Star Trek: The Next Generation

"Up the Long Ladder"

1.5 stars

Air date: 5/22/1989
Written by Melinda M. Snodgrass
Directed by Winrich Kolbe

Review by Jamahl Epsicokhan

"Sometimes you just have to bow to the absurd," says Picard. Not me. Not for this episode. Here lies a colossal mess of a show, mixing serious (albeit unrealized) science fiction with broad, less-than-funny comedy. The Enterprise comes to the rescue of two long-lost Earth colonies from a single ship that was launched in the early 22nd century. One colony lives on a planet as anachronistic farmers with no technology; the other lives on another planet completely reliant on technology, with cloning having replaced sexual reproduction (which they now find "repugnant").

Let's start with the need to make the primitive colony into broad Irish caricatures: What was the point? It's supposed to be funny, but it ends up providing nothing but annoying stereotypes. The community leader, Danilo O'Dell (Barrie Ingham), is purely a grotesquery of himself. His daughter, Brenna (Rosalyn Landor), is immediately a target and conquest for Riker, for reasons completely unknown to the plot and the characters. Why do they hook up? Okay, it provides a reason for Brenna to start taking off her clothes (which I suppose was fun for me at age 13 when this show originally aired), but that's about it. Some of the Worf Ultimate Straight Man humor works to a degree ("Then you would suffocate and die"), as well as his honor-bonding with Pulaski near the beginning.

At about the midway point the episode pulls a 180 by following the serious story of the modern colony and its cloning procedures. They need a new infusion of DNA to survive and want the Enterprise crew members to volunteer. This leads to some interesting ideas about the nature of individuality amid cloning, and one particularly attention-getting scene where Riker destroys two developing clones of himself and Pulaski that were obtained illegally; in the right writer's hands, this could've been a provocative rape-victim/abortion allegory. As it is, the whole storyline is underdeveloped.

The solution proposed at the end is hammered together as an exercise in convenient TNG ultra-simplicity. Because the hour is over, the problem must be solved using the available variables at hand, with no parts left over.

Previous episode: Samaritan Snare
Next episode: Manhunt

◄ Season Index

39 comments on this review

William B
Tue, Apr 2, 2013, 4:20pm (UTC -6)
Contra Jammer, I don't think the solution to the episode is quite "because the hour is over, the problem must be solved using the available variables at hand, with no parts left over." I think the ending to this episode is the point of the episode -- this is an allegory about how humans need both the unsophisticated carnal side and the sterile sophisticated side in order to live. The whole of the episode was designed to set up that conclusion, wherein one people is stupid but bursting with life (about to be destroyed by a solar flare, perhaps a metaphor for excessive libido), and another one brilliant and orderly but essentially dead, are brought together.

That's not a bad idea for an allegory, but of course the execution is bad for all the reasons Jammer listed. It's going to be especially hard to sell the solution here as being equitable. There's no reason the farming community can't survive on its own on a planet that isn't about to be destroyed by a solar flare. Given the pro-choice message of the attention-getting kill-the-clones scene, there needs to be a lot more effort to sell us on the idea that people from both societies are genuinely willing to enter into polygamous sexual relationships which *no one* particularly seems to want.

Also particularly funny: Worf's fainting on the bridge as the teaser break! They really needed to stretch to come up with ways to make this episode seem exciting. The Worf/Pulaski material after his fainting *is* quite good, though. I'm going to miss Pulaski when s2 ends.

I'm tempted to give it 2 stars because I see what they were trying to go for, but 1.5 is probably fair given how much of a mess the final product becomes.
Fri, Apr 5, 2013, 7:23pm (UTC -6)
@ William B: Jammer has a point, though. While I do think the episode was set up to arrive at the conclusion you're saying, it was the way they handled it that made it feel cheap and as far as they wanted to go because the hour was, indeed, over.

What a mess. Half funny, half serious, all S2 bad.
William B
Sat, Apr 6, 2013, 1:14am (UTC -6)
@Rikko, definitely. I tend to think that the episode is crappy reverse-engineering rather than crappy hasty last-minute engineering, if you catch my drift. The difference is probably slight, though.

The episode does feel very much to me like the episode is a first draft that needed a rewrite. Maybe there is no good second draft that could possibly come out of this first draft, though. Perhaps a portrayal of the techless farming community closer to DS9's "Paradise" might have worked.
William B
Mon, Apr 8, 2013, 3:04pm (UTC -6)
You know, I am tempted to take back my earlier comment. While I do think the intent of the episode was to suggest that humans need both the carnal side (represented by the farmer Irish stereotyptes) and the cerebral side (represented by the clones) to function, the basic premise still runs counter to this. The reason the farm community was going to be destroyed is because their Sun was going crazy; the reason the clone community was going to die out through replicative fading was because a bunch of the original settlers died, and if they didn't start cloning they would have died. As tech-savvy as the clone society were, if they had had their full complement with them when they first colonized, they would not have turned to cloning and making sex repugnant and taboo; and the sun problems have nothing to do with the Irish stereotype colonist's anachronistic behaviour.

Given that this rips out the only way the episode even *could* function, I think the episode is even worse. 1 star, ultimately -- and that is for the few moments that do work in the clone half. (I guess I could say generously that the clone half gets a low 2 stars for some interesting moments but unsatisfying resolution and follow-through, and the Irish stereotype material is somewhere around 0.5 stars, so that the average is 1.25 which gets rounded down.)
Tue, Apr 9, 2013, 12:41pm (UTC -6)
William B: So, we come back closer to Jammer's original score, hah.

Talking about drafts, this script should've spent more time in the oven, for sure. I feel like they had two half-baked ideas, each one feasible to be expanded into their own standalone episodes: One pseudo-comedy ep about the "Irish" people, as bad as that'd have been; and another episode in full serious mode with the hyper-tech clone society. Maybe that last one had the chance to be about something interesting.

Alas, that never happened. What we got was a mix of two lacking premises with the subtlety of a moving train.
William B
Tue, Apr 9, 2013, 4:18pm (UTC -6)
@Rikko: I do think that the thematic reasons I listed were there in the design of the ep, so that these plot ideas were probably thought of together. But you're not wrong that they could have been split up. Actually, maybe the "Irish" stuff could have been pushed onto "Manhunt" -- that episode clearly had room to accommodate a second story, and was not in any danger of being very good anyway. That could leave this episode to a better examination of the cloned society or -- or I don't know, something better; and would have "Manhunt" be less padded and boring, if not actually any better.
Latex Zebra
Fri, Oct 4, 2013, 5:57pm (UTC -6)
I kind of like this one. It's not amazing. No more than 2 stars but it has its moments.
I like Picard finally cracking up in the cargo bay.
You'd have to.
Sun, Oct 13, 2013, 11:43am (UTC -6)
I really loved the Worf-Pulaski stuff at the beginning. Like the Picard-Wesley material in the early part of the previous episode, it really lifted an otherwise inconsistent episode for me. Like William B, I am sad that Pulaski will not remain on the show. She's one of my favourite characters so far (this is my first proper viewing of TNG).

Riker's volatile response to the cloning society's request was hardly becoming of an officer in his position. I also think Picard was presumptuous to claim that his attitude would be prevalent among the other crew-members as I for one would be happy to provide genetic material in such a situation (but I accept that it would be inappropriate for Picard to allow such a request to be made - if he had said 'I cannot allow you to take genetic material from my crew, starfleet regulations blah blah blah...' then I would have been happy).

The kill-the-clones scene horrified me, especially with the lack of any protest from Pulaski.

Paul M.
Thu, Jan 30, 2014, 12:18pm (UTC -6)
I adore the "Klingon Tea Ceremony" scene with Worf and Pulaski. I'm still sorry TPTB opted to bring back Crusher; Pulaski is such a great character, certainly one of TNG's liveliest.

Also, in the vein of "what Rick Berman did to Trek by firing Ron Jones", here's the link to the original (as I understand it, unaired) music for the above-mentioned tea scene --
Andy's Friend
Fri, Jan 31, 2014, 5:56am (UTC -6)
@Paul M: Thank you very much for that link. I always preferred Ron Jones' music in the early seasons, what a pity he was fired... As regards Pulaski... I hate to say it, because I like Crusher, but yes, I liked Pulaski more. And I like this episode a lot more than Jammer and some of the others did, I see. But then again, I've noticed that I am a lot more forgiving and a lot less pedantic, for lack of a better word, than most commenters here ;)
Paul M.
Fri, Jan 31, 2014, 7:24am (UTC -6)
@Andy's Friend: Pulaski is a joy to watch; a good character very well played by charismatic Diana Muldaur. Other TNG characters had a tendency to be infuriatingly prim and proper. Pulaski had a great non-PC vibe as in "I don't really care whether you like what I have to say or not, I'll just go ahead and say it". But beneath her curmudgeonly exterior was a personality that relished the different and unusual.

And yes, early TNG music was leagues ahead of the late-season sonic wallpaper Berman liked oh-so-much. I'm still shocked, SHOCKED I say, that he fired Ron Jones. His music was the highlight of almost every episode it was in -- Best of Both Worlds, Defector, Booby Trap, Q Who, Evolution, etc... Such a pity.
Wed, Feb 5, 2014, 10:08pm (UTC -6)
Behold, this St. Pattie's Day will mark the 25th anniversary of the writing of Up The Long Ladder, or as they called it in production, Send In The Clones!
The date on each page of the script is 3/17/89, and it's very rare that all dates in a script are the same.
Makes a wee bit more sense now, especially since the author was Irish or Scottish.
Tue, Feb 18, 2014, 2:51pm (UTC -6)
I could never understand why a SCI FI show would insist portraying "scientific" races as bad and scary, (listen to the ridiculous "ominous music" when they beam down to Mariposa and the shock stares when they mention the rather obvious presence of cloning...) while primitive "close to Earth (which apparently means being drunk all the time) are always nice, friendly and sympathetic... One would think that if you like ST you are not afraid of science and progress?
Wed, Feb 19, 2014, 5:38am (UTC -6)
@Jons It's funny you mention that, I was recently talking to a friend about my frustration that sci-fi of all things tends to do this. His theory was that the majority of science-fiction stories are retellings of the Frankenstein story, that they're all about the dangers of the future and man playing with fire. I don't think "majority" is accurate but it's definitely a big theme through a lot of sci-fi.

It's probably just a reflection of our society too though, in that we tend to elevate and personify nature ("not what nature intended") versus a general theme that man cannot exceed nature and shouldn't try (transhumanism, genetic modification, that sort of thing). I tried to explain to a friend who "doesn't drink anything with chemicals in it" that water is a chemical; we went around in circles for 20 minutes.

I like that duality in fiction though, there's this sort of double-edged sword, we celebrate the potential of the future yet are wary at the same time (striking a balance is probably best).

Along those lines, I recommend Spike Jonze' latest movie "Her".
Plot setup (but not ending) spoilers: People focus on the "man falls in love with his operating system" element like it's a joke, but it ends up being a really nice and positive look at how love transcends the need for bodies. And I'd say it's quite a pro-science movie, if you know what I mean. There's never a sense of "how sad, why couldn't he find a real person", the movie barely even questions the worth of an AI (one or two characters aside).
Ryan of Nine
Sat, Mar 1, 2014, 11:51pm (UTC -6)
I'm terribly disappointed that the focus of this episode wasn't on the cloning. A rape-victim/abortion allegory could have made this one of the better episodes of early TNG. My head is spinning at the possibility.
Fri, Mar 21, 2014, 1:43am (UTC -6)
Speaking of rape, the Irish caricature woman was absolutely right that a small group of men had no business making decisions for a whole group of people, especially when those decisions are sexual. And for Picard to tell her she had a choice but still pressure her into going was way out of character. What if all the women don't want to be used as incubators? What if two people fall in love and want to be monogamous? What if some of the women feel no attraction to any of the men? Are they going to be forced into sex because it's their duty? The episode suggests the women don't have much of a choice. To me, that concept was far more disturbing than the clone killing scene.
Sat, Mar 29, 2014, 6:25pm (UTC -6)
This is an episode full of bad caricatures. They never went into a real discussion of the ethics of cloning or of what it means to own your genetic code. What if the clone guys had taken some of their stray hair or mucus as samples? That's a real scientific possibility and done by policemen to test people's DNA without their consent.

Also, what's the point of a wool sweater that only covers the breasts? Don't they know that body fat in this area already provides plenty of insulation?

The most problematic part of the episode is when three men, including Picard, bargain away women's sexual freedom in exchange for shelter. Isn't that basically prostitution? They barely acknowledge at the end that women might have the right to refuse having three husbands. How would Picard feel if he was forced to take on three wives or leave the Enterprise to be dropped off at the nearest planet? It's weird that a ship full of celibates is comfortable forcing women to take on three husbands. This is more Starfleet arrogance where they're obviously superior to these primitive people and would never themselves agree to play by the rules they're imposing on others. A disturbing anti-feminist and morally retrograde episode.
Mon, Apr 7, 2014, 7:13pm (UTC -6)
Who could Worf have caught Klingon measles from?

And if he has a Klingon disease that made him faint, why did Pulaski claim that "Klingons don't faint"? It's like saying that humans don't sneeze. The whole exchange seemed absurd.
Mon, Apr 7, 2014, 10:05pm (UTC -6)
Jack, the whole subplot is absurd. The whole episode is absurd. A good 70% of the 2nd season is absurd!

(But I never realized it was absurd for the reason you mention. Good catch!)
Mon, Dec 29, 2014, 7:07pm (UTC -6)
"A disturbing anti-feminist and morally retrograde episode."

Yes. This one is unforgivably bad on almost every level. Half a star for the enjoyable Worf-Pulaski moments, but everything from the "three children each from three husbands" conclusion to Riker murdering (yes, murdering) the clones in their sleep with no permission or objection raised to the unnecessary Irish caricatures to Brenna's obsession with her own *dirty feet* make this one of the worst TNG hours yet. I am going to need a couple of days before I start watching again.
Sat, Jan 10, 2015, 6:26am (UTC -6)
@Tim, there is no such thing as St Pattie's day. Pattie is not short for Patrick, it's a girl's name. Just as an FYI, as they say....
Tue, Jan 20, 2015, 3:35am (UTC -6)
The story is rubbish, but still, entertaining rubbish. As long as you don't think too much about the implications for the Star Trek universe (Riker bedding a foreign leader's daughter and murdering the clones, the space Irish caricatures, Picard ordering two separate cultures [one of which finds the idea of sexual intercourse revolting] to interbreed and install polygamy etc.), there are actually a lot of funny moments and we learn a new sex euphemism ("washing feet"). Plus, apart from all that, we get the great Klingon tea ceremony scene, which is one of the reasons why I am sad that Pulaski was only on the show for one season. She certainly got more character development in these few episodes than some of the main characters got over the whole series.

Bonus: This was one of the episodes which were redone for "Sinnlos im Weltraum" (pointless in space), a German TNG gagdub from the early 1990s. There, the Enterprise is en route to a big drinking party and picks up the Bringloidi to have them brew liquor on the ship. Danilo O'Dell constantly asks Picard for the way to the loo to take a "beer shit". The away team only beams down to the Mariposa colony because their leader is supposed to have stored a few crates of beer. And of course Pulaski conducts a bioscan on Worf's dick. Well, I didn't say it was particularly highbrow.
The Dreamer
Sun, Mar 22, 2015, 6:42pm (UTC -6)
Definitely another example of early series wierdness and TOS like scenarios. What was stopping them from recommending that more humans transport there and help in some way? But alas, these are people we will never see again and will not be contacted, they are isolated and must survive.

The kill the clone scene was definitely a whiff.

The Eddie Murphy look alikes wrere amusing though. Hee, Hee, Hee . . . . .

Best scene was when Worf gave them a real drink.
Diamond Dave
Thu, Aug 27, 2015, 1:58pm (UTC -6)
Funnily enough, I was also about to start this with something along the lines of ""Sometimes you just have to bow to the absurd," says Picard. Not me."

This is a horror show of epic proportions, and smacks to me of two ideas not strong enough for their own show being rammed together. From the broad humour and brazen caricatures of the first half, to the more serious and disturbing elements of the second half, to the morally questionable conclusion, this hits all the wrong beats.

The tea ceremony offers some redemption - including a welcome call back for Klingon love poetry - but it can't save it. A shocker. 1 star.
Mon, Oct 19, 2015, 6:39pm (UTC -6)
@Jack You asked, "And if he has a Klingon disease that made him faint, why did Pulaski claim that 'Klingons don't faint?'"

I think she simply meant that fainting was very very rare for Klingons. And when it turns out that he has a childhood disease, that makes sense. Most Klingons would have had it as children, but if an adult got it, he might faint.

Jammer asked why Riker and Brenna hooked up. For me, that was one of the few parts of the episode that made sense. Brenna is exactly the type of woman Riker likes--smart, sexy, confident, powerful. Not to mention she was wearing a knitted crop-top, which is always welcome.
Jason R.
Mon, Nov 23, 2015, 11:28am (UTC -6)
I am a big fan of Pulowski, but I found her reflexive bigotry toward the clone society distasteful. Although saying this means looking behind the plot (which I try not to do) I actually got the feeling that Pulowski wasn't interesting in finding a solution to the genetic degradation problem (and wouldn't have helped them even if she could have!), because of her prejudice against cloning. In a Star Trek context, I just found that baffling and unworthy of her character.

Also noteworthy in this episode was the flagrant murder of several clones by Riker, which was precipitated by Picard's flippant dismissal of the notion of ANY Enterprise crew donating genetic material. Again, it was not Riker and Pulowski's refusal to voluntarily donate their material that troubled me, but Picard's casual presumption that nobody of the 1,000 crew members would agree to this that bugged me. If he had cited the Prime Directive that would have been one thing - but I just wasn't on the same page with this anti cloning attitude. It just seemed out of place. Riker's notion that something would be lost in the universe if he was cloned (an ironic comment considering what ultimately happened with his character and the Thomas Riker character) came across as superstitious, again out of place in the Star Trek universe and unworthy of a Starfleet officer. For the record, I would have been fine with the donation myself!

The episode ends with yet another baffling point where Picard more or less orders the two societies to merge, even prescribing polygamy as a solution to their problem. As others noted, this was yet another dubious decision that just felt out of place and totally inconsistent with the setting and character.

It's like the writers were just on another frequency from the rest of us with this episode.
Fri, May 6, 2016, 12:43pm (UTC -6)
Why did the Irish stereotypes and the Clones have to merge their societies? It would have made more sense for the Clones to ask for DNA from them and maybe some nearby colonies In order to continue their society. But no Each man has three wives Each wife has to have three kids from three husbands for the next nine years.
1 Star for the Tea ceremony.
Wed, May 18, 2016, 1:09pm (UTC -6)
This episode has an interesting production history where the writer wanted to depict how bad the U.S. handles immigration by illustrating that just because "simple immigrants" can be a bit rough around the edges, the U.S. shouldn't be too stuffy to accept them. Apparently one of TNG's executives at the time was Irish, and didn't understand the writer's pitch until was put into terms of Irish immigrants. And of course, the executive decided there and then that this episode *must* be about Irish immigrants.

So interesting idea, horrible execution. Danilo O'Dell is so rough he offends Irish peoples world-wide. Maybe the Enterprise should have let the star wipe him out, so the universe wouldn't be further populated by horrible Irish caricatures.

As for the tech-dependent society, why didn't they consider space exploration? Surely they could've looked for nearby colonies to trade, work, and proliferate with. None of their plight makes any sense unless you consider their race built to inevitably mate with O'Dell's group.

The only thing redeemable about these people is Brenna O'Dell, who despite also being a caricature, at least depicts a competent women in charge of incompetent men.

The Worf/Polaski scenes are fine, but don't really fit into the message of the episode.

1 star.
Phil Tevlin
Sat, Jun 4, 2016, 3:32pm (UTC -6)
The ONLY thing I liked about this episode was Brenna O'Dell--she reminded me of a very good friend of mine. I'm of Irish descent, and yes, the women of Ireland are a strong minded bunch.
Tue, Jun 21, 2016, 9:43am (UTC -6)
In regards to the comment of "Tom" who calls this episode "disturbing anti-feminist", I want to add that I feel your criticism one-sided and inconsequent. The plan to mix both societies in that episode called for both men and women having three partners each - each woman having three men and each man having three women. So the notion of "three men bargaining away women's sexual freedom" and the criticism of anti-feminism fall short, in my opinion. First, if at all, it bargained about women's and men's sexual freedom. Second, with Pulaski, a woman was also involved in creating this plan. And third, it didn't seem to me as if force as involved. Both societies agreed on that plan, and if anyone disagreed, nothing to me pointed to the suspicion that force would be involved.

Still, this episode is definitely not one of TNG's token episodes, and altogether a rather weak one. Others here have made some good points on why and how it is.
Vladimir Estragon
Tue, Jun 28, 2016, 4:56pm (UTC -6)
I've always enjoyed this episode, actually. My big complaint is that it perpetuates the ridiculous belief that clones somehow emerge from the gestation process as full-grown adults. What Riker should have found in the lab would be at most fertilized eggs, not body snatcher pod people.

Also, there are presumably thousands of Mariposans (since they have cities). Why couldn't the Bringloidi males (and the Enterprise males, for that matter) donate sperm to inseminate the clone women? Riker didn't seem too reluctant to donate his DNA to the Bringloidi genome.
Sun, Nov 6, 2016, 6:42am (UTC -6)
and here I have to disagree with you Jammer.
I find this a nice episode, while not the best of all, it still is one of the few than you will remember as the "irishman and a herd on the ship" and I for one like my stereotypes. However I have to agree this episode has a dark side than is passed to easely as well.

I judge an episode from 3 points :
*hard scifi
*overal enjoyment

In the hard scify point this one ranks supurb.
all facets are plausible, only the "exact break up of the ship in 2 parts with both ariving on a habitable planet some distance from eachother" while plausible, it is a bit far streched.
and the best cells for cloning are not the ones lining the stomach, but stemcells from other area's but not sure that knowledge was available when this came out.
so overall 4,5/5 for hard scifi

no conflicts and thats an achievement in itself, but also no tie in what so ever with any other episode or movie of trek what so ever.
I find they did not go deep enough with worfs measels, some talk about him not being exposed to klingons as a child enough, and how he now got it due some recent contact with klingon children would have been nice.
Overall a solid 3.5/5

Lots of funny scenes, the irish and the herde on board were great.
The o'donnel and his feisty daughter too, sure our lady's man would like a hit of that.
The worf scene did offer some comical relieve but whe could have done without, the tea ceremony was nice though and worth it, only I felt a bit more pain and suffering and sharing that poetry would have been nice, not having worf stand back onb the bridge the next second.
But I have to deduct MAYOR points for the murder of their two clones, as I am personally a strong advocate AGAINST abortus, I find the calmth they murdered their two clones horrible, it turns two characters of the crew forever in bloody murderes without giving so much as a hinge about it.
(for the one who saying an rape/abortion paralel is used here, well in that case I see abortion as murder in the first degree, and a larger crime than rape. I am also against the death penalty, while killing the rapist would from a moral point at least be understandable (it would still be a larger crime than the rape itself) killing the child (or in this case the clone) that has had no hand what so ever in the crime done unto you, makes you a far worse criminal than the one was that inflicted it on you.)
overal I give this episode 2/5 points (it would have been 4.5/5 if they left the clone murdering out, I cannot have that slip)

so thats gives an average of 3.5/5 or translated to the stars rating 2.5 stars.

Wed, Nov 23, 2016, 8:13pm (UTC -6)
You know, watching these episodes really makes me think about how much money was put into this stuff, how long it took to build things that will show up in only one scene in a terrible story and how nobody would think about. Here, they had to pay for all the Irish costumes and their stuff, then build an entire big set just for that clone colony, both of which are there for a half the episode. I dunno, there's just something depressing about it.

Anyway, yeah, this episode is a failure on every possible level. Plot points introduced just to be abandoned after two scenes (including the freaking teaser), absurd stereotypes, awful attempt at abortion Aesop (perfectly fitting the wacky Irish antics in the first half), incredibly arrogant behavior from our heroes and just plain terrible storytelling.

I like how Picard says he won't find any volunteers on the Enterprise (and apparently the whole Federation, since the option of just getting their request to some colonies willing to send them samples is never brought up). I may not be entirely on board with that particular criticism, but the whole "yes, we are ALL individuals" attitude really does show up here and there.

Nothing? What about Picard threatening to steal their clone-making technology? Funny these assholes got the idea in the same scene that opened with Riker saying they right to their own bodies.
Fri, Jan 20, 2017, 6:34pm (UTC -6)
There needs to be a special star system that means "horrible yet entertaining; hate it but want to watch it again!"

Love Brenna and her odd crop-top. Hate the insulting depiction of dumb dirty Irishmen - even in the eighties that seemed just ugly. Hated that Brenna got stuck being the men's mommy, practically. Hated that she went after the leader of the other group because "He looks like he has two coins to rub together!" Hated that the Irish females were expected to breed babies inside their bodies for the good of society - yeah I read that novel: it's called "Handmaid's Tale". It's prevalent IRL too: it exists in backward and fundamentalist and poor societies all over the world. Breed for God, breed for your man, breed soldiers for our revolution, breed because it's your female responsibility.

And yet in spite of all those objections... Worf! Pulaski! , Riker! The whole damn episode entertains me, I guess even more than it infuriates me. While the Season One clunkers make we wince and look away, this one makes me stare with mouth agape.
Wed, May 24, 2017, 4:30pm (UTC -6)
This was terrible.
Dreadful stereotyping of Irish tinker ,gypsy communities is not even remotely funny but it is insulting.
What were they thinking of for goodness sake?-this may just about have worked in a frothy hollywood musical some decades previously but not in this context.
And the wrap up-so all sins forgiven eh?
This guy arranges the non consensual assault and intrusive violation of two senior officers and there are no negative consequences.

Mind you I guess the Enterprise did go and poke its intrusive nose into the colony's affairs to begin with.

This one gets 3 wormholes from me.
Derek D
Sat, Nov 11, 2017, 7:01pm (UTC -6)
Loved Brenna O'Dell and the touching tea ceremony, but not much else. I am not a fan of Pulaski's but I really liked her in this one--she actually had some feeling and depth to her. Otherwise, this was rubbish. The stereotyping of the Irish was incredibly insulting and beneath the show. And wake up dudes--if you didn't agree to let them clone you then OF COURSE they're going to try to do it anyway. I didn't expect them to shoot Pulaski and Riker, but all they'd need is a hair follicle or skin cell or something which wouldn't be too hard to get. So don't be so shocked! The destruction of the clones was really quite a controversial act--isn't this murder?--that got no play.
I agreed pretty much with Jammer's review in its entirety. 1 1/2 stars
Tue, Jan 23, 2018, 12:54am (UTC -6)
The best thing I can say about this episode is that Brenna Odell (play by Rosalyn Landor) had a really nice body back in 1989.
Thu, Feb 15, 2018, 9:14am (UTC -6)
First time I've quit out of an episode before the end. That says a lot for how bad this is.
Thu, Feb 22, 2018, 10:13pm (UTC -6)
The Irish ☘️ leader’s takeoff on the classic song “Send in the Clowns” with his phrase “send in the clones” was hilarious.

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