Comment Stream

Search and bookmark options Close
Search for:
Search by:
Clear bookmark | How bookmarks work
Note: Bookmarks are ignored for all search results

Total Found: 4 (Showing 1-4)

Page 1 of 1
Set Bookmark
Peter G,
Tue, Feb 12, 2019, 5:01am (UTC -6)
Re: DSC S2: An Obol for Charon

Just for clarity in my last post, "quick close quarters encounter" was meant to describe the first surprise incident with a Klingon when Burnham defends herself.
Set Bookmark
Peter G,
Fri, Nov 16, 2018, 3:07pm (UTC -6)
Re: TNG S4: Qpid

Don't worry, Daltone, this one seems to swing wild on scores. If you have no taste, neither do I :)
Set Bookmark
Peter G,
Tue, Sep 11, 2018, 6:18pm (UTC -6)
Re: DS9 S3: The Search, Part I

@ Elliott,

"Full disclosure, with some exceptions, the more sarcastic my remarks, the less I enjoy the episode. I think Jammer is about the same in his reviews, same with a lot of video bloggers like SFDebris, too. That’s a facet of my personality. If that’s upsetting to you, I’m genuinely sorry. "

Oh, I don't have a problem with sarcasm. When done right it can be quite amusing and take the piss out of a subject in just the right way. But a wrong way can include what sounds like bitterness (not necessarily pertaining to you). That said my object, if you want to call it that, is that I feel like the sarcasm ends up *replacing content* rather than being a commentary on content. Like, for instance, I just watched Plinkett's review of SW: The Last Jedi, and boy was it sarcastic at times. But I never felt like he was being sarcastic just to pass the time; his critique seemed always on point and a reflection on what he saw on the screen. That's what makes the sarcasm funny: it's a humorous way of being confronted with an observation that I recognize. He says a thing in a funny way and I think "Yeah, that's true!" and the sarcasm makes it funny. Seinfeld used to do that a lot, where they'd point out something immediately recognizable as "real". The key thing is that we actually recognize the thing that the sarcasm is describing to us. But in your review (just this one) I can't say I observed most of the things you mention.

Let's say, for example, I wrote of review of The Search Part 1 that contained the following objection:

"Here we see a prototypical white cultural stereotype of a black man, where the black man is shown cruising around someone else's neighborhood with his big space gun looking for trouble with his posse. This racist and vile representation furthers cultural abuse towards an oppressed people, depicting them as little more than hooligans and not respecting private property. And what's worse, his accomplices are all white people (even the aliens are white people in disguise!!) which is meant to legitimize this portrayal, as if to say "you see! we were there to vouch that this black man really is a criminal." This episode should be ashamed of itself for both villifying 'the other' and portraying a black man as fundamentally being afraid of his neighbors, when in fact in real life it is the black man's neighborhood that is invaded."

I'm not saying you wrote something like this, but imagine reading a review of this type. In theory its content is "coherent" insofar as it makes internal logic. The problem is that this account of what the episode portrays simply doesn't match up with reality, nor with any realistic interpretation of what the authors intended and the actor's portrayed. So this is a 'real objection' in terms of it's identified a potential problem and shown where in the episode that problem occurs, except that I don't think this example in particular is a reasonable objection. I doubt many readers will read this objection and immediately realize "yeah! that's exactly what I saw too!" Not that every objection must be about something obvious; but nevertheless one sometimes gets the impress that objections of this sort reflect more on the writer than on the material the review is supposedly about. Again, that was an abstract example and not meant to represent any particulars of how you framed your particular objections. My point is that I think it's important that the reader identify with what you say you saw, and I can't say (certainly in the examples I provided in my last comment) that I saw the same episode you did. For the record, while I may disagree I am totally supportive of views that disagree with mine as long as they're backed up by facts.

"Oh and by the way, if you think my DS9 reviews are sarcastic, just wait till we get to Enterprise."

I will look forward to it, then.
Set Bookmark
Peter G,
Thu, Jul 26, 2018, 5:25pm (UTC -6)
Re: TNG S4: Family

@ Chrome,

That's more or less in keeping with what I meant. My 'resistance is futile' line isn't just meant to convey pessimism, but that the only way to look it forward. Robert's version of pretending to stay in the past is untenable in the long-run, but on the other hand racing towards the future with no thought to the destination is just as dangerous. The balanced message, as you put it, seems to say that the Robert side of the equation mustn't be lost if the Federation is to stay human and avoid becoming a technological terror. I think Picard is the exemplar of that balance, and it took spending time at home to remind him that despite the dangers posed by the future he actually is equipped to meet them.

One can almost look at it in larger terms, thinking back to Encounter at Farpoint, where Q ordered the Federation back to Earth. Family shows us that between hiding on Earth on going out there to perhaps become a terrible thing, there really is no option. One must both go out there, and also avoid becoming the terrible thing. I think the Trek message is that this can really be accomplished if we have a common goal to that effect.
Page 1 of 1
▲Top of Page | Menu | Copyright © 1994-2019 Jamahl Epsicokhan. All rights reserved. Unauthorized duplication or distribution of any content is prohibited. This site is an independent publication and is not affiliated with or authorized by any entity or company referenced herein. See site policies.