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Chris S
Sun, Mar 15, 2015, 11:38am (UTC -6)
Re: VOY S2: Persistence of Vision

As far as some of the people talking smack about Janeway's "fantasies" is it not possible that this is, in fact, a "holonovel" the way it is portrayed?

Not every holodeck program is a procedurally generated made-on-the-fly-by-the-computer simulation. No, there are HOLONOVELS. Which may actually be written by PEOPLE! I figure Janeway found the novel in the database, and thought it would be a fun one to experience. The name she loads is probably what she titled her "saved game" or something.
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Chris S
Sat, Jul 5, 2014, 5:20pm (UTC -6)
Re: Star Trek: The Motion Picture

Despite the resentment by many trekkies, it is fact that the arrival of Star Wars made Paramount summon Gene and the cast to re-launch the famed series to cash in on the success of the genre. To quote a phrase from Leonard Nimoy after seeing said film "Soon Paramount will be calling me".
The studio set into motion with ‘The Great Bird of the Galaxy’ to create a film about the famed series; after all there was an audience begging for its return, and there was a chance to replicate the success of Lucas’s film but with a greater scope of victory due to the cult status build up over the years and around the world via the numerous repeats on TV.
The prospects were staggering.
Alas what Paramount wanted and what Gene dreamt of were two different things. Think chalk and cheese, small businessman and bank manager and you get the idea; Gene was given unlimited access to finances and technology to make Star Trek more that a film; here was a chance to see the Enterprise and his vision not seem possible but real. It was light-years away from the TV series and its cardboard cut-out sets, dodgy scenery, and naff props. In the film, the bridge seemed workable, the technology believable, and everything looking sensible. The Enterprise was no longer a simple model but appeared to be a real spaceship. To Gene, and many sci-fi fans this was like all our Christmases coming at once.
To Paramount it was the reverse - they wanted (at best) a $15 million film that was their Star Wars, but instead got something that became Gene’s fantasy going into overdrive.
For a start there are numerous pointless scenes, like the transporter disaster, the warp drive failure, Spock on Vulcan with mullet, said character pontificating over V’ger, laughing, crying, sympathetic etc, the courier shuttle rendezvous with tumbling module, the travelling through the cloud only through the view screen and not seen with the Enterprise flying though it, and poor editing and re-editing to name but a few.
Then there are the characters; the usual suspects are muted, and aside of their names, could be anybody playing the roles. The so-called romance of the new characters Ilia and Decker (embryonic Riker and Deanna) is a waste of space, and even when its purpose is made clear at the end, it still feels that they have made no impact to the entire story.
The story itself is a joke too, having traces of the TOS story "The Changeling" in it, but was plagued by re-writes and re-writes, right up to the end. Despite having Robert Wise ("The Day The Earth Stood Still") directing it, the film is badly edited and acted.
Combine this with erratic writing, and over bold ambitions, and SFX that were testing the limits of what existed and often failing to be delivered on time, the budget spiralled to a whopping $45 Million.
On seeing it, I agree with what many said - it is "The Slow Motion Picture", and not much happens. Its obvious influence being that of "2001: A Space Odyssey". That is no way a detriment, but Star Trek had aliens, warp drive, shields and weaponry, and people expected something done with those elements.
Even the re-edited 2001 version improves a lot but not to great heights. The CGI scenes do not improve the movie, just makes one wish that they started from scratch, and the fact its at certain points of the film rather than the entire movie itself makes it more disappointing.
However, I always watch this when it's on. Why when I have just pointed out its flaws? Well flawed it may be, but there are a lot of amazing elements that make this film rise above almost all the others.
First off, it feels like the future - a plausible one too. The cleanliness, the style of most of the uniforms, and the technology looks plausible. Its the most futuristic film I have ever seen.
Then there are the visuals; maybe delivered late, badly edited, and even unnecessary but they are staggering. The inside of V’ger, the cloud, and the overall visual has an immense cinematic quality. I love the immensity of V’ger, the alien giant nature of it, the way its clouds are formed, and the inside is breathtaking. The sequence with Spock flying through the giant holograms is a spectacle in itself.
The orbital office is a treat, the air-trams a joy, Star Fleet HQ looked modern, the inspection pod a technical possibility, work bee modules looked excellent, the space dock appears feasible, and so much proper technology on display, internally and external, its bliss. It feels like the people who did this CARED.
Of course perhaps the greatest joy of all is the re-designed Enterprise - all true technology, no silly toys or concepts. When Kirk and Scotty flew pass to see the new ship, many have condemned the move, but I LOVE IT! Its like seeing a new concept sports car, the latest super aircraft, or the finest luxury ship. People who appreciate good design will want to look and look intensely. More, she looked like a STARSHIP, a futuristic vessel that CAN take man beyond the system. When the floodlights come on, you feel it powering up and that this thing can actually work. Plus the fact that the Enterprise is just as important a character as Kirk, Scotty, and Spock.
Unlike Star Wars, Star Trek was not about blasting things, but exploring the stars, encountering the alien, and asking deep questions. The scene with the Klingon cruisers emphasise the point - they wanted to destroy but got destroyed whereas the Enterprise rather talked, and they made it, showing the power of words over actions.
Then there is the score; its brilliant, alien, unusual and matches the scenes with perfection; you felt the mood of Kirk when he saw his ship, the heroic nature of the Federation, the entry of the cloud, the discovery of V’ger and the finale. Jerry Goldsmith was on fire here.
Finally it feels like a big adventurous film. It feels like space, it feels massive and futuristic, encountering the alien, the unknown and the amazing, and the ending maybe last moment but is true Sci-Fi in nature - that we can go further, that we can evolve, and that there is more beyond.
It felt like Science Fiction - sensible, intelligent, clever, and believable. At the time it came out I was nine, I loved this film, and I loved it more than Star Wars because it just came across as plausible. Had they not made it so long, without Ilia and Decker and all them irrelevant scenes it would be a 10/10, but that means supporting all the un-necessaries in the film. So its a nine.
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Chris Swanson
Thu, Dec 20, 2007, 11:16pm (UTC -6)
Re: DS9 S7: It's Only a Paper Moon

What always impressed me about DSN is the ability of the show to make minor supporting characters into ones more interesting than the major characters on Voyager, Enterprise and TNG. The mere fact that such an incredibly GOOD episode as this one was built around Vic and Nog tells you a lot about the ability of this show to really do a good job on the characterizations.
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