Comment Stream

Search and bookmark options Close
Search for:
Search by:
Clear bookmark | How bookmarks work
Note: Bookmarks are ignored for all search results

Total Found: 8 (Showing 1-8)

Page 1 of 1
Set Bookmark
Matthew Martin
Thu, May 14, 2020, 8:52pm (UTC -5)
Re: VOY S4: The Killing Game

The Hirogen dont have holo tech but they have the means to create little neural thingies that make you think you are a holo character.

Mkay
Set Bookmark
Matthew Martin
Fri, Feb 21, 2020, 10:33pm (UTC -5)
Re: PIC S1: Stardust City Rag

best scenes of the episode were the ones that featured Picard and Seven, sitting next to each other, playing verbal chess. The single best scene this week came at the end, where the two ex-Borg share a moment of solidarity, both acknowledging that, after all these years, they both know a little part of them is still gone. Picard leaves Seven with a hopeful word, in true Picard fashion, telling her that they keep getting that little part of their humanity back, a piece at a time, every day.

Seven then beams back to the planet and murders the villain of the week.

Picard's still searching for his little missing piece of humanity; Seven seems to be chipping away at what's left of hers. That's great, great, great, stuff and I wish the whole show was that good. After episode one, I was left with the impression that this would be a return to Star Trek being a show that loved pondering ideas, debating morality, and resolving conflicts. Halfway through the first season and that feeling has yet to reappear except in little, fleeting, glimpses like we had with Seven/Picard.
Set Bookmark
Matthew Martin
Thu, Feb 6, 2020, 10:45pm (UTC -5)
Re: PIC S1: The End Is the Beginning

Full Disclosure: I still really like Picard and am looking forward to seeing where this storyline goes.

That being said, I have an issue with something three episodes in...

Jean Luc Picard, as depicted in this version of the future, is sort of the last bastion of Gene Roddenberry's dream of an optimistic, peace-seeking future where everyone works together, where poverty is eradicated, and earth is a paradise of positivity. Star Trek: Deep Space Nine flirted with abandoning that dream but never went all the way; in fact it made a point to say Earth is still a paradise and that "it's easy to be a saint in paradise" but it's hard to live out in the interstellar frontier.

Now Picard is showing us a future where earth is bitter, xenophobic, and isolationist. Where people like Raffi live in the near-25th century equivalent of a single-wide, smoking the near-25th equivalent of mary jane, and resent Picard for living in his chateau in France. Meanwhile he's just trying to right the wrongs caused by someone else and can't get an inch of help from either the Federation or Starfleet because they've completely lost Gene's way and have become what the showrunners think Britain has become with Brexit and all that.

To be clear, I have no problem with Star Trek using the politics of the day as a storytelling motivator. In fact, I would encourage it.

Science-fiction is, by nature, allegorical. It's purpose is to teach us about what we are, what we're becoming, what we could be without making it obvious that we're being preached-to. Not all sci-fi is the same: Some is overt and cynical, creating environments that simply take the problems of today and turn them up to 11, beating us over the head with our own present sins.

Gene Roddenberry dreamed of a sci-fi show that dared to hope for the best.

He created Star Trek as a way to say "look how great things could be if we only just stopped fighting with each other." Yes there were still issues that needed addressing: In the days of the Original Series there was Vietnam, race relations, economic inequality; but how he dealt with those issues was two fold. On the one hand he made a point to remind us over and over in the show that earth had moved beyond those. At the same time he featured OTHER, ALIEN, BAD GUY species that still had those problems, allowing Kirk, Spock, and later Picard, etc, to lovingly (sometimes sternly) lecture on how stupid it is to be racist (Let This Be Your Last Battlefield), or to send people to death fighting a pointless war (A Taste of Armageddon), or to assume the worst in someone simply out of habit (Day of the Dove).

The key is that earth/humanity (a united humanity, mind you) moved past those things and the drama came from other alien species that hadn't.

Picard (and Discovery) has either forgotten that, or has decided it's maybe too much work, or requires too much of a writing-commitment, or is just too subtle for the dumbed-down audience they hope to attract, to tell those stories.

And that makes me sad.

I said after last week's episode that I was okay with Starfleet being a bunch of isolationist jerks, provided, in the end, they admit their fault and revert back to how they should be (how Gene envisioned them to be). We're not talking about changing the color of the uniforms here; we're talking about something that is foundational to Star Trek itself. Without an optimistic, peaceful earth, it's not Star Trek at all.

Picard's third episode takes the old hero back to the stars. What comes next we'll find out in the weeks that follow. He's searching for a synthetic...I hope he finds the the optimism and hope for the future that everyone around him lost over the years.
Set Bookmark
Matthew Martin
Thu, Mar 14, 2019, 11:04pm (UTC -5)
Re: DSC S2: Project Daedalus

Let me see if I have this right...

So, a few weeks ago Disco comes into contact with a giant space sphere thing, which has been gathering intel on galactic life for a long freaking time. Disco brings that bad boy on board and downloads the history of the world part one into their computers.

Later, Disco sends a shuttle into a crazy timey-wimey space anomaly. While there, a probe from the future latches onto the shuttle. The probe hacks Ariam.

Ariam goes to Section 31's HQ (Disco is there on the orders of Admiral Whatshername) and begins downloading the space sphere's info into the HQ computer (a special AI called "Control").

The conclusion that everyone reached as a result is that: Control sent a probe from the future to get that info, so that it can evolve and destroy all sentient life in the galaxy.

Now I assume the fact that this opens a queen-mother of a temporal paradox is just going to be ignored, as happens with 99% of time travel stories in fiction, but is that basically what we were told this episode? Right? Control came back from the future to take over robolady so she could give control in the past the tools needed to become wicked smaht in the future and destroy everything?

I'd prefer something simpler, like saving the whales or rescuing Data's severed head from Mark Twain, but whatever.
Set Bookmark
matthew martin
Sun, Nov 5, 2017, 9:35pm (UTC -5)
Re: DSC S1: Si Vis Pacem, Para Bellum

I think the last two episodes have really redeemed the series, at least in my eyes. I was ready to write the whole thing off but last week was great and this week's A plot was fantastic, I thought.

It was classic Trek, and had a great twist with Saru not actually being mind-controlled, but actually just being a weak-willed person who made a bad choice.

The B and C plots were nothing but overt set-ups for the midseason finale. I get the need to get all your pieces in place, but the B plot failed to do anything for me and the C plot (all two scenes of it) was so slight it isn't even worth mentioning.

The A plot was stellar though and gives me hope that they can pull off a good finale. Their goal to shoot for is Kobol's Last Gleaming.

Good luck Disco
Set Bookmark
matthew martin
Sun, Oct 29, 2017, 10:01pm (UTC -5)
Re: DSC S1: Magic to Make the Sanest Man Go Mad

I've been losing interest over the past month. To me, every episode since the premiere night has been worse than the one before it.

But this was easily my favorite episode thus far. Other than the stupid rave, this felt like pure Trek. High concept, sci-fi gimmick, mixed with a human story under the surface.

Fantastic. Not perfect, a little clunky and maybe a bit rushed but really really great. 9/10 for me.
Set Bookmark
matthew martin
Fri, Jul 29, 2016, 11:47pm (UTC -5)
Re: Star Trek Beyond

Haha, this is hilarious.

Really likes Into Darkness, doesn't like Beyond.

Lol I don't even..
Set Bookmark
matthew martin
Thu, Jun 17, 2010, 11:50pm (UTC -5)
Re: BSG S4: Deadlock

SPOILER ALERT CONCERNING THE NEXT EPISODE

Did anyone else notice, right after the scene when Roslin is talking with Caprica about her baby (the "of course my baby's special" scene), they cut to the bar, and Kara asks when they got a piano. If you look closely, though its out of focus, that's clearly her dad banging the keys.

I've watched the show several times now, but I just finished a few minutes ago and caught that.

Sorry if it's well known, but I thought it was cool.
Page 1 of 1
▲Top of Page | Menu | Copyright © 1994-2020 Jamahl Epsicokhan. All rights reserved. Unauthorized duplication or distribution of any content is prohibited. This site is an independent publication and is not affiliated with or authorized by any entity or company referenced herein. See site policies.