Jammer's Review

Star Trek: The Next Generation

"The Mind's Eye"


Air date: 5/27/1991
Teleplay by Rene Echevarria
Story by Ken Schafer and Rene Echevarria
Directed by David Livingston

Review by Jamahl Epsicokhan

En route to Risa for a conference, Geordi is kidnapped by the Romulans and temporarily replaced with a doppelganger while the Romulans go to work torturing and brainwashing Geordi to turn him into an assassin. Let's start with the torture method: It's an ingenious story starting point. The Romulans use Geordi's visor inputs to tap directly into the visual centers of his brain; Geordi is forced to watch whatever horrifying images the Romulans feed him, and he's incapable of looking away. It's like A Clockwork Orange: The Romulans condition Geordi with images to psychologically break him. It's also like The Manchurian Candidate: Geordi is returned to the Enterprise with false memories, completely unaware he has been programmed as an unwitting sleeper agent.

Shortly thereafter, the Enterprise takes Klingon Ambassador Kell (Larry Dobkin) to a Klingon colony facing a rebellion. Vagh (Edward Wiley), the colony's garrison trying to quell the uprising, claims that the rebels are being armed with Federation weapons. Picard suspects Romulan involvement attempting to destabilize the region and drive a wedge between the Klingons and the Federation. That sounds about right for the Romulans. An investigation is launched. (TNG is always launching investigations.)

"The Mind's Eye" is more brawny, devious, and suspenseful than most TNG fare. It features a first-rate intrigue plot that grows from a general theme explored from "Sins of the Father" on to "Reunion," then here, and onward through "Redemption" — the notion of ongoing corruption in the Klingon Empire by conspirators in bed with the Romulans. There's even the establishment of a future major player (to be revealed in "Redemption") in the form of a silhouetted Romulan agent pulling the strings. The revelation that the Klingon conspirator is actually Ambassador Kell is skillfully pulled off (and I had forgotten the twist from my long-ago viewing of the episode). For a time it looks like Kell is a target when in fact he is the one triggering Geordi's mind-control instructions.

The episode works so well because it raises the stakes by making the would-be assassin one of our regular characters. The suspense builds through the last act as it becomes a race for Data to put together the pieces of the puzzle before Geordi carries out his assignment to kill Vagh. "The Mind's Eye" is effective, well-oiled, thriller-genre Trek.

Previous episode: The Host
Next episode: In Theory

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6 comments on this review

Jake - Wed, Apr 2, 2008 - 12:45pm (USA Central)
Re: Data not running when he puts the pieces together at the climax of the superb "The Mind's Eye."
Data does order Worf to neutralize LaForge, and he knows Worf is good, so he figures there's no need to rush.

At least that's the excuse some would give if this had been a DS9 episode.
Patrick - Thu, Jul 5, 2012 - 11:39pm (USA Central)
I wish Alfred HItchcock had lived at least in to the 1990s just to see this episode. He'd be impressed.

It's 21 years later, and this episode is genuinely eerie from the music score to the unusual composition of each shot. John Fleck (before he got the role of Silik on Enterprise 10 years later) is deliciously cold and sadistic as the Romulan programmer. That bit on the Romulan holodeck where they have Geordi kill the holo-Chief O'Brien is so perverse--especially when Geordi just sits down with his holo-friends casually. *shudder*
mephyve - Sat, Jun 22, 2013 - 9:01pm (USA Central)
It's not surprising that there aren't many comments on this episode. It was an excellent episode with crucial future implications. Had this review come before the subsequent episodes, there would be plenty of comments and speculations. Obviously when viewed with hindsight, it loses some of its intended drama.
Corey - Wed, Jul 10, 2013 - 2:32pm (USA Central)
I'm with Jammer on this one - an excellent episode - the threads are woven skillfully together. I agree 100% with the star rating he gives for this.

As for comments - this episode doesn't really comment on the human condition (we all don't have implants that hook directly to our brain like Geordi does), nor does it ask hard questions (such as Ethics episode does), so there's not much to say - a lot people could say "Yeah it's a real good episode" but perhaps not much else.

This episode is just a great rendition of a sci-fi story. I do like at the end Geordi is in a counseling session with Troi, and she says this will take a long time (to de-program him). Too bad they don't have him in another session in a later episode for follow-up, you would think it might even take years to completely heal.
Ian - Sat, Aug 3, 2013 - 2:51pm (USA Central)
Just watched this episode with my wife, and her response at the end - which accurately described my feelings as well - was just:


La Forge was entirely violated this episode by the Romulans, and everything about the direction, music, and acting reinforced that. It had a grim edge that is so unusual in TNG.

I think this could be realistically labelled a four star episode. I don't usually feel so much from TV, as I feel disturbed right now.
SFKeepay - Thu, Dec 19, 2013 - 7:39am (USA Central)
I agree with Ian, this is probably a four-star outing. The only weakness I can spot being the intransigence and shortsightedness of Governor Vagh, who seems just this side a medication holiday with his crazy-glue quick conviction of Federation munitions mischief. That is easily set aside, however; this is a taute, focussed and self-assured effort without a moment of padding, dropped threads or fanciful physics.

Even the technology elements never stray, appearing only in logical support of the greater narritive. As Jammer mentioned, the Romulans' exploitation of Geordi's imbedded visor components was trully inspired. Even more impressive, regular viewers will be able actually keep up with Data during his investigation and recognize at the same moment as Data that he has found a critical piece of the puzzle. Knowing how Geordi's visor is actually supposed to work is suddenly an emotionally rewarding circumstance, and I cheered when the Enterprise conputer gave Data what he needed to connect the dots....a great moment.

Still the story does not let up on us. As we follow Data's brilliant, dogged and methodical investigation, we know what he does not: time is short. This is Trek, I knew when watching Geordi wasn't going to kill anyone...hell, that drink he spilled on O'Brian wasn't even hot! But I was nevertheless on the edge of my seat urging Data to hurry. This is great stuff!

The closing scene with Geordi and Troi was for me the best moment for Troi in the entire series. Say what you will of Marina Sirtis, but she pulls this scene off with subtlty and skill. She is first and foremost being a counselor and projects the professional demeaner-skilled, pattient, caring, but at a necessary remove-that her job would absolutely demand. Yet Sirtis somehow lets us feel the undercurrent of sadness, deep concern, and even a hint of anger at what has been done to a dear friend.

Even the way the show characterizes memory here, much more tentatively then its usual certain jibberjabber about "memory engrams" being erased, or not, etc. stands up surprisingly well in 2013, research having shown how human memory is SO not like a computer, and how we seem not to "retrieve" memories but rather seem to "reconstruct" them, with varying degrees of accuracy and considerable latitude, every time we "remember". It's pretty cool this 20+ year old dialog keeps many doors open, intentionally or not, so as to forestall groans of chagrin from future viewers. "Dark Matter" anyone? How about "spacetime"?

The score too is excellent, operating unannounced with the narritive; together inducing a deepening dread appropriate to the gravity of the harms done and those as yet intended. This is a story about a act of extreme violence perpetrated on a beloved character; the Romulans to me thereafter seemed the more real, more threatening, and the show the more serious.

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