Jammer's Review

Star Trek: The Original Series

"Requiem for Methuselah"


Air date: 2/14/1969
Written by Jerome Bixby
Directed by Murray Golden

Review by Jamahl Epsicokhan

While scouting a planet's surface for the necessary medicine to combat a plague, Kirk, Spock, and McCoy encounter a social recluse named Flint (James Daly) who had long ago abandoned Earth and now lives alone with his enigmatic pupil and companion, an apparently young woman named Rayna Kapec (Louise Sorel). Flint subtly manufactures a series of situations that brings Kirk and Rayna together until a mutual attraction develops. Unfortunately for Kirk, Rayna's attraction to a third party was intended by Flint to awaken her senses beyond the intellectual patterns of thought—so that she and Flint could be united.

The implications of the episode are interesting: Flint isn't seeking merely a lover for companionship; he's searching for one who is also intellectual equal. He has literally built Rayna—an android—using the sum of his experiences. The story asks how useful a person is once he has outlived his own sense of purpose—and for Flint, a life of hundreds of years has produced everything from music apparently written by Brahms to artwork apparently created by da Vinci.

Admittedly, I couldn't quite understand how Kirk was so taken with Rayna so quickly (perhaps I should remind myself that this is Kirk we're talking about), but the triangular relationship that develops and ends in a tragedy (Rayna's inability to cope with her feelings causes a fatal shutdown) is best utilized in the show's final scene, where Spock uses a mind meld to relieve Kirk of his burden of grief. These are characters who feel for one another more than the plots often let on.

Previous episode: The Lights of Zetar
Next episode: The Way to Eden

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5 comments on this review

Paul - Mon, Feb 18, 2013 - 9:40am (USA Central)
To me, this is one of the most disappointing -- though not among the worst -- episodes of TOS. It's an amazing premise, but the love story derails it. It would have worked a little better if Kirk hadn't fallen head over heels with Rayna in like 90 minutes. At least with Edith Keeler, he spent a couple days around her.

Beyond that, the TOS cliche of Spock explaining why Rayna died at the end was really annoying. How did he know she didn't die because of an unrelated mechanical problem? How did Spock figure out what happened while Flint (who built Rayna) seemed clueless? And, really, why was the explanation necessary?

Also, Kirk's line to Spock about how they "were fighting over a woman" seemed really out of character for the supposed advanced sensibilities of 23rd century humans.

This could have been a really great episode if it stretched out over a couple days, if the guy playing Flint was a better actor and if less time was spent on Kirk falling in love and more time spent on the idea that one man had been such an important part of human history.
Tom - Tue, Mar 5, 2013 - 9:37pm (USA Central)
I agree with Paul, above, about the "fighting over a woman" comment, and would add that Kirk seemed to run Amok way too easily.
Nissa - Thu, Nov 14, 2013 - 12:25am (USA Central)
This is disappointing. It's one of the worst episodes of Trek. It's just so utterly appalling how Kirk "fell in love" with someone, especially since she's supposed to be the companion for someone who can't die. Oh wait, Flint doesn't need a woman anymore because he's going to die. Problem solved!

Adara - Fri, Dec 6, 2013 - 2:10am (USA Central)
I just have to point out one thing... Flint was watching them on a flatscreen TV with a soundbar. Straight out of 2013. Hell, maybe even 2014 or 2015. It was a little bit flatter than the ones around today. It never fails to amaze me how well Star Trek predicts technological advances.
James T - Sat, Mar 8, 2014 - 4:40pm (USA Central)
Good idea but poorly executed. How many episodes are based on transporting medicine for some planetary outbreak? Kirk falling in live with an android was totally absurd as was Spock doing the mind meld at the end to make him forget.

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