Battlestar Galactica
"The Face of the Enemy"
Release dates: 12/10/2008-1/12/2009
Written by Jane Espenson & Seamus Kevin Fahey
Directed by Wayne Rose
Review by Jamahl Epsicokhan
The three stars I award to "The Face of the Enemy" should come with an asterisk alongside it. Stars are awarded here on a relative scale, and should not be seen as necessarily "equivalent" to other three-star BSG outings (like, say, "Razor") in terms of gauging usefulness in the BSG universe. The three stars here are webisode stars on a webisode scale, and should perhaps be more directly compared to my previous webisode rating for "The Resistance" (two stars).
It's sort of an apples-and-oranges situation. Both webisode series more or less fall under the category of "bonus content." They are not required viewing, and must stand alone in such a way that missing them is not a big deal. It's an inescapable fact that they have a sort of filler-like feel. Both are/were viewable via low-quality Internet download (as compared to HD through a cable provider). It's hardly my ideal choice for watching a sci-fi drama series. If the future of video content is the Internet, the quality issues (by way of bandwidth issues) are going to have to be addressed. Until then, cable and satellite content providers it is.
There's also the annoying fact (because I watched all the webisodes in a single sitting) that I was forced 10 times to watch a trailer for Underworld: Rise of the Lycans. Two things I learned from this trailer: (1) The line "We can be slaves, or WE ... CAN BE ... LYCANS!" is this year's predictably overblown attempt at "THIS ... IS ... SPARTA!" (2) An Underworld movie minus Kate Beckinsale strikes me as about as pointless as an ice cream cone minus ice cream. (I saw about 40 minutes of the first Underworld and never felt the need to see the rest of it, even with Kate Beckinsale.)
Now, having been a churl and said all that, "Face of the Enemy" is a much better effort compared to "The Resistance," and as a promotional preseason tidbit that must operate under certain standalone constraints while being chopped into 10 mini-acts, it's pretty good. It has a much more solid and complex narrative than "The Resistance" and feels more legitimate. It's got relevance to its main character. It also finally answers that age-old question: Is Gaeta straight or gay? (Answer: Yes.)
The story takes place nine days after the discovery of Earth (and therefore after "Sometimes a Great Notion"), as Gaeta is ordered to take shore leave. He's in a Raptor with two Sharon copies and three other nameless crewmen, which should give you a hint about their fate. The Raptor becomes stranded when there's an emergency fleet-wide jump and the Raptor's FTL drive malfunctions. They don't have the coordinates to get back to the fleet and instead have to wait for an improbable rescue. There's a limited supply of air and thus a ticking clock. And then, during this wait, one by one, people in the Raptor start dying mysteriously, like in an Agatha Christie novel.
That's really all there is to plot. It's a fairly simple disposable standalone. But what makes the webisodes work is its backstory and a reasonable amount of relevance to Gaeta's character, including the establishment of his drug abuse. We learn that one of the Sharons here was a double agent who helped Gaeta on New Caprica when he was feeding information to the resistance from behind enemy lines. He and the Sharon had a relationship during this time. When people start dying, he thinks he can trust her. Clearly, he's wrong.
The 10-act structure of "Face of the Enemy" is of course a distraction, but the overall story feels much less fragmented than "The Resistance." It does, however, necessitate some excessive filler; there's a subplot where Lt. Hoshi (Brad Dryborough), the guy Gaeta's in a relationship with, embarks with Racetrack on a desperate and low-odds-for-success mission to search for Gaeta's missing Raptor. There are too many needless cutbacks to the Racetrack/Hoshi Raptor that don't really add much to the storyline.
But what does work are the flashbacks to New Caprica and the revelation that Gaeta's Sharon copy was playing him all along in order to help the Cylons find the most important names among their list of prisoners. I especially appreciated that this throws into question Gaeta's own sense of culpability. He thought he was playing the role of hero during the resistance, but now he learns he may have been playing the equal role of patsy. Perhaps this informs Gaeta's opinion on Baltar; in a clever little moment that ties things together, we learn what Baltar whispered into Gaeta's ear in "Taking a Break from All Your Worries," prompting Gaeta to stab him with a pen.
For Gaeta, the whole experience serves to undermine his likelihood of trusting any Cylon on an individual basis; those who once seemed trustworthy may simply be hiding their own agenda. The ending indicates that Gaeta is not going to be okay with taking orders from Tigh, an outed Cylon, anytime soon. The webisodes also hint that Gaeta may be planning his own answer to the specter of Cylon deceit. It will be interesting to see if this plays into the upcoming episodes.
"The Face of the Enemy" makes for some very solid bonus material. It accomplishes what it sets out to do. The story is by definition straightjacketed, but the makers work admirably within their constraints.
Previous episode: Revelations
Next episode: Sometimes a Great Notion
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28 comments on this post
Fri, Jan 23, 2009, 12:37am (UTC -5)
Interesting note, though: these webisodes were the last things produced for BSG (I think that might also include the telemovie "The Plan")
Fri, Jan 23, 2009, 12:55am (UTC -5)
Fri, Jan 23, 2009, 1:43am (UTC -5)
And regarding the trailer for Rise of the Lycans, yes, I think we all agree. I actually had that trailer memorized by the end of the viewings. Pretty bad marketing strategy.
As for the actual webisodes, I thought they were really cool. The structure has inherent drawbacks but it accomplished alot for what it was. And I just loved all the flashback material and Baltar clips.
Fri, Jan 23, 2009, 2:25am (UTC -5)
I very much enjoyed the webisodes themselves for what they were. Not a promising note for Cylon-human relations, or Gaeta's future. It does make me wonder how they'll use the Eights as things wind down. The Sharon model has had both great highs and bitchy, horrible lows. They may be key to how things play out, and not in a positive way for the humans or rebel Cylons.
Fri, Jan 23, 2009, 2:29am (UTC -5)
Anyway, the two things I thought while watching these(besides wondering if I really need to see the Rise of the Lycans trailer once every three minutes) were that Gaeta is probably going to be pretty significant in these last episodes, and that this was quite a bit better than the resistance webisodes.
Fri, Jan 23, 2009, 2:30am (UTC -5)
Brendan- agreed about the Baltar clip. I was so happy to finally discover what he said since the original idea was abandoned.
Fri, Jan 23, 2009, 9:10am (UTC -5)
Thankfully I figured that out after watching the first two webisodes the other way.
Fri, Jan 23, 2009, 9:21am (UTC -5)
A great pleasure to see Jammer's reviews back in swing! You were much missed.
Fri, Jan 23, 2009, 4:20pm (UTC -5)
Fri, Jan 23, 2009, 7:57pm (UTC -5)
Fri, Jan 23, 2009, 9:28pm (UTC -5)
Fri, Jan 23, 2009, 10:00pm (UTC -5)
Fri, Jan 23, 2009, 11:21pm (UTC -5)
Anyway, I did mostly enjoy it as BSG but figured the Sharon copy should have been aware enough in advance that he might be a bit upset at being used previously and actually look for him to attack her at some time.
Also, when in the world did she have the time to strip the "rubber" off of the needle-nose pliers? She didn't seem to know in advance that the ship was going to be off course, so how did she sabotage the tool box while they were all awake and vividly anxious? Even if I missed something and she did know, how did she know they would use "THAT TOOL" and then die by touching something hot with electricity? I believe I used some of my old Star Trek "it happened because they said it did" optimism there.
And lastly, unfortunately, I did not believe that they would all be fast asleep at the same time. Okay, they are trying to conserve air, but I figure that at least one of them would be working on the ship while the others slept, even with the reduced oxygen. Perhaps they could be wearing one of the suits they showed EVERYONE had and then would be yelling "FRAK" at the computer when it didn't come up with the answer they wanted, becuase BSG has shown that the humans are pretty single-minded in not giving in to the inevitable. I doubt that someone wouldn't have said "Hey! I'm staying awake to work on this!". Sort of as a watchman, at any rate.
Dear Diary. We all had such a stressful day, with being stranded and everything, that EVERYONE took a nap at the same time, more than once (even after a second person died). Hope that this time is the charm, we get rescued and I don't die too while no one is awake (crosses fingers). :)
Forgive me for being sarcastic/negative about that, but I kept asking myself how they could all be asleep, more than once, with nobody working on anything.
I enjoyed the backstory much more than the story. Oh, and I will never, ever watch "Lycans" for any reason because of the commercial I was forced to watch over and over again. They should have had a cookie that told them it was watched, then skip it for the remainder of the vids.
This is all my humble opinion, but I believe I watched closely and didn't miss any subtle clues. If I did, please comment on my comments.
As always, great reviews Jammer and I look forward to them with great anticipation after each episode.
Take care... Todd
Sat, Jan 24, 2009, 9:59pm (UTC -5)
Sun, Jan 25, 2009, 8:51am (UTC -5)
The murder-mystery story was riddled with plotholes (such as neither the mechanic nor the Eight noticing that the rubber grip was missing -- are they *both* that stupid?). And while the New Caprica flashbacks were interesting, they broke up the already fragmented story resulting in a much more awkward pace.
Incidentally, if you're looking for the right way to tell a story in 10 webisodes, visit afterworld.tv and watch the NYC story arc. It's ten episodes long, fits into a larger story, and is much, much better than Face of the Enemy.
Mon, Feb 9, 2009, 6:02pm (UTC -5)
As for the story itself, I thought it was pretty good. It's even better if you when you take the mutiny storyline into account (and actually makes those episodes stronger). I don't think I'd consider it disposable, even if it isn't necessary it adds a lot of character motivation to Gaeta. Also I think the stuff with the rescue raptor IS important to the plot from a thematic angle, because it adds the tail side of the coin to what the Eight tells him about hope.
Mon, Mar 30, 2009, 9:51pm (UTC -5)
WE CAN BE SLAVES!!!!....(you know the rest)
Mon, May 23, 2011, 1:30am (UTC -5)
Sun, Jul 3, 2011, 12:47am (UTC -5)
Mon, Nov 14, 2011, 10:01pm (UTC -5)
Yay! An openly bisexual male character on a sci-fi series! Too bad this was only revealed in a 'webisode' and will probably not be mentioned again.
Thankfully I did not have to sit through the Lycans trailer. And the video/audio quality was "okay" (but still very far from the quality of regular episodes), but why weren't these included on the series' box set? Everything else is there, including "The Resistance" and countless deleted scenes. But not "The Face of the Enemy". Go figure.
Sat, Mar 24, 2012, 4:17am (UTC -5)
Thu, May 3, 2012, 4:38pm (UTC -5)
Mon, Jan 7, 2013, 8:37am (UTC -5)
Wed, Feb 20, 2013, 12:07pm (UTC -5)
https://mediahint.com/install_chrome.html
(Also acailable for Firefox)
And you should be able to watch them on Hulu outside of the US!
Mon, Apr 22, 2013, 2:19pm (UTC -5)
I agree (and enjoy) with all your BSG reviews, this series is about a lot of jorneys, besides the actual fleet jorney. And Gaeta's one may be the saddest and darkest of them all
Mon, Aug 5, 2013, 2:04am (UTC -5)
Wed, Aug 13, 2014, 10:43pm (UTC -5)
I also noted that the Canadian accents of the actors playing Tigh, Racetrack and Hoshi are much stronger in the webisodes and basically non-existent in the regular series. I wonder why that is and if it relates at all to sound editing.
Sun, Jun 30, 2019, 3:41pm (UTC -5)
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