Jammer's Review

Star Trek: The Next Generation

"New Ground"


Air date: 1/6/1992
Teleplay by Grant Rosenberg
Story by Sara Charno & Stuart Charno
Directed by Robert Scheerer

Review by Jamahl Epsicokhan

Worf's human mother comes aboard the Enterprise and brings with her Worf's son Alexander, whom she intends to leave with Worf. The Rozhenkos are getting too old to properly care for a young boy who is misbehaving and needs his real father's influence in his life. This naturally turns Worf's duty-centric life upside down.

There's a scene where Worf stands in Picard's ready room and the intercom beeps; it's Alexander's teacher, who wants to schedule a parent-teacher conference. Beep again; this time Crusher, who wants to schedule the boy for a doctor's appointment. The humor is kind of obvious, but I enjoy this stuff nonetheless; it's always fun seeing the ultra-stern Worf thrown Human Situation 101 curveballs that are decidedly outside his comfort zone of Stern Security Guy.

This reasonable family drama is set against the testing of a new form of propulsion called the Soliton Wave, an experimental method of accelerating a ship to warp speed without warp engines. Geordi is positively giddy over the notion of witnessing this test, which is akin to breaking the sound barrier. The technical details of this Soliton Wave are plausible and simple enough to play well. But never mind any of that, because this is a character outing.

Alexander has behavioral issues. I'm not sure if the implication here is that Alexander's behavioral issues stem from his "Klingon tendencies," but such an implication wouldn't surprise me given that humanity has become so perfect that I can't even see the possibility a human child could or would — gasp — steal something. Worf finds himself stymied over the fact that Alexander does not obey him and continues to misbehave in school. After a second incident, he concludes Alexander must be sent to a Klingon boarding school to receive the proper guidance. (That seems like an awful quick conclusion to reach, but since this is an hour of TV, I'll grant it in the interest of dramatic expediency.)

No, this is not groundbreaking family drama. But it does offer a rare perspective of the domestic side of what is essentially a warp-speed traveling community. In particular, Worf's discussion with Troi reveals that Worf is considering sending Alexander away for the boy's sake and not his own. And it shows Troi being actually useful in the way her position was intended — as a counselor trying to help Worf deal with thoughts and feelings about this problem, with far less judgment than we often see from her in such situations.

Of course, there's no shortage of overcooked disaster-related storylines in TNG's fifth season, that's for sure. Spatial anomalies, nuclear winters, stellar fragments, and here this Soliton Wave, which ends up growing out of control and threatening to hit yet another colony. So the Enterprise must stop it. The way this jeopardy premise ends up directly affecting Alexander (who gets trapped under a beam after contrived disaster circumstances) is silly and predictable, but ultimately this story is about a father doing right by his son, and deciding he must be there for him. Not too shabby.

Previous episode: A Matter of Time
Next episode: Hero Worship

Season Index

23 comments on this review

Thu, Apr 7, 2011, 3:51pm (UTC -6)
I always considered the possibility that Alexander was acting out, first because his mother had probably been discouraging Klingon behavior, then he saw his mother die at such a young age, then he got carted off to live with strangers after some guy who is supposedly his father could deal with a kid at that time. And now those strange humans don't want him. Hell, I wouldn't blame the kid at all for his acting out.
Nick Poliskey
Sat, Apr 9, 2011, 12:57pm (UTC -6)
I thought Worf was out of character here. This is the same guy who screamed in front of Dr. Crusher when a Klingon he didn't even know died, Killed a Klingon that killed his wife, and then left the federation to play klingon politics and asked Captain Picard to be his Chadich, and he doesn't understand how a klingon child would "be bad"??? Come on.

It wasn't a terrible outing though, it had it's moments.
Fri, May 13, 2011, 7:02pm (UTC -6)
Jammer, I think you have this and the following episode "Hero Worship" reversed.

This one, first of all, features Worf and Alexander, both of whom can barely act their way out of a Targ cave, and second of all, turns TNG into the dreaded 90s family cliché formula drama. Are we expected to believe that the Son of Mogh would tolerate this trivial nonsense?

What I enjoyed from this episode was Worf's translation of said trivial 90s nothings into Klingon moral extremes. Star Trek works well when it's in allegory mode, but I think such a dramatisation works much better in, say VOY's "Fair Trade" or DS9's "The Alternate".

This episode's basically a snore-fest and features two members of among the most fearsome aliens in the galaxy enacting an episode of "Full House." No thanks.

1.5 stars
Thu, Sep 8, 2011, 8:35pm (UTC -6)
I agree that Worf is a bit off-character in this episode. That said, my only major comment is, if the Federation is going to participate in a new high-speed propulsion test, why on Earth would they send the Enterprise, full of families and civilians. The premise is a giant energy wave is going to come and smack the ship at warp speed. If we do it right, it’ll push the ship. Seems slightly risky to the point that perhaps a Science ship or unmanned ship ought to have been used instead.
Sun, Sep 25, 2011, 10:31pm (UTC -6)
WOrf's parents here are indicated tob e too old to care for ALexander, but sometime between here and his time on DS9, Alexander once again ends up living with Worf's parents some more...will they ever get a peaceful retirement?
Sat, Oct 15, 2011, 8:15am (UTC -6)
I just watched this episode after a decade or more and man is it boring. It showcases the TNG A/B plot format in the worst way possible. The two plots have absolutely nothing in common until a manufactured crisis brings them together in a dreadfully mechanical way.

Also, both plots are dull as hell and extremely by-the-numbers. So, an energy wawe slips out of control and threatens to destroy a planet while Enterprise rushes to the rescue. I mean, how many times have we seen this exact type of technobabble nonsense that gets resolved in a way that has no dramatic impact whatsoever?

The less said about the Alexander plot, the better. Again, it's so painfully cliche and routine that it's... well, painful to watch. alexander has problems, he steals and lies, so we have to sit through several dull scenes where Worf spouts out nonsense about honor and duty without actually revealing anything new or important characterwise about him or his son. And sure enough, in the end their interpersonal father-son conflict isn't resolved by, you know, themselves, but by oh-noes-Alexander-will-DIE! moment that forces Worf and his son to come to an understanding of sorts.

My God, this is just unwatchable.

Sat, Nov 26, 2011, 10:42pm (UTC -6)
They have to go through the wave because there isn't time to go around it because it's so big. But from what we saw of it, it lookss rather flat...why can;t they go over it or under it?

Silly plot contrivances, oh how I hate thee...
Tue, Dec 13, 2011, 10:04am (UTC -6)
@Jay The one time Trek tried behaving like space is 3D, (Wrath of Khan) they made a big show of how Khan thought 2 dimensionally. For some reason they then continued to do the exact same thing for the rest of all Trek series. Only on occasion did the Definant use up/down as a strategy, but even then, it was up/down-esque (like a plane) and not using a new plane of attack.

I believe the reason Trek and other scifi avoid use of 3D is simply because it films better. When the Enterprise D goes vertical to escape the dyson sphere in Relics, it's a cool visual. It would look odd if two ships approached each other at a 30-degree tilt to each other. The only perhaps practical answer is that the ships use the plane of the galaxy as arbitrary up-down axis.

Even in the 20th century, pilots in warplanes think 3-dimensionally. They don't fly upside down much because we have gravity, but they frequently attack from above or below.

@Paul: "I just watched this episode after a decade or more and man is it boring. It showcases the TNG A/B plot format in the worst way possible. The two plots have absolutely nothing in common until a manufactured crisis brings them together in a dreadfully mechanical way."

I hadn't ever considered this until you said it, but this episode DOES in fact remind me of a bad Voyager episode; trade Alexander and Worf for Naomi Wildman and her mother and I could totally see it. Voyager relied heavily on manufactured A/B convergence based on action plot devices.
Thu, Dec 15, 2011, 12:26am (UTC -6)
Speaking of 3D, there is a very nice Trek 3D battle in The Undiscovered Country when Chang's Bird of Prey pummels Ent-A from just about any angle imaginable. Remember that great scene where a torpedo goes right through the Enterprise?
Thu, Jun 7, 2012, 9:18am (UTC -6)
Agree with Paul's comments above. So cringe worthy. And rest assured the implications of raising a son alone on a starship are pretty much ignored for the rest of the series.
Sat, Jun 9, 2012, 3:57pm (UTC -6)
The only thing about this episode I liked is when Geordi is voicing his excitement about the soliton wave:

"This is going to be like being there
to watch Chuck Yeager break the sound barrier or Zefram Cochrane engage the first warp drive!"

^^This bit of unintentional foreshadowing (to Star Trek: First Contact) is one of the reasons why I love TNG.
Sun, Jul 1, 2012, 9:56pm (UTC -6)
@TH...it's true, rarely is the third dimension utilized...I recall in the otherwise very mediocre Endgame being mildly impressed simply because when Janeway's time-travelling shuttle materialized, they showed Voyager way above where it appeared...it was striking merely because it never happens.
Sun, Feb 24, 2013, 3:21pm (UTC -6)
This wave was going to destroy most of the planet but ships can just cruise through?

Is this not a serious warp speed weapon?
Mon, Jul 15, 2013, 11:46pm (UTC -6)
TNG had its share of mediocre storylines and for the most part, this was one of them. Still it brought Worf face to face with actual fatherhood rather than just gene donor. It was kind of shameful how he pawned the kid off to his parents without ever establishing a relationship with him.
I like how his mom handled it. 'O son how nice to see you. Here take your brat!'
William B
Wed, Jul 24, 2013, 7:54am (UTC -6)
This episode gets a lot of hate, and I do understand why. And yet.... OK, I think I'm with Jammer on this -- it's not exceptional, but it does have some significance for Worf's character and for the show as a whole. I like the way Troi deals with Worf and (eventually) gets to part of the heart of the matter, when she talks to Worf about K'Ehleyr and the last conversation he had with her. Worf did give Alexander away to his parents, and plans to send him to a Klingon academy, partly because he wants what's best for Alexander and doesn't think he can provide it. But partly, every moment Alexander is present is a reminder of K'Ehleyr: her brutal death, her not telling him of their son, that they had so little time and that most of that time was spent arguing. Every passing day, week, month in which Worf mostly pretended Alexander didn't exist (only Guinan brought Alexander up after "Reunion" in season four, in "Redemption") was a failure to live up to K'Ehleyr's dying wish, as she put Worf and Alexander's hands together; refusing even to try was a continual act of cowardice from the bravest man on the ship, and made it more and more important to believe that it was best for Alexander to stay far away from him (and, indeed, probably even worked to confirm that Worf was not fit to be a parent). I like that this episode ultimately forces Worf to confront it in some measure, and (in that conversation with Troi, in particular) forgive himself for having been unable to being raising Alexander before here and allow himself to begin the hard responsibilities of parenting. This all is mirrored in Alexander's behaviour, in which he lies and steals mostly for attention, but also because he is flagrantly avoiding responsibility, and because he's been repeatedly abandoned and doesn't want to try trusting Worf (or anyone on the ship) anticipating that he'll get packed up and sent away again. I like the teacher telling Worf that Alexander had said that Klingons don't need to listen to teachers, and Worf's angrily stating that he hadn't said that, and then storming off, interrupting the teacher in mid-sentence; while Worf is not a thief and is not dishonourable, some of Alexander's anti-social traits *are* something that could reasonably be described as something he picked up from his father's (and other parent figures', no doubt) behaviour.

All that said, of course, the episode is very slow-paced and the low-key family drama doesn't really use the show's metaphorical structure to do much of anything different than any other family drama might do. The resolution is too quick and forcing Worf to save Alexander in a jeopardy plot is fairly ludicrous -- yeah, Worf is strong! good to know. (I admit that, goofy though it is, I like Alexander's insistence that they save those endangered animals; it's nice to see Alexander caring about something, and especially resonant given that his mother is dead forever and that this is probably the reason for his acute awareness of death.) I don't think it's a good show -- but it is good that the show ultimately comes down on the side of responsible parenting even if it's unglamorous. The soliton wave stuff is also mostly useless. I guess I'd say a high 2 stars -- since ultimately only a few scenes really clicked and most of it was a bit of a blur and not particularly resonant.
Wed, Dec 25, 2013, 1:45pm (UTC -6)
The "over/under" would probably avoid the loopy problem from S7's "Force Of Nature". Move the "space lane" in the vicinity of that system "up" or "down" a little bit to give the busy chunk of space a rest.
Sun, Jun 1, 2014, 7:56pm (UTC -6)
The weirdest things can date an episode. I love the scene in Picard's ready room where Worf and Picard are talking and people keep calling Worf about Alexander. Clearly Worf (and the writers) never heard of putting a phone on vibrate.

Anyway, the episode works better in theory than it does in practice. Alexander was introduced for good or ill, and it doesn't necessarily look good of Worf to completely abandon his son. And given that Worf is often a one-trick pony, it's admirably to give him a softer side. Clearly Klingons care deeply about family, so why not see some of it? Why not show Worf struggling to be a dad, to deal with honoring his dead wife and allowing Alexander to learn of his human side, and Worf's desire to raise a Klingon son?

So good idea, but this episode just seemed to go through the motions, with a convenient action shot at the end to provide a cheap conclusion.

That said, there was one great scene. After Worf finds out Alexander did lie and did steal, we see them together in their quarters. Now, presumably Klingon childraising is like a boot camp, and we expected Worf to lay into Alexander for his dishonesty and moral failings. Instead, Worf sat him down and explained WHY honor was important. Not only was it good for Worf's character, but it also told us about his childhood.

Alexander's behavior is very believable for a boy who feels abandoned. He lost his mother, felt rejected by a father he barely knew, and was then rejected by his foster parents (although he was apparently acting out before that). It doesn't excuse his behavior, but it is understandable. However, Worf went through much the same thing as a child. He lost his parents, his family, everything he knew. He could just as easily have been a problem child, but instead seemed to be very stable. And Worf explained the difference to his son; he found religion. It was that Klingon code of honor that kept him from lashing out, and it was that Klingon code of honor that made him the fine upstanding citizen he is today. It simultaneously helps us understand WHY Worf is such a fundamentalist (because it was all he could cling to, and because it served him so well), but also why he is having so much trouble dealing with his son. Klingon honor worked so well for him, but Alexander has rejected that religion. And he has not accepted any other moral code of ethics, and thus is behaving so badly. We see that Worf has a point in trying to instill a sense of honor in Alexander, even if the boy will never be a true Klingon warrior. Worf at least wants the best parts of that religion to filter to his son.

And so after that speech he gave to Alexander, it was downright heartbreaking to see it not get through to him. I really, really felt for Worf when he learned Alexander was still misbehaving. Yes, it was oversimplistic of Worf to believe a 3-year old boy (or however old Alexander is; gestation periods seem to be awfully fast in the future) would grasp everything and turn things around with one speech, but Worf poured his soul out to Alexander. And he rejected his father completely. No wonder Worf felt so lost. And yet still he tries. And even though Worf's honor has done him so much good, and if Alexander would just accept it he would be so much better a person, Worf must try to put it aside to deal with his son afterwards. It's why he couldn't send Alexander to a Klingon school. With no sense of honor to begin with, how could Alexander survive? But how can Alexander survive anywhere without a belief system to cling to? No wonder Worf said that Alexander staying here would be the more difficult challenge. Worf will have to learn to raise a seriously mentally messed up kid.

(Looking back, I think it makes sense that Alexander was practically suicidal in DS9. Clearly he never did find any religion to live by. His messed up childhood seemed to dissipate while living with his father, but he still had issues. And it seemed he never solved them. Kinda tragic, really. )

And one other tiny bit of good acting. Worf is really mad at Alexander, and tracks him down to the holodeck. There he sees Alexander fighting in his calisthenics program. For a moment, Worf loses his anger and looks on with pride as Alexander fights, just like any good parent would. Very nicely done.

Darn it, I'm convincing myself that it's better than I originally thought. It's still not a great episode, but perhaps it is at least decent.

Fri, Aug 8, 2014, 2:57pm (UTC -6)
I've got little to say, except I think that Klingons would parent using the "spare the rod, spoil the child" method. Normally I'm not big on violence, especially directed at kids. However, I always find myself wishing Worf would knock Alexander on his ass when I watch this episode. Sure, it wouldn't be very therapeutic... And generally frowned upon by the crew of the Enterprise. But come on... Worf would totally knock a bratty kid around a little bit. Maybe there's no honor in physically disciplining a juvenile Klingon. I don't know.
Thu, Jan 22, 2015, 4:42pm (UTC -6)
Mon, Apr 20, 2015, 10:13am (UTC -6)
I agree with Jammer's rating on this episode. It wasn't terrible, but it could have been better. My main problem was a scientific quibble with the wave, which I initially found to be a very interesting idea, although I did not get quite as excited about it as Geordi. It seems that the Law of Conservation of Energy would preclude the wave from becoming ever-stronger as it neared the planet. What was driving such an increase?

The more important plot, of course, is Worf's reunion with his son. I enjoyed that part more and also found it more believable than the other plot. I must admit to a certain satisfaction in learning that school kids in TNG sometimes encounter problems such as misbehaving in class. To me, the idea that humanity has somehow been perfected in the future has always been laughable. Some kids will always act out and need guidance, and other parts of society will also always be less than exemplary.

That said, I liked how Worf handled his new role of father, and liked the idea that the boy will remain with him on the Enterprise. I liked both Worf's and the boy's acting, and also liked seeing Troi doing her job well for once instead of just stating the obvious. ("I sense he may be hiding something, Captain.") I must question, however, why the Enterprise in TNG is carrying families in the first place. It's not like the ship isn't threatened with destruction in every other episode. It seems like Starfleet realized that a starship was a dangerous place for kids in TOS but forgot about that a few decades later.

Tue, Aug 4, 2015, 10:34am (UTC -6)
Is "New Ground" full of cliches? Yes.

Is it well trend upon ground? Yes.

So what?

I'm not one of those people who demand that everything be original. The whole "Hollywood is out of new ideas" crowd really bugs me actually. I don't mind when an episode or a movie or whatever else is a retelling of a tried and true story. A good story retold is still a good story.

"New Ground," while again not groundbreaking, does have some good stuff on display. Worf and Alexander get some nice character development. Troi is - *GASP* - actually used effectively, and as a counselor no less! And, they don't hit the reset button at the end of the episode. It would have been extremely easy for them to ship Alexander off to the Klingon school and have Worf just go back to doing his usual routine. But, they didn't. They decided to keep Alexander on as a recurring character and I highly applaud them for that.

The problem the episode has is the B-plot with the Soliton Wave. It's completely unnecessary. It's obviously only there to provide the final manufactured crisis with Alexander trapped in the lab. The Gilvos just happen to be the lab that will be exposed to radiation. Isn't that convenient? Alexander runs off to see the Gilvos again. Isn't that convenient? The lab is massively damaged in the trip through the Wave while Alexander is in it. Isn't that convenient? Alexander is pinned under the conveniently fallen beam. Riker, Worf, Alexander and the Gilvos all get out just in the nick of time. Isn't that - what's that word again? - convenient? As another commenter said - this is TNG's A and B plot formula at its worst.

And of course, the Soliton Wave itself makes no sense. Warp speed without warp drive. How?! If you don't have something warping the fabric of space-time or slipping you into an alternate dimension or something, you can't go faster than light. Look, science was actually my least successful subject in school, but.... Physics 101, people! And, of course, all the manufactured drama at the end could have been easily avoided if the writers hadn't yet again failed to realize that space is three dimensional! People, you don't have to go through the Wave. Just go over it!

Still, it's nice to see the really good character development on display here.

Diamond Dave
Thu, Sep 24, 2015, 2:00pm (UTC -6)
As others have noted, this breaks no new ground - and indeed treads some fairly worn furrows in the history of family drama. The conclusion is an awful contrivance, requiring about 5 unlikely things to happen at once.

But that said, there are some interesting beats here. The Troi-Worf scenes do indeed show Troi in an effective role. The addition of Alexander at the end is indeed a ballsy move, as it means a new character direction for Worf. And the B-story indeed lets us have a TOS style 'staggering sideways to simulate movement' bridge scene, and you can never have enough of these. 2.5 stars.
Wed, Sep 30, 2015, 6:20pm (UTC -6)
Do children really have the run of the holodeck? Worf says he didn't ask him for permission to use it, but is that really the only thing stopping a kid from waltzing in there?

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