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Re: TOS S3: Let That Be Your Last Battlefield
I must agree with Brundledan's assessment of this episode. The make up was garish. The camera angles and closeups were distracting. With Frank Gorshin running up and down the corridors in his tights I was half expecting Batman to make an appearance. It was overall a terrible episode and surely helped give the third season its well deserved reputation for being uneven. It has all the subtlety of an H-bomb. And yet while preaching about the dangers of racism it is itself guilty of much the same sin. "Cheron, that's the Southernmost part of the galaxy, isn't it?" That quote pretty much presupposes the concept of us and them and that we are better.
This isn't quite as bad as And the Children Shall Lead or The Way to Eden but it's so close the distinction is hardly worth noticing. Way too preachy, way too presumptuous and in the final analysis guilty of hypocrisy while at the same time being oblivious to the fact.
I must agree with Brundledan's assessment of this episode. The make up was garish. The camera angles and closeups were distracting. With Frank Gorshin running up and down the corridors in his tights I was half expecting Batman to make an appearance. It was overall a terrible episode and surely helped give the third season its well deserved reputation for being uneven. It has all the subtlety of an H-bomb. And yet while preaching about the dangers of racism it is itself guilty of much the same sin. "Cheron, that's the Southernmost part of the galaxy, isn't it?" That quote pretty much presupposes the concept of us and them and that we are better.
This isn't quite as bad as And the Children Shall Lead or The Way to Eden but it's so close the distinction is hardly worth noticing. Way too preachy, way too presumptuous and in the final analysis guilty of hypocrisy while at the same time being oblivious to the fact.
Re: DS9 S7: It's Only a Paper Moon
Aron Eisenberg passed away last night and I watched this episode again in Tribute. Still one of the best episodes of the series, and probably the best holodeck episode of the series.
RIP Aron.
Aron Eisenberg passed away last night and I watched this episode again in Tribute. Still one of the best episodes of the series, and probably the best holodeck episode of the series.
RIP Aron.
Re: TOS S3: Spectre of the Gun
I thought this was a fair though not great episode if for no other reason that the fact, noted by other commenters, that this episode had a Twilight Zone feel to it. It pretty much was Roddenberry meets Serling. I think it rates about 2.5 stars.
I haven't read all the comments on this page but I'm a bit surprised that no one seems to have mentioned that DeForest Kelly had been in two separate remakes of Gunfight at the O.K. Corral prior to this one.
I have to kind of suspect that they had a partial Western stage set up and the writers were asked to somehow incorporate it into an episode. The fact that Kelly had been in two previous incarnations of the O.K. Corral had to be the genesis for this episode.
It's main weakness does seem to be that there just wasn't enough dialogue to fill 50 minutes so there seemed to be a bit of fluff here and there. And the Western characters all had a cardboard cutout quality to them but that may have been the intention to add to the surreal effect.
As for the commenter that objected to Spock knowing about a 400 year old piece of Earth history....come on, it's Spock. It fits his character perfectly. He's half Vulcan, a species that is mentally superior to humans. And he is half human, so he would have a special interest in humanity. And the guy was a genius by any standards, so yeah he has Earth history down pat. And if all that isn't enough he under goes ponn farr just once every seven years. Just think how much smarter the average guy would be if he didn't spent so much time and energy on sex.
And in the final, errie shootout scene did any one notice that the off camera wind machine had to be turned up to high and was blowing 90 degrees to the path of the supposed bullets? This was because the shots were being fired point blank at the actors and they needed a high wind speed to deflect any blast debris away from them.
And I have to say the best comment on this page was given by the guy that said, "There is no spoon." Perfect!
Finally, for what it's worth I have noticed that there is another commenter on this site named Greg so I have changed my nick to Original Greg.
I thought this was a fair though not great episode if for no other reason that the fact, noted by other commenters, that this episode had a Twilight Zone feel to it. It pretty much was Roddenberry meets Serling. I think it rates about 2.5 stars.
I haven't read all the comments on this page but I'm a bit surprised that no one seems to have mentioned that DeForest Kelly had been in two separate remakes of Gunfight at the O.K. Corral prior to this one.
I have to kind of suspect that they had a partial Western stage set up and the writers were asked to somehow incorporate it into an episode. The fact that Kelly had been in two previous incarnations of the O.K. Corral had to be the genesis for this episode.
It's main weakness does seem to be that there just wasn't enough dialogue to fill 50 minutes so there seemed to be a bit of fluff here and there. And the Western characters all had a cardboard cutout quality to them but that may have been the intention to add to the surreal effect.
As for the commenter that objected to Spock knowing about a 400 year old piece of Earth history....come on, it's Spock. It fits his character perfectly. He's half Vulcan, a species that is mentally superior to humans. And he is half human, so he would have a special interest in humanity. And the guy was a genius by any standards, so yeah he has Earth history down pat. And if all that isn't enough he under goes ponn farr just once every seven years. Just think how much smarter the average guy would be if he didn't spent so much time and energy on sex.
And in the final, errie shootout scene did any one notice that the off camera wind machine had to be turned up to high and was blowing 90 degrees to the path of the supposed bullets? This was because the shots were being fired point blank at the actors and they needed a high wind speed to deflect any blast debris away from them.
And I have to say the best comment on this page was given by the guy that said, "There is no spoon." Perfect!
Finally, for what it's worth I have noticed that there is another commenter on this site named Greg so I have changed my nick to Original Greg.
Re: TNG S5: Silicon Avatar
Just finished watching this episode. The Crystal (you can't assume it's an "entity") travels at warp speed seeking out "life" to consume (destroy). If this crystal had been around for any considerable length of time there would be a much broader path of destruction in the immediate warp range the Federation is capable of in several years time. In other words, it would be very likely there would no longer be any life left in within the Federation's warp range. Just look at what it was able to devastate within a very few days time. So, why no consideration this crystal was a deliberately created and released weapon of mass destruction within Federation space. A bio-destroy weapon of unimaginable evil and viciousness? That any communication would already be with a war machine?
Or would others rather talk it out and reach a compromise with Hitler?
Destroying it was the only rational course of action. The Doctor is a hero who killed an uncompromising weapon of war while Picard was moralizing genocide.
Picard should have been court martialed for dereliction of duty and the trivialization of human life that would undoubtedly affect any of his future command decisions.
But, then again, what can you expect from copies?
Just finished watching this episode. The Crystal (you can't assume it's an "entity") travels at warp speed seeking out "life" to consume (destroy). If this crystal had been around for any considerable length of time there would be a much broader path of destruction in the immediate warp range the Federation is capable of in several years time. In other words, it would be very likely there would no longer be any life left in within the Federation's warp range. Just look at what it was able to devastate within a very few days time. So, why no consideration this crystal was a deliberately created and released weapon of mass destruction within Federation space. A bio-destroy weapon of unimaginable evil and viciousness? That any communication would already be with a war machine?
Or would others rather talk it out and reach a compromise with Hitler?
Destroying it was the only rational course of action. The Doctor is a hero who killed an uncompromising weapon of war while Picard was moralizing genocide.
Picard should have been court martialed for dereliction of duty and the trivialization of human life that would undoubtedly affect any of his future command decisions.
But, then again, what can you expect from copies?
Re: DSC S2: Such Sweet Sorrow, Part 2
@Dom
When I wrote my post it was referring to the article you posted, as I replied to him in a Facebook group. That’s where the whole character paragraph comes from. It was a great read.
@Dom
When I wrote my post it was referring to the article you posted, as I replied to him in a Facebook group. That’s where the whole character paragraph comes from. It was a great read.
Re: DSC S2: Such Sweet Sorrow, Part 2
That finale was something else. It was full of action, but on thinking about it more, it kind of angers me.
I think my biggest issue with Discovery is two fold: It lacks an identity and the writers cut too many corners to give us emotional moments that are not earned.
What is Star Trek Discovery? What is it's place in the Star Trek Mythos? What I saw in Season 2 was Discovery sidelined in favor of Star Trek mysticism. Pike was great, Spock was decent, but it feels like fans are so entrenched in the original series for some reason (A series that only lasted 3 seasons, by the way) that Star Trek as a whole always has to revert back to that series. Why can't Discovery stand on it's own. Hell, we end season 2 with the Enterprise and not the Discovery. That is a big disservice to Discovery in my opinion.
You were talking about the characters in your piece and I think the character who got the shortest shrift was Paul Stamets. Stamets was a great character in season 1, going from arrogant to standing his ground against Lorca and what he has worked for. In season 2 he's just pining for Culber all year. Anthony Rapp deserves better because he's a much better actor than that.
In terms of cutting corners, look no further than Airiam's death scene. The writers take so much time writing a clip show for this character because they were too lazy to actually work on a character arc for her the prior season and a half. We were lead to believe that these characters are important, then why did the writers treat them as furniture prior to this. The same can be said for the entire secondary bridge crew. We then have scenes with these people writing letters home and it feels empty because why should I care about these people when the writers don't.
I hate how Burnham centric this show is. Everything has to revolve around her, and it makes me roll my eyes. I'm not going to get into a Mary Sue debate, but by making her the Red Angel, did the writers pretty much elevate her to a deity. Also, that story with her mom was a big waste of time. Also, can she stop crying? Every episode this season she is crying and it's ridiculous. She's the most emotionally sad character I've seen in Star Trek and she's the lead.
I hope season 3 is a reboot of the series, and this time they actually give a damn for the characters they write. I don't want Star Trek. I want Star Trek Discovery. That's what the show is called and they should be front and center. By having the final shot of the finale being the Enterprise going on it's mission, that was a spit in the face to the two seasons of Star Trek Discovery, like These are the Voyages was a spit in the face to Star Trek Enterprise (According to many in fandom).
That finale was something else. It was full of action, but on thinking about it more, it kind of angers me.
I think my biggest issue with Discovery is two fold: It lacks an identity and the writers cut too many corners to give us emotional moments that are not earned.
What is Star Trek Discovery? What is it's place in the Star Trek Mythos? What I saw in Season 2 was Discovery sidelined in favor of Star Trek mysticism. Pike was great, Spock was decent, but it feels like fans are so entrenched in the original series for some reason (A series that only lasted 3 seasons, by the way) that Star Trek as a whole always has to revert back to that series. Why can't Discovery stand on it's own. Hell, we end season 2 with the Enterprise and not the Discovery. That is a big disservice to Discovery in my opinion.
You were talking about the characters in your piece and I think the character who got the shortest shrift was Paul Stamets. Stamets was a great character in season 1, going from arrogant to standing his ground against Lorca and what he has worked for. In season 2 he's just pining for Culber all year. Anthony Rapp deserves better because he's a much better actor than that.
In terms of cutting corners, look no further than Airiam's death scene. The writers take so much time writing a clip show for this character because they were too lazy to actually work on a character arc for her the prior season and a half. We were lead to believe that these characters are important, then why did the writers treat them as furniture prior to this. The same can be said for the entire secondary bridge crew. We then have scenes with these people writing letters home and it feels empty because why should I care about these people when the writers don't.
I hate how Burnham centric this show is. Everything has to revolve around her, and it makes me roll my eyes. I'm not going to get into a Mary Sue debate, but by making her the Red Angel, did the writers pretty much elevate her to a deity. Also, that story with her mom was a big waste of time. Also, can she stop crying? Every episode this season she is crying and it's ridiculous. She's the most emotionally sad character I've seen in Star Trek and she's the lead.
I hope season 3 is a reboot of the series, and this time they actually give a damn for the characters they write. I don't want Star Trek. I want Star Trek Discovery. That's what the show is called and they should be front and center. By having the final shot of the finale being the Enterprise going on it's mission, that was a spit in the face to the two seasons of Star Trek Discovery, like These are the Voyages was a spit in the face to Star Trek Enterprise (According to many in fandom).
Re: ORV S2: Sanctuary
So we get 2 4.5 star reviews in a row. Is Jammer turning around his feelings about Orville as a whole? I'm a little surprised and a little impressed.
So we get 2 4.5 star reviews in a row. Is Jammer turning around his feelings about Orville as a whole? I'm a little surprised and a little impressed.
Re: DSC S2: Such Sweet Sorrow, Part 1
I called this episode over-waught in sentimentality. I don’t remember many shows (Star Trek or otherwise) having this much crying, and then it feels like the entire crew is bowing at the feet of Burnham and it’s really hard to connect with the emotions this series wants us to connect. For example there was a scene where we see the characters writing letters to families and like Airiam Death, it felt unearned. Compare this to say A Call to Arms in terms of goodbyes and there is much more gravitas to it. Granted we know the characters more but that’s provided by the writing of those characters. We want to see this succeed, we understand why Sisko is pissed at Jake staying on the station. That’s what character development is.
In this series we never see these people as people, except for Burnham and occasionally Suru and Tilly. Heck, even Stamets has been sidelined this season to relationship drama. We haven’t seen this connection the crew supposedly has with Burnham, so those scenes in the episode feel empty.
My favorite episode this season is If Memory Serves and not just because it was the long awaited sequel to the Cage. It was an episode that slowed down and allowed these characters to be actually people. The scene with Pike and Vina, or the scenes with Burnham and Spock really delivered the emotional weight those scenes deserved.
The last few episodes have shown more crying and more emotional baggage than probably the entire franchise combined. Melodrama for the sake of melodrama doesn’t work unless it’s earned. This series is basically cutting corners and leaving all the important stuff on the cutting room floor. It’s a shame because I do think this season is better for the most part than season 1 but it’s ending like season 1 ended, with the feeling the series can be so much more.
I called this episode over-waught in sentimentality. I don’t remember many shows (Star Trek or otherwise) having this much crying, and then it feels like the entire crew is bowing at the feet of Burnham and it’s really hard to connect with the emotions this series wants us to connect. For example there was a scene where we see the characters writing letters to families and like Airiam Death, it felt unearned. Compare this to say A Call to Arms in terms of goodbyes and there is much more gravitas to it. Granted we know the characters more but that’s provided by the writing of those characters. We want to see this succeed, we understand why Sisko is pissed at Jake staying on the station. That’s what character development is.
In this series we never see these people as people, except for Burnham and occasionally Suru and Tilly. Heck, even Stamets has been sidelined this season to relationship drama. We haven’t seen this connection the crew supposedly has with Burnham, so those scenes in the episode feel empty.
My favorite episode this season is If Memory Serves and not just because it was the long awaited sequel to the Cage. It was an episode that slowed down and allowed these characters to be actually people. The scene with Pike and Vina, or the scenes with Burnham and Spock really delivered the emotional weight those scenes deserved.
The last few episodes have shown more crying and more emotional baggage than probably the entire franchise combined. Melodrama for the sake of melodrama doesn’t work unless it’s earned. This series is basically cutting corners and leaving all the important stuff on the cutting room floor. It’s a shame because I do think this season is better for the most part than season 1 but it’s ending like season 1 ended, with the feeling the series can be so much more.
Re: DSC S2: Perpetual Infinity
I'm starting to get really confused by this storyline. The mystery seems to be dissipating in favor of AI Terminator II style Judgement Day. Because of that, I wasn't really a fan of this episode and unfortunately that seems to be the thing that wraps up this season.
I'm starting to get really confused by this storyline. The mystery seems to be dissipating in favor of AI Terminator II style Judgement Day. Because of that, I wasn't really a fan of this episode and unfortunately that seems to be the thing that wraps up this season.
Re: DSC S2: Project Daedalus
The more I think about this episode the more I didn't like it and it's because of the one thing this show does that I hate. The smaller characters are not developed at all, so when we get a big episode featuring one of them, it rings a little hallow. I mean Burnham and Airiam were friends? Since when?
The scene where Airiam is sharing memories of her hanging out with Tilly and Detmer is a clear example of why this series doesn't develop these people all that well. If she was an important character in death, she should have almost been an important character in life too.
The more I think about this episode the more I didn't like it and it's because of the one thing this show does that I hate. The smaller characters are not developed at all, so when we get a big episode featuring one of them, it rings a little hallow. I mean Burnham and Airiam were friends? Since when?
The scene where Airiam is sharing memories of her hanging out with Tilly and Detmer is a clear example of why this series doesn't develop these people all that well. If she was an important character in death, she should have almost been an important character in life too.
Re: TOS S1: Mudd's Women
Kudos to Trek Fan for the best and most thought provoking analysis of this episode. You are spot on.
Kudos to Trek Fan for the best and most thought provoking analysis of this episode. You are spot on.
Re: ORV S2: Home
I enjoy reading your reviews Jammer, and this one was no exception. However, I thought the Jar of pickles was not hopelessly corny, but kinda sweet. I'm going to miss Alara. She was a great character and I loved her two big episodes last year (Command Performance and Firestorm).
I enjoy reading your reviews Jammer, and this one was no exception. However, I thought the Jar of pickles was not hopelessly corny, but kinda sweet. I'm going to miss Alara. She was a great character and I loved her two big episodes last year (Command Performance and Firestorm).
Re: DS9 S6: In the Pale Moonlight
This is my favorite DS9 episode, possibly favorite episode of the entire ST franchise.
The way it depicts Sisko in such an anti-hero fashion. With such a believable twist of character driven by the threat of war. Well...you have already captured that.
But the fact that it cuts away the ensemble cast and lets Robinson and Avery have the full stage makes it a high quality play. Seeing the back and forth between Garek and Sisko gives me fuzzies.
Everytime I rewatch DS9, I can't help but get excited in every episode which they place Garek. The acting is incredible. Compare that with something like Smallville, where the only "good" acting was the actor portraying Lex.
The creator of DS9, Ira Behr, had always felt TOS and TNG were too "pure" and wanted a different environment. One subject to breakdowns and frailties. Well this episode really shines in depicting such a realistic visage.
That combined with the Section 31 episodes + the moral ambiguities shown with Gul Dukat makes for a relishing series that quickly erased any initial concerns of "how can they create a Star Trek without a starship???"
This is my favorite DS9 episode, possibly favorite episode of the entire ST franchise.
The way it depicts Sisko in such an anti-hero fashion. With such a believable twist of character driven by the threat of war. Well...you have already captured that.
But the fact that it cuts away the ensemble cast and lets Robinson and Avery have the full stage makes it a high quality play. Seeing the back and forth between Garek and Sisko gives me fuzzies.
Everytime I rewatch DS9, I can't help but get excited in every episode which they place Garek. The acting is incredible. Compare that with something like Smallville, where the only "good" acting was the actor portraying Lex.
The creator of DS9, Ira Behr, had always felt TOS and TNG were too "pure" and wanted a different environment. One subject to breakdowns and frailties. Well this episode really shines in depicting such a realistic visage.
That combined with the Section 31 episodes + the moral ambiguities shown with Gul Dukat makes for a relishing series that quickly erased any initial concerns of "how can they create a Star Trek without a starship???"
Re: TNG S6: The Chase
Fun and interesting episode, but why didn't Professor Galen simply come on board the Enterprise, tell Picard what he had discovered, and enlisted Picard and the Enterprise to complete his discovery? As he himself indicated, he could have completed the whole thing in a couple of weeks that way. And Picard would have been happy to oblige him.
Fun and interesting episode, but why didn't Professor Galen simply come on board the Enterprise, tell Picard what he had discovered, and enlisted Picard and the Enterprise to complete his discovery? As he himself indicated, he could have completed the whole thing in a couple of weeks that way. And Picard would have been happy to oblige him.
Re: VOY S6: Memorial
Maybe this has been addressed already or maybe the episode addressed this and I just missed it, but it seems like to me a much larger issue than 82 civilians who got slaughtered is why is this earth like planet now uninhabited? Did everyone on this planet get wiped out somehow? Because if anyone inhabited this planet surely Voyager would have contacted them.
Maybe this has been addressed already or maybe the episode addressed this and I just missed it, but it seems like to me a much larger issue than 82 civilians who got slaughtered is why is this earth like planet now uninhabited? Did everyone on this planet get wiped out somehow? Because if anyone inhabited this planet surely Voyager would have contacted them.
Re: DSC S1: The Butcher's Knife Cares Not for the Lamb's Cry
I've been liking Discovery so far, but I really hope the review mentions how this spore drive technology is taken straight out of Voyager's Equinox storyline. With all this talk about Orville not being original, Discovery is basically borrowing something Voyager did and making an arc out of it. I wouldn't say that's original either.
I've been liking Discovery so far, but I really hope the review mentions how this spore drive technology is taken straight out of Voyager's Equinox storyline. With all this talk about Orville not being original, Discovery is basically borrowing something Voyager did and making an arc out of it. I wouldn't say that's original either.
Re: TOS S1: The City on the Edge of Forever
That episode and the doomsday machine episode were two of the best in my opinion. Each one is like a movie. Of course balance of terror in what are little girls made of are third and fourth.
Roddenberry was able to put together the finest cast and guest stars in to get the absolute most out of his actors in that first season.
Could Kirk have returned to retrieve Edith Keeler? When would think if there was any possibility of that he would have done so. And why not go back in time to retrieve Spock's girlfriend left in the icy wasteland of 5000 years ago while he's at it? Perhaps by bringing them forward in time they would damage the future in some unknown way. Maybe they wouldn't prevent some cosmic catastrophe from happening because they were busy with their lovers instead. We can only speculate.
That episode and the doomsday machine episode were two of the best in my opinion. Each one is like a movie. Of course balance of terror in what are little girls made of are third and fourth.
Roddenberry was able to put together the finest cast and guest stars in to get the absolute most out of his actors in that first season.
Could Kirk have returned to retrieve Edith Keeler? When would think if there was any possibility of that he would have done so. And why not go back in time to retrieve Spock's girlfriend left in the icy wasteland of 5000 years ago while he's at it? Perhaps by bringing them forward in time they would damage the future in some unknown way. Maybe they wouldn't prevent some cosmic catastrophe from happening because they were busy with their lovers instead. We can only speculate.
Re: TOS S1: The Man Trap
Skeptical,
If memory serves the salt creature did plead for its life after McCoy shot it for the first time. "Leonard No!"
Skeptical,
If memory serves the salt creature did plead for its life after McCoy shot it for the first time. "Leonard No!"
Re: TOS S1: Where No Man Has Gone Before
Skeptical,
Very astute analysis of the episode. I too noticed the religious overtones of Mitchel creating the garden, and then completely missed the significance of him being the one that hands the apple to Dehner. And no, I, like you, can't believe for a minute that is was unintentional.
I also find it interesting that you postulate that Mitchell may not have been a really good person from the beginning and that Dehner was, and this might have been the thing that allowed her to hold onto her humanity long enough to realize that Mitchell had to die. I had always assumed that it was simply because she was not as far along in the process as Mitchell and that eventually she would also succumb to the temptation to be amoral. We do apparently both agree that Kellerman turned in a great performance as Dehner.
In any event you had some great insights about the episode that I had never considered.
Skeptical,
Very astute analysis of the episode. I too noticed the religious overtones of Mitchel creating the garden, and then completely missed the significance of him being the one that hands the apple to Dehner. And no, I, like you, can't believe for a minute that is was unintentional.
I also find it interesting that you postulate that Mitchell may not have been a really good person from the beginning and that Dehner was, and this might have been the thing that allowed her to hold onto her humanity long enough to realize that Mitchell had to die. I had always assumed that it was simply because she was not as far along in the process as Mitchell and that eventually she would also succumb to the temptation to be amoral. We do apparently both agree that Kellerman turned in a great performance as Dehner.
In any event you had some great insights about the episode that I had never considered.
Re: TOS S1: Mudd's Women
Ok, I first saw this as a kid of 7. And then I went on to revisit it throughout my adult life. So my perception of it has changed through the intervening time period. But I really love this episode. And most of it comes down to the performance of Rodger C. Carmel. He really nailed the part of the con man (space pimp?) that when push came to shove was compelled to do the right thing. His performance was truly over the top and I think it made the episode. The other great performance was given by Karen Steele as Eve. She had the best lines in the whole show, "Oh, the sound of male ego. You travel halfway across the galaxy and it's still the same song." And later in her final scene (After she thinks she took the Venus drug). "Is this the kind of wife you want, Ben? Not someone to help you. Not a wife to cook and sew and cry and need. But this kind. Selfish, vain, useless."
Wow! What a line. You mean women can actually be selfish, vain and useless? You wouldn't ever have the question come up on tv of today. Women have a halo around themselves now. But 50 years ago political correctness had yet to be born.(Borne?) You could admit the obvious. That such women exist. And having the bad luck to be married to one is a one way trip to hell. Or as I have heard it said, "Marriage isn't a word. It's a sentence."
In short I thought this to be a standout episode. As a kid I loved the planet scenes because it really tried to give the impression of an outpost on a dangerous planet. As I matured into adulthood I could appreciate the commentary concerning the human condition and the relationship between men and women. And the notion that in a few hundred years out in space it will still be a struggle for us to understand each other.
And for Beth that objected to the men ogling the women...it was a plot device. The Venus drug had made them almost irresistible to most men. So yeah, there was going to be a fair share of ogling.
Ok, I first saw this as a kid of 7. And then I went on to revisit it throughout my adult life. So my perception of it has changed through the intervening time period. But I really love this episode. And most of it comes down to the performance of Rodger C. Carmel. He really nailed the part of the con man (space pimp?) that when push came to shove was compelled to do the right thing. His performance was truly over the top and I think it made the episode. The other great performance was given by Karen Steele as Eve. She had the best lines in the whole show, "Oh, the sound of male ego. You travel halfway across the galaxy and it's still the same song." And later in her final scene (After she thinks she took the Venus drug). "Is this the kind of wife you want, Ben? Not someone to help you. Not a wife to cook and sew and cry and need. But this kind. Selfish, vain, useless."
Wow! What a line. You mean women can actually be selfish, vain and useless? You wouldn't ever have the question come up on tv of today. Women have a halo around themselves now. But 50 years ago political correctness had yet to be born.(Borne?) You could admit the obvious. That such women exist. And having the bad luck to be married to one is a one way trip to hell. Or as I have heard it said, "Marriage isn't a word. It's a sentence."
In short I thought this to be a standout episode. As a kid I loved the planet scenes because it really tried to give the impression of an outpost on a dangerous planet. As I matured into adulthood I could appreciate the commentary concerning the human condition and the relationship between men and women. And the notion that in a few hundred years out in space it will still be a struggle for us to understand each other.
And for Beth that objected to the men ogling the women...it was a plot device. The Venus drug had made them almost irresistible to most men. So yeah, there was going to be a fair share of ogling.
Re: ENT S4: Bound
Bluedylan
Hey cupcake. Did the fact that I mentioned that I have quite literally had more alien tail than Captain Kirk ruffle your feminist sensibilities? I have piloted a plane to the edge of the atmosphere in my professional life and I have been 300 ft down in the Pacific ocean with nothing more than a 3 mil wetsuit and a bottle of tri-mix to sustain me in my private life. I did that last one just for kicks. In either situation one tiny mistake can kill you. Funny thing was I have never encountered any feminist at either place. Just men.
Bluedylan
Hey cupcake. Did the fact that I mentioned that I have quite literally had more alien tail than Captain Kirk ruffle your feminist sensibilities? I have piloted a plane to the edge of the atmosphere in my professional life and I have been 300 ft down in the Pacific ocean with nothing more than a 3 mil wetsuit and a bottle of tri-mix to sustain me in my private life. I did that last one just for kicks. In either situation one tiny mistake can kill you. Funny thing was I have never encountered any feminist at either place. Just men.
Re: ENT S2: First Flight
Yanks,
I have to agree with you 100% on how great this episode is. You summed it up nicely. I think anyone that found it boring didn't bother to look beyond the surface. And yeah, the final scene where T'Pol suggests naming it after A.G. was the cherry on top of the sundae. But I am biased, being a pilot.
Yanks,
I have to agree with you 100% on how great this episode is. You summed it up nicely. I think anyone that found it boring didn't bother to look beyond the surface. And yeah, the final scene where T'Pol suggests naming it after A.G. was the cherry on top of the sundae. But I am biased, being a pilot.
Re: TNG S4: Data's Day
@Jor-EL
You are not sure if the joke about the Devoras was on purpose? Come on, these people are professional writers. Something like that didn't just happen by accident. It was totally on purpose. Just to see if people are paying attention.
@Jor-EL
You are not sure if the joke about the Devoras was on purpose? Come on, these people are professional writers. Something like that didn't just happen by accident. It was totally on purpose. Just to see if people are paying attention.
Re: VOY S1: Emanations
This episode has one of the three necessary ingredients present in all the best Star Trek episodes (see my review of Blink of an Eye in Season 6) and for that it deserves to be watched.
But it is not a great episode and won't be on many people's list to watch over again (like the best are).
But it is canon for the simply reason that it shows how silly religious belief can be, especially when viewed as an outsider. It carries on the tradition of Gene Roddenberry's secular vision - episodes like Who Watches the Watchers' Devil's Due, and the excellent Voyager episode Distant Origin.
See it once for no other reason than to continue "breaking the spell" so we might one day actually live in a world like Roddenberry envisioned.
This episode has one of the three necessary ingredients present in all the best Star Trek episodes (see my review of Blink of an Eye in Season 6) and for that it deserves to be watched.
But it is not a great episode and won't be on many people's list to watch over again (like the best are).
But it is canon for the simply reason that it shows how silly religious belief can be, especially when viewed as an outsider. It carries on the tradition of Gene Roddenberry's secular vision - episodes like Who Watches the Watchers' Devil's Due, and the excellent Voyager episode Distant Origin.
See it once for no other reason than to continue "breaking the spell" so we might one day actually live in a world like Roddenberry envisioned.
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