tue, Jan 15, 2019, 11:40am (UTC -5)

I agree that's there's important philosophical differences between DS9 and VOY, but my feeling is you *need* to dig deep to see them. I've watched these shows for decades, so like you it's easy for me to say DS9 is yin and VOY is yang, but I do see a lot of commenters who are fans of both (but not TOS/TNG) and wonder if they just like the Berman-era Star Trek, no matter what the setting is.

As for DISC's identity, I think it's still finding one. Honestly, the missing Jason Isaacs is a big deal because he was the face of DISC for a long time. Will Pike fill the void of the maverick Captain who gets the job done, or is the show dropping that angle and double-downing on nostalgia?

For his part, Stewart insists his show will be very different, so I'm expecting it to be nothing like DISC or the recent films. With Stewart's input, I'd love to see something original from this project with the same tone as TNG, but I suppose time will tell.
Tue, Jan 15, 2019, 11:56am (UTC -5)
@Chrome, I think that's fair, for the average audience member. I hope you're right about the Stewart show, but my fear is that, contra Kurtzman, it will be too much like the others and go the dark and edgy route. What we've heard of it suggests Picard will be in a depressed state. Which could be interesting if done well.
Peter G.
Tue, Jan 15, 2019, 12:01pm (UTC -5)
@ Chrome,

On the face of it, yes, Kurtzman's remarks to make some sense, in that VOY and DS9 were certainly intitiated by the same showrunners and were meant to be part of the same era of a franchise. So they are much closer to each other, no doubt, than they are to DISC. However if you look closely I think you'll notice that Kurtzman's remarks may be true of DS9/VOY but actually irrelevant regarding DISC, because what he's actually saying isn't that DISC needs to be different from other Trek, but from other TV. The real question isn't whether DISC is different from VOY, but whether it's different from other shows on now. And that's when it becomes relevant to discuss about whether it's copying a formula already in circulation (an argument some have made) or whether it's setting a new tone. I agree with Dom that the earlier Marvel movies all seemed sort of vanilla and samey to me, and that only in the latter part of that franchise have the different films really felt different. Guardians of the Galaxy felt new, as did Thor: Ragnarok, and even Infinity War. But if you asked me to point out a major tonal difference between the Iron Man and Captain America films I'm not really sure I could. I did think Thor felt different, though, which is probably due to Kenneth Brannagh's direction and art design.

So the bottom line seems to be that it's not the property, or even the general approach (grimdark, light comedy, etc) that sets a film or show apart, but rather the writing and directing. And on that score Kurtzman's DISC plays exactly the same as his other material, which I sort of lump in with JJ's material, because I think they are of a similar ilk.

So looking into Kurtzman's statement closely like this I find that it becomes vacuous hype, since he certainly hasn't spearheaded any new style here, and certainly hasn't done anything that he hasn't already done before with a different product name. If the statement is just "it's not DS9!!" then, uh, I already figured that out...
Tue, Jan 15, 2019, 12:11pm (UTC -5)
@Peter G, I'd go even further and say that Discovery came late to the "dark, gritty space opera" genre on TV. If you were to ask me how it differs in tone and style from the Expanse, Killjoys, or Dark Matter, I'd say maybe the presence of classic Trek aliens. All those shows have a similar color palette (blues and golds) and have more morally ambiguous characters. I personally think Expanse is the best written of those shows, but it feels like Expanse and Discovery occupy the same space on TV. Going back a few years, Battlestar Galactica occupies a similar space. Even when I talk to my Trek friends about Discovery, I can't help but bring it up and ask if they've tried out Expanse or BSG, because it seems like both do a better job at what Discovery is trying to do.

By contrast, The Orville clearly has a very different mission statement. I haven't seen a single episode, but I could tell you quite clearly how it differs from those other shows. It's not like anything else currently on TV (live-action TV at least).

So what I'd love to see more from the Picard show and other Star Treks that come is something - other than the brand name of Star Trek or Picard - that convinces me the show is unlike anything else on TV. Granted, TNG and even DS9 had a much easier time because there was much less sci-fi on TV (aside from Babylon 5).
Tue, Jan 15, 2019, 12:13pm (UTC -5)
@Peter G.

"Hahaha! So the problem with VOY and DS9 was that they both felt too much like Star Trek! Touche!"

You know, it's funny, because in terms of general tone VOY and DS9 are nearly total opposites. The only thing that makes them alike, is that you tell they are set in the same fictional universe. In other words: continuity and consistency.

Not surprised at all that Alex Kurtzman thinks of this as a problem. Especially given his plans to "Marvelize" the Star Trek franchise.
Tue, Jan 15, 2019, 1:02pm (UTC -5)
@Peter G.

We haven't actually seen any of Kurtzman's other Trek TV projects so it's hard to say if they'll all end up the same. Since the modern television marketing model seems to be geared toward hitting different consumer niches, I wouldn't be surprised if all Kurtzman's projects turn out different. The animation alone looks like it's going to be completely out there - I'm not interested and maybe it's just not *for* me.

And - they can be incredibly different and half-baked. Or not. Hope springs eternal.
Tue, Jan 15, 2019, 9:45pm (UTC -5)
Kurtzman couldn’t write or oversee a decent project if he htried and boy has he tried

It’s all about the long con, toying with structure and cinematic visuals for him. He doesn’t understand the first thing about characterization or sound storytelling fundamentals

And that’s a large problem with a lot of these modern shows.

I’ve long since given up on Trek ever being good again. The JJ films were awful DIS is awful. Sound and fury nothing more

The 90s Piller era of Trek will never be matched. There was an effort to tell good stories with consistency and decent pacing.

I’d take TNG standalone adventures with nice little bows at the end over the convoluted mess that was DIS season one. I miss episodic adventures. Going from planet to planet. Meeting new aliens. The galaxy feeling unknown. High concept mysteries( remember me? The survivors, future inperfect, clues, night terrors, cause and effect, next phase, Timescape) or character dramas or interesting allegories(the host or the outcast ). New fresh aliens like the Borg, bynats, cardassians. Trek used to be fun and action adventure

Now it is all about regurgitating TOS over and over and over. As well as playing con games with its audience. It’s too flashy. Too fast. Too thin And none of the latest projects do anything for me—the animated show and section 31 series. And I’m
Guarded about the Picard show
Thu, Jan 17, 2019, 8:44am (UTC -5)
Ok, it may sound strange but I really want to see season 2. I didn't like the first season for the most part and thought the last episode was terrible. Every time I think about it new stuff comes up. Just think about it. The Vulcans and the Federation wanted to destroy Qo'nos. Genocide is already pretty bad but when the crew was down on the planet there were a lot of non-Klingons on the planet. They would be killed to. A huge number of foreign dignitaries. It would have probably started three new wars. The Federation had to have some kind of statement. What would that have been like: WE ARE THE FEDERATION. If you attack us, we will murder you all!
But again. I really want to see how this continues. My expectations are so low it is basically impossible to disappoint me.
I guess that's me at this point.
Thu, Jan 17, 2019, 1:11pm (UTC -5)
This thread comes as the scene from old school simpson, with grandpa captioned "old man yells at cloud". Discovery is basically repurposing star trek for a new generation, it has to be faster and flashy than the old shows because that is what can sell in tv nowadays with so much competition. Do I care for it, not much, but I catch it here and there and some of the plots seem like they come from farscape (with hidden personalities) or even Babylon 5 with the 1st season captain being replaced (and a high level officer being a double agent. I like DS9 best, voyagager and enterprise were nonsensical and boring, at least Discovery isnt boring (it is nonsensical which at least can be entertaining, and Michael seems like what Lt Paris should have been, so she is a good entry point into this hero's adventure, hopefully they go revisit Lorca).
And the complaints about this show being SJW, and trying to argue that TNG was a classical liberalism vs new being not good kind for you liberalism. world moved on without you, and it sucks, kinds like holding hope that MTV will play music again, that world is done, dont watch it if it aint your thing. and low rating may kill the show like it did Enterprise if you are correct. but liberalism changes (and man, star trek has always been obnoxious with their overt morality, looks at trills in next generation, and every episode with their issues).
Thu, Jan 17, 2019, 1:21pm (UTC -5)
@ Weiss: Maybe I misunderstand your argument but what you are saying is that you don't care about discovery but care about people disliking it and writing that down?
And thanks for making me look up if MTV still exists. It does! Who knew?!
Thu, Jan 17, 2019, 2:44pm (UTC -5)
Discovery is kinda like that pugnaciously porky cousin your mother insisted you share your toys with way back when because she felt sorry for her sister after the divorce, even though each and every time he visited he seemed to revel in leaving behind a trail of death and destruction, whether it was tearing the heads off your Planet of the Apes dolls, drawing in your comic books, or manhandling your AMT models to the point the nacelles would break off; ya, that very same cousin, 5 years later, you’d overhear your parents whispering about, who now had to see a court-ordered child psycholigist because he routinely threatened his teachers, apparently drowned or hanged a number of the neighbours pets, and continuously tormented his little sister to the point he twice tried to set her ablaze by throwing lit matches at her.

In other words, he was always a psychopath in the offing.
Fri, Jan 18, 2019, 4:21am (UTC -5)

"Discovery is basically repurposing star trek for a new generation, it has to be faster and flashy than the old shows because that is what can sell in tv nowadays with so much competition."

Even the guys at CBS no longer believe that, which is why they've completely changed the tone for Discovery Season 2.

"And the complaints about this show being SJW..."

Nobody on this thread ever complained about that. Funny, how the only people here who are using the term "SJW" at all, are those who complain about these non-existent complaints. You're like the 5th person here who did that.

"(and man, star trek has always been obnoxious with their overt morality, looks at trills in next generation, and every episode with their issues)."

I'll take "obnoxious with overt morality" over "no morality what-so-ever" any day.
Fri, Jan 18, 2019, 4:23am (UTC -5)
I mistakenly submitted my previous comment before completing the final paragraph. It was supposed to read:

I'll take "obnoxious with overt morality" over "no morality what-so-ever" any day. Agreed that Classic Trek was often too preachy and could sometimes benefit from being subtler, but at least it had a positive vision for the future.
Wed, Mar 20, 2019, 3:28am (UTC -5)
I just started my yearly month of CBSAA (hopefully I timed it right to get to the season finale) and have now seen the first two shorts. “Runaway” was godawful: in addition to the other issues people have mentioned, what about Tilly having flagrantly violated a major order, harboring a fugitive? Oh well, I guess Kirk went against orders a time or two. But I just didn’t find it enjoyable at all, and I was wondering if I really had to watch the rest of them before starting S2.

The answer is probably no, but “Calypso” was a complete turnaround: instead of a cringeworthy slog, I found it rather entrancing. But I’m a romantic at heart, so I had to laugh at the nonromantics who grumbled that there was very little plot. Accurate, but misses the point.
Wed, Mar 20, 2019, 5:00am (UTC -5)
I would have found “The Brightest Star” a perfectly serviceable little story...if it had not been such a massive retcon. As someone else mentioned, what happened to their being a highly fearful, skittish prey species? Docile villagers is a far cry from that.

“The Escape Artist” was a fun little outing though. No complaints.

Submit a comment

I agree to the terms of use

◄ Season Index

▲Top of Page | Menu | Copyright © 1994-2021 Jamahl Epsicokhan. All rights reserved. Unauthorized duplication or distribution of any content is prohibited. This site is an independent publication and is not affiliated with or authorized by any entity or company referenced herein. Terms of use.