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Jimmy
Sun, Jun 16, 2019, 7:05pm (UTC -5)
Re: DSC S2: Such Sweet Sorrow, Part 2

I can't and never will consider Discovery as ANY part of classic Star Trek canon. Probably not the Picard show,Or the Section 31 show either.I don't care what CBS or the show-runners say. Discovery is just too aesthetically and tonality different for me to reconcile it with classic Trek. They have just taken wayyyy too many liberties with aesthetics and canon. The ridiculous things for me that will never fit in for instance the R2-D2 like droids on the Enterprise hull or the Red Angel Iron Man suit . They are not era appropriate. For me these and the terrible (IMO) writing and unlikable characters are just insulting, laughable and cringe worthy . But if people like it that's absolutely fine. Everyone is different and has different opinions and tastes. I totally get it I just can't bring myself to watch it.
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Jimmy
Sat, Mar 9, 2019, 9:08pm (UTC -5)
Re: TOS S2: Metamorphosis

I don't understand all the fuss about the end of the episode. Hedford is basically the same as an organ donor today. She finds happiness with Cockrane.
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Jimmy
Wed, Mar 21, 2018, 6:11pm (UTC -5)
Re: DSC S1: Will You Take My Hand?

I don't understand anything the producers/showrunners are doing with Discovery.

Making the show a prequel makes little sense to me. They want to set the show in the cage era and insist its prime timeline. But nothing matches up at all. All the previous treks at least tried to make it all seem like the same universe just different eras. Like respecting the visuals and story. If they don't want the show to look like the TOS era because it looks too "primitive" for modern audiences, which I understand they really should've set it post-Voyager/Nemesis. All they would need to do is make some adjustments. Set the show several hundred years in Voyager/nemesis's future They could still have a faction of radical Klingons who are opposed to federation ideals. Instead of Sarek, just have another prominent Vulcan. Plus all the technology would make perfect sense because its in the future. People would expect technological advances. But setting the show pre-TOS era makes me feel like discovery is really not prime timeline but a different timeline having nothing to do with previous trek shows.

Also I don't understand why they have to re-imagine everything in trek now. I've heard there are licensing issues but doesn't CBS own the rights to the Star Trek prime designs? I was under the impression they only had to change the designs/iconography for the movies.
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JimmyDee
Sun, Aug 18, 2013, 9:52am (UTC -5)
Re: DS9 S7: Field of Fire

It's really funny because I watched this something like 12 years ago and I remembered this as part of the episode where Kira's past enemy kills a bunch of her past associates.

And reading the comments of many here, it suddenly clicked.

Why are Ezri's memories inconsistent with Jadzia's?

Memory is easily distorted.

As much as I hated the previous episode, it's probably noteworthy that this Joran looks an awful lot like her brother, who was recently discovered to be a killer. Ezri probably never actually saw Joran and could easily have mixed the two.

How can the projection of Joran be able to process something that Ezri isn't looking at? He lives inside her memories. It's well known that the mind can see and capture images subconsciously far more comprehensively than the conscious mind can access them. They did studies on fighter pilots and their ability to identify planes when flashed an image in a tiny fraction of a second. I recently saw a documentary on robots that explored this and found that the eye can detect a single frame showing an animal of 100 pictures flashed in a second. This is because the brain processes 'important' images (animals and other perceived threats as well as human faces) with a special processor.

It's not really unrealistic to assume that as Ezri was wandering through and processing with her conscious, Joran was processing information as it passed into her memory.

It kinda fits.

Given the memorable nature of the weapon (the only thing I really remembered after 12 years) and some of the better moments (Worf), I quite enjoyed this one.
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JimmyDee
Tue, Jul 30, 2013, 11:42am (UTC -5)
Re: DS9 S7: It's Only a Paper Moon

Gotta say, it's pretty ridiculous that people are complaining about the lack of mixed race relationships in the game because they are spending too much time pairing up aliens from mixed alien races? What type of 'color blindness' thinks Worf-Jadzia doesn't count as a mixed-color relationship between main characters, or T'Pol and whoever that boring actor was that she was banging on screen... or handful of relationships that Jake had in the first few seasons with non-black girls/women don't count because... I just don't get it.

Having said that, I always felt that racism was handled a bit too heavy handed by DS9. In TOS, Kirk and Spock just didn't understand the reasoning behind the Cherons. Kind of like you wouldn't understand racism if someone was talking about different colored cats. But on DS9, it was much more of a roaring behemoth, dealt with by facing it head on in a huge barrage of explosions.

And I definitely noticed it too with Jake and Ben. Strong leanings toward black girls. But maybe they just liked 'home cooking'? We know they did for food and entertainment.

Racism isn't 'handled' properly until it is simply not an issue.

Certainly, I appreciate what Star Trek has done for showing how it is possible to overcome prejudices such as race, color, even financial standing. But it's best moments for overcoming racism have always been the quieter ones.

Bear in mind that DS9 is my favorite Trek and Ben Sisko is absolutely the reason for it. Nothing to do with him being black. He's just a badass who had it rough and still keeps grasping for the rope of morality as the Universe tries to drag him down.

Isn't it funny too that this episode was about trauma, stress, escapism, sentience, life, and friendship between a character living in the 60's and a Ferengi. And somehow, the discussion gets overwhelmed by debate about racism. (?)

PS. as an avid classical guitarist, I resent the suggestion that it might be considered unrealistic for 400 year old music to be considered captivating to humans and non-humans alike. OK, so I play mostly stuff from 150-50 years ago, but good music is good music.
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JimmyDee
Mon, Jul 22, 2013, 8:04am (UTC -5)
Re: DS9 S7: Afterimage

yeah, you Ezri-bashers are full of crap.

She is good because she is weak. She can't cry worth a damn, but I liked almost everything else she did.

Characters that fail are almost always more interesting than characters that win at everything.

deBoer did a great job of capturing a hint of Terry's persona as if it were a portion of a mix of personalities inside her, jostling around for dominance - a bit like the penultimate scene in Terminator 2. Every once in a while, it does pop through, just a little bit.

As to her competence as a counselor, I think that's reasonable and Sisko is rolling on the fact that he's quite sure she'll roll into it somewhat naturally, albeit with a few bumps here and there.

Counseling isn't exactly a hard science you know. Any time I have been to counseling, the emphasis has always been on letting the client do most of the work and giving them a chance to air out the dirty laundry.

That's probably a fairly believable reason that few counselors stay long on DS9. It's a pretty rough and risky place to hang out if your professional skillset involves getting people to open up and cry a bit.

Given the fact that the Feds are at war with a fairly powerful alliance for most of the last few seasons and DS9 is the most strategic point, that's not a particularly strong set of skills for dealing with a militant invasion.

Might as well change the Counselor's uniform to a clean, bright red shirt.

Naw, her character fits and she did a good job (again, except for the crying - couldn't they have just killed a kitten in front of her or something???).

Oh, and the character in Invasive Procedures was a personality that was quite well suited and well prepared for joining, but had a psychotic streak. Ezri is a personality that is simply not suited for it and was never prepared for joining. I think the difference in the characters matches what was shown on screen.
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Row Jimmy
Sat, May 18, 2013, 2:07pm (UTC -5)
Re: ENT S4: These Are the Voyages...

I'm in agreement with the consensus about the series finale. But I'm seeing many comments ragging on the first two seasons which I thought were great. I recently re-watched the series and the first two seasons were actually my favorite. Season 3, with the linear plot line, enthralled me the first time I watched it but I wasn't as impressed watching it a second time. I think this plot line for an entire season contributed to the shows failure. For the casual fan, who didn't watch the show every week, they would have been completely lost tuning in at mid-season. Star Trek was always about exploration and not all out war.

Season 4 went back to the regular format but it was kind of hit or miss. The hurriedly thrown together series finale was a major bummer to an otherwise solid show. It's too bad SyFy channel never picked up the show. I think it would have been far more successful on cable and available during the age of streaming. Due to their poor advertising, I had no idea that this show even existed when it aired on television.
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