Air date: 12/8/2006
Written by Jane Espenson
Directed by Michael Nankin
Review by Jamahl Epsicokhan
About now, I'm wondering if the post-New Caprica BSG landscape is going to be able to sustain itself any longer — until the next mega-crisis comes along, anyway. After "Collaborators," which dealt with the mess left over from New Caprica, this series has been settling into a formula that feels a little too static. We don't seem to be building anywhere with much momentum. Recent standalone episodes have lacked conviction. I think I'm in favor of another shake-up pretty soon.
I'm beginning to wonder, for example, just how many of these similar dialog scenes I can watch with Baltar on the Cylon basestar. Baltar has always been one of this series' best characters, because he's always been at the center of some sort of unintended tragedy or debacle (his role in the miniseries or getting everyone stuck on New Caprica, for example) or self-serving situation that somehow made his position more powerful (his ascending to the vice presidency and later the presidency).
Now among the Cylons, he's essentially been straightjacketed by the role the writers have given him. Logically, this is the way it must be since he's a captive among those who treat him with a lot of skepticism (although that skepticism shrinks with every passing day), but emotionally there's a void left on the human side of the story involving the fleet. Where's that sneaky element to keep everyone on their toes?
As of "Collaborators," I thought that element might be Tom Zarek, but Zarek hasn't been seen since. One of the annoyances of recent episodes is that it was never made clear whether or not the stunt Zarek pulled in "Collaborators" got him booted from the civilian government. Did Roslin rescind her offer to name him vice president? That could very well be the case, but unless I've missed something, I don't think we know one way or the other for sure. Where has this guy gone?
That leaves most of the drama on this show aboard the Galactica and its military storylines. In "The Passage," we learn that the food supply has suddenly become contaminated because of some accident, meaning the fleet has no food and is on the verge of starving. Cottle says people will start dying in a little more than a week. As a result, the Galactica is on a mission to find a new source of food, and as the episode opens we learn that a planet has been located that just might be the answer to everyone's prayers.
The premise isn't the show's strong point. I found the sudden, off-screen contamination of the food supply to be a dramatically weak contrivance. In "Water" there was at least a tangible reason behind the loss of the water supply, but here the food supply has been tainted well before the episode begins; we join the situation in mid-crisis. I understand the need for getting storylines under way quickly, but this is simply unsatisfying; we're given no reasons for how or why this happened. It just did, deal with it, move on. (Such a crisis would be easier to take seriously if the show had earned it instead of pulling it out of thin air.)
I also found the mechanics of the plot to be worthy mostly of indifference. The planet, you see, lies on the other side of a star cluster. It's too far to go around the star cluster, but Galactica might be able to go through it by jumping to the halfway point and then jumping from there to the other side. While inside the halfway point, everyone will be exposed to deadly radiation and blinding light that will make it virtually impossible to pilot a ship, so in order to get the civilian fleet through, the people will be transferred to Galactica (which has radiation shielding) and then Raptors will guide the civvie ships — helmed by skeleton crews — through the blinding light and radiation. The Raptor pilots will be at considerable risk of radiation exposure during this period, and it will take five trips through and back to get all the civilians and their ships through the passage.
I've explained the plot, and I'm sort of sorry now that I did. It's not what I'd call interesting. And I didn't understand why the ships had to stay in the middle of the storm for so long. Why can't they jump in and jump out before the light disorients everybody and causes ships to fly off into oblivion? (Haven't the pilots heard of sunglasses?)
Thankfully, the episode does not dwell on the details of the plot mechanics. Good thing, because the plot is a placeholder; the characters must transcend it in order for the show to work. (This is the sort of episode whose moments work in spite of the plot, not because of it.)
Even so, the central character premise has problems. We learn here that Kat has a mystery in her past that dates back to before the attack in the miniseries. This is a Dark Secret that she's had to live with for the entire time we've known her as a character, even though we've never gotten a hint of said Dark Secret before now. Is it me or does that seem a lot like what we went through with Adama in "Hero"?
A man named Enzo (Patrick Curry) recognizes Kat in the corridor and calls her "Sasha." They obviously share a history, and it's immediately clear that Kat is not who we all thought she was. We eventually learn that before the attack on the Colonies "Sasha" was actually a drug courier and Enzo was her supplier. She assumed the identity of Louanne Katraine from a dead body after all hell broke loose. Galactica became her chance to start over as someone else.
I don't much care for retroactive backstory that completely rewrites what we thought we knew of a character. When these stories delve into the past in ways that don't much inform the present (and indeed come across as completely falsified by the writers), it strikes me as a waste of time.
The point of the episode is the question: Is a person who they seem to be right now, or is the past an inescapable definition of not simply who they were but also who they always must be? Can a fresh start redefine who someone is, and is there really such a thing as a clean slate? There's a tough scene between Starbuck and Kat where Starbuck argues that, no, the past is not forgiven, and a lie is a lie. Starbuck says you can't live a lie and you must accept who you are, not run from it. But consider the source: This is the same person who, we learned last week, probably married Anders in part because she was trying to run from her own troubled past.
Kat's past begins eating away at her so much that she believes she must make amends, pay a penance, something. During the final trip through the passage, she puts herself in grave danger by piloting a mission when she has already exceeded her allowable radiation exposure. She saves a ship and becomes a hero ... but we already know by this point in the story that this is going to be Kat's final mission.
Why do we know? Because there's an earlier scene where the music swells and the drama announces itself as DRAMA! and the images of Kat dissolve on top of one another and we're supposed to be carried along for the emotional ride. The sentiment is a little pushy for my tastes. It might as well be an announcement saying, "Kat's going to die, and this is her official hero's sendoff!" Whatever happened to letting drama live or die on its merits? I understand the desire for earnest sincerity, but come on.
As much as I resisted being force-fed that Kat was making this noble sacrifice, the fact is that she does make it, and it brings about some good scenes on her deathbed. Starbuck's reconciliation with Kat is honest and sincere, and you can understand how sometimes Kara has a tendency to pass judgment when she's angry and later regret the meaning behind overly harsh words. Meanwhile, Adama's scenes with Kat are genuinely affecting. When Kat tries to confess her sins, Adama will not hear of it; he already knows all he needs to know about the kind of person she is. Actions in the here and now are what matter, and the past should stay in the past. Good character work and solid performances redeem a less-than-stellar storyline.
Another example of good character work is Tigh, who finally returns to duty, to the applause of the CIC staff. Tigh is a character who has had a true arc and thus a truly earned payoff. Unlike Adama in "Hero" or Kat here, the writers have developed a story with Tigh rather than simply concocting one, which I think demonstrates the problems with "The Passage" and "Hero."
As for the story on the basestar, I was less than thrilled. Baltar learns about D'Anna's secret suicides and calls her on it, so D'Anna attempts to explain her need to find the answers that lie somewhere between life and death. She says she sees the faces of the mysterious final five Cylons in the images between her downloads — or at least maybe she does. Baltar, still suspecting he might be a Cylon, wants to know if he's one of the faces in the images so "I would stop being a traitor to one set of people, and be a hero to another" — which is a Baltar guilt-assuaging sentiment if I've ever heard one.
Frankly, all this wannabe-poetic mythical doublespeak on the basestar is starting to wear thin. Baltar and D'Anna go down to visit the Hybrid — who seemingly speaks a never-ending gibberish stream of consciousness — to draw insights. The conclusions Baltar reaches by listening to the Hybrid are the sort of arbitrary plot-driving methods that drove me mad with the X-Files, in which Great Meaning is implied with wondrously impenetrable lines of dialog no reasonable person could be expected to decipher. It purports to make sense only because the writers say it does. It alludes to something called the "Eye of Jupiter" as the next point on the map in the race to Earth, and there's apparently a connection now between the humans' Gods and the Cylons' God.
If this sort of mumbo-jumbo is the extent of the drama we're going to get on the basestar, then this plot needs to come to a head now, before the audience checks out of these scenes completely. Fortunately, next week's episode is called "The Eye of Jupiter," so it may do just that.
Previous episode: Unfinished Business
Next episode: The Eye of Jupiter
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26 comments on this post
Tue, Apr 1, 2008, 4:26pm (UTC -5)
I found the stuff on the basestar to be quite good, except for Gauis' quick interpretation of the Hybrid's statement when she's supposed to be so hard to understand that people think she just says gibberish.
I want to rate this a 2.5 because of all the things that do work, but then I realize the reason the poor quality of the episode is lessoned the viewing because the impact of Kat's retroactive story and the overblown heroic foreshadowing had already been taken the first viewing. So, I would agree with your 2-star rating.
I have yet to rewatch A Day in the Life, which I think is the weakest BSG and the only one to be "bad", but if, like with The Passage, I enjoy it more the second time and my distaste for it has been amplified by time, then I may enjoy it more. I hope I do because in my mind it is so far below The Passage and Black Market (which is an episode one can at least respect for the effort while Day in the Life is just... you can't even do that).
Mon, Apr 28, 2008, 4:22pm (UTC -5)
Thu, Jul 22, 2010, 5:17pm (UTC -5)
Thu, Nov 24, 2011, 1:24pm (UTC -5)
Its beginning is very uninspiring and, for the first time ever with B.S.G., I found myself doing primarily something else while having it run in the background. I also thought the subplot involving Kat was rather boring and didn't appreciate it very much, especially because I always really liked Kat: Why besmirch her reputation, why run down her character? The part where she is shown having gratuitous sex with her tormentor is particularly galling.
BUt then, in the final sort of quarter of the show, all that changed. Realizing we were seeing the last of Kat made me sit up and take notice. The portrayal of Kat's sacrifice and everyone's reaction to it was amazing and--I'll second Brian here--really moving. For me, it redeemed the previous parts of the show, which were admittedly rather lackadaisical.
I hope the assmunch who pushed Kat over the edge gets his comeuppance on a future show.
Kat was a cutie with a great personality. I'll miss her... XOXOX
Mon, Jan 16, 2012, 4:51pm (UTC -5)
The parts on the Cyclon ship made me completely reexamine how I saw the show up to this point, especially the line D'Anna speaks about "maybe they believe in the same Gods."
I always thought the show had similarities with the Terminator in that humans created the centurions as work robots, who then became self aware and smart enough to create a human like form. But with the Minority Report cog and the constant talk about believing in different Gods (how can they, humans made them) I seemed to be way off base in how I was looking at it. I'm starting to get a little nervous about the show's direction, especially after being exposed to some of the negative criticism of the later episodes.
Sat, Mar 3, 2012, 10:03am (UTC -5)
Fri, Jun 22, 2012, 9:42am (UTC -5)
On the upside, wow, what great work by Olmos and Carro for Kat's deathbed scene, chokes me up every time. Adama saying he doesn't want to hear about her past, she was a good CAG that made her pilots feel safe, and his "oh, I'm staying" was so strong. His adopting her as his third kid in spirit and posthumously promoting her back to CAG was moving, very moving. Too bad Luciana Carro isn't 5'6" or 5'7" - she'd been a much better Starbuck IMO: the right balance between brash, egotistical, confident and empathetic, kind, and forgiving. No matter, her send off was outstanding, great job!
Thu, Jul 26, 2012, 1:02pm (UTC -5)
Fri, Jan 4, 2013, 3:54am (UTC -5)
Shame on the writers for butchering the Starbuck and Apollo characters to this point in the season.
Mon, Jan 14, 2013, 12:22pm (UTC -5)
Mon, Jan 14, 2013, 12:25pm (UTC -5)
Sun, Jan 5, 2014, 2:04pm (UTC -5)
The paper shortage scene between Tigh and Adama was classic. I love that these people are human.
Thu, Apr 10, 2014, 6:54pm (UTC -5)
All I saw was that Kat wanted to be a hero, and was willing to die for that. Staying behind to find the ship might have been brave if she wasn't already going to die. (Which she was, because she was already past her radiation level) But trading the patch so that she would be on that trip wasn't noble or heroic. It was stupid. Instead of dealing with her past, and facing the consequences, she decided to die instead, and it was unnecessary. I didn't find that brave. I can understand why none of the characters called her out on it, but I don't see why we shouldn't.
I loved the scene when Starbuck gave Kat the sleeping pills. It felt very honest to me.
Fri, Apr 17, 2015, 12:13am (UTC -5)
Starbuck should be tossed out the airlock.
Sorry to see Kat go.
Minor continuity goof:
After the 4th mission, Kat's radiation badge is black. Then, when she sees Enzo on the balcony of the hanger deck, it's white. Later, when she switches badges, it's black again....
Tue, Aug 18, 2015, 12:02pm (UTC -5)
Sat, Oct 29, 2016, 8:15pm (UTC -5)
Treating Kat like trash because of something she did before the war, and not for the incredible person she became after the war was just the last damn straw with me. It felt childish and infantile. "You're a better pilot now Kat, so I'm going to nail you to the wall about past shit that doesn't matter until you feel so bad that you kill yourself".
I get it. The writers want to create conflict in order to have DRAMA, but in this case, this was the wrong conflict to create.
That being said, this episode was full of golden moments like Tigh coming back to the CIC and his perfect response to the cheering. The paper joke that had me laughing as hard as they were.
The thing that the writers get so right on this show are the moments of true, unforced humanity. When it comes to forcing additional DRAMA into an episode, though, they flop that so hard that it's like watching a sumo wrestler land belly first from the high dive at the Olympics.
Sat, Oct 29, 2016, 11:10pm (UTC -5)
To be fair this IS a Jane Espenson script. She did NOT get the characters in this show. Almost all her episodes were average at best and had some out of character moments. And 'The Hub', her best episode, was heavily rewritten after she wrote it.
I think I read in an interview somewhere that she writes the characters as how they'd react in the scene, disregarding their long form character arcs. She's good for the snark, but her drama generally seems forced.
I dunno about her earlier work, but the stuff I've seen of hers after BSG was not great.
I can see anyone else who lost something when the colonies blew up tearing into Kat the way Starbuck did, but given how it was established that she didn't lose much when the Cylons attacked, it really comes out of ledt field. At best you could try to tie it to her issues from New Caprica, and how it resulted from Kat MAYBE unknowingly smuggling Cylons in. But it's still a stretch.
Lee, Dualla, or even Roslin would've been in character more, but because Kat and Starbuck must clash, an unlikely way for DRAMA happened. A better writer could've come up with something more convincing.
Sun, Dec 4, 2016, 12:06pm (UTC -5)
Mon, Jan 16, 2017, 6:57pm (UTC -5)
As for Kat, I always (ALWAYS) hated her character so I wasn't sad to see her go. I almost wish it hadn't been a 'hero' send off because I disliked her so. He claim to fame was constantly riding Starbucks ass to get attention and it was pathetic. Like a kid sister whining over and over about her big sis to win mommy and daddy's approval. I will say Starbucks post New Caprica attitude has been shit and nothing else but shit! They have fucked her character up so badly in season 3. They put her obnoxious ways up to 11 and removed all her redeeming, sensical qualities. It's as if she just can't get over her own demons and what Leobin did to her .... he fracked her up mentally but she is supposed to be stronger than that. It's been wasteful of her talents and potential story arc this season.
And Apollo, for Christ sake, Dee is smoking hot and on a scale of 1 to 10 she's at least an 8 while Starbucks is a 6 at her best (and when she doesn't chop all her hair off and go sooooo butch and nasty)! You threw away this gorgeous smart perfect woman over your obsession with your brothers former fiancé! For Frack Sake get it together man!! Do it before Dee blows her brains out ...:: ohhhhhh ummm, whoops !!
Thu, Apr 16, 2020, 9:05am (UTC -5)
Wed, May 27, 2020, 6:14pm (UTC -5)
One point that just made me roll my eyes was Starbuck suggesting Kat may have unwittingly helped cylons get to the colonies. After Hero, where I didn't care for the retroactive attempt to saddle Adama with guilt for a possible role in the cylon attack, I just want to shout at the writes "STOP TRYING TO MAKE THIS HAPPEN". Retroactive guilt ties to this big event that is a lot of plot behind us. Unnecessary, don't believe it, don't appreciate it.
I'd probably be more okay with it in this episode of Hero hadn't just made a big deal about it. It's left more in a gray area of "how can you be sure you didn't" and the stakes involved were less. But it still felt so manufactured (her whole backstory did).
Other quibble: these people sure are getting fucked up from radiation with no lasting consequences.
Fri, Dec 4, 2020, 1:30pm (UTC -5)
Under the circumstances, someone like Kat would have been DRAFTED into the pilot ranks. I know she learned to fly a viper on Galactica, but that’s not relevant— the fleet NEEDS her.
Wed, Mar 3, 2021, 10:53am (UTC -5)
I'm saddened, in a way, by some of the remarks made in the past few years. "This character does something bad, which is unexpected and out of character." "That character does something good, which is unexpected and out of character."
That, I think, is the incomparable strength of this show: There are no cartoonish, black-and-white, infallible vs. irredeemable, virtuous vs. villainous dichotomies that plague so, so many other shows, movies, franchises, etc. Instead, *every* character disappoints at some point while some unexpectedly delight us. We form a bond with one or two and begin idolizing them, only to see them fail us by making a decision or engaging in behavior we see as contrary to our own reason or moral imperatives. I remember going through that with Adama on the first watch.
But that's what humans are like, especially humans who recently went through a species-defining catastrophe, are cooped up in close quarters for years on end, getting on each other's nerves, losing perspective and hope... - would we really act much differently in their shoes?
The same goes for Lee Adama and Starbuck (re MDE427's comment). Yes, Starbuck is unattractive, to put it mildly, in her own right and especially as stacked up against Dee. Yet, she has charisma, which Dee does not. How many times have we seen someone pick a physically unattractive partner over a much more prepossessing one? It's, again, human. This is not a two-bit Hollywood movie where a stunning guy shacks up with a super hot broad and they live happily ever after, or whatever.
As I said, that's to my mind the greatest strength of B.S.G.
Sat, Dec 10, 2022, 4:27am (UTC -5)
Fri, Dec 23, 2022, 3:43am (UTC -5)
No more standalone episodes, please!
Sat, Mar 25, 2023, 8:24pm (UTC -5)
Bit arbitrary how this food shortage all of a sudden pops up, something to do with tainted food? The scenes in the radiation were forgettable -- more screaming and yelling, relaying coordinates or some such -- but somehow Kat pulls through when she probably shouldn't.
BSG likes to have its military honor moments at the end, which I do like, but here (although well done as usual with Adama and Kara visiting a dying Kat) it can't paper over the mediocrity of the episode.
Kara and Kat were rivals and now Kara feels some kind of respect for Kat. Much better episode for Kara than "Unfinished Business" but I don't quite get how she clued in to all the backstory Kat wanted to hide and who this mystery dude from her past is. It's ultimately not worth caring about.
The paper shortage joke between Tigh and Adama -- why did they laugh for so long about that??
Baltar is on to Lucy Lawless and her obsession with what's between life and death -- this has potential but it's weird sci-fi for now, especially when they get the hybrid involved. Not sure how Baltar can make any sense of what he's told -- even LL says it's nonsense.
2 stars for "The Passage" -- did this episode have to be specifically made to kill off the Kat character? What about where things stand with the food situation and the jumps? Just feel that this was a bit of amateur hour on BSG, which is rather unusual.
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