Star Trek: Deep Space Nine

"The Wire"

3.5 stars

Air date: 5/9/1994
Written by Robert Hewitt Wolfe
Directed by Kim Friedman

Review by Jamahl Epsicokhan

"The Wire" is one of the season's most focused character shows, featuring plot elements that actually tie into the real story (rather than sabotaging the main drive of the drama as episodes like "Alternate" and "Playing God" did). It's also the long-awaited episode that strongly hints at (although doesn't fully reveal) the mysterious backstory of "plain, simple Garak."

The mystery begins to unravel when an anti-torture device implanted in Garak's brain begins to malfunction, putting his life in jeopardy. The only option is to remove the implant, which means unavoidable withdrawal symptoms because of Garak's physical dependency on the implant's effects. But this story isn't about the life-or-death struggle; it's about Garak's mysterious exile and what the exile has done to him emotionally. He's a tortured person in an environment he finds contemptible, and only the implant has allowed him to retain the calm, amiable surface. But without the implant, Garak's dark side emerges.

The premise is fundamentally simple, and that's why it works: Just confine some good actors to a room and reveal the inner truths of the characters (if Garak's lies can be called truths). Andrew Robinson's performance is a powerhouse with versatility. But nor should El Fadil's turn as the puzzled but doggedly determined Bashir be overlooked. A powerful direction by Kim Friedman, who slowly builds the dramatic intensity in gutsy crescendos, adds mood and atmosphere.

The intentionally vague backstory reveals the possibility for countless dark chapters in Garak's past; he was clearly involved with the nefarious Obsidian Order, the all-knowing "Big Brother"-type intelligence organization of Cardassia. Garak's lapses into fury and pain lead him to reveal to Bashir several reasons that "explain" why he was exiled—though he dissembles and changes his story so many times that it's impossible for Bashir (or us) to know what's a lie and what's the truth.

Eventually, Bashir goes to the retired Enabran Tain (Paul Dooley)—the former head of the Obsidian Order—for answers to Garak's condition, and finds some interesting insights about Garak in the process. There's a lot of interesting substance about Garak and the Cardassian mentality in this story, though it's hard to know exactly what to make of it. But that's the point. Some puzzles are supposed to remain unsolved, and Garak—as well as Enabran Tain in his showcase scene—is such a fascinating puzzle to watch unfold on the screen that it's enlightening whether we get all the answers or not.

Previous episode: The Maquis, Part II
Next episode: Crossover

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36 comments on this review

Sat, Jun 16, 2012, 3:47am (UTC -5)
This was always a favourite of mine. Plays out in a similar (though slightly less dramatic) way to Duet from Season 1. In effect, it's a script that could easily be written for the stage and allows some of Trek's Shakespearean actors to do their thing.
Thu, Jul 19, 2012, 8:24pm (UTC -5)
One of the best episodes, up there with Whispers, Duets etc. Deserving of a 4, in my opinion.
Sat, Aug 11, 2012, 1:45pm (UTC -5)
This is the only episode of the season meriting 4 stars. Performance, mood, character and story are in perfect balance here, and Garak proves his worth to the cast beyond any doubt--his character is more interesting, nuanced, sophisticated and elegantly portrayed than any of the main cast except maybe Odo. Bravo, Mr Robinson.
Mon, Sep 10, 2012, 6:39am (UTC -5)
This has to be 4 stars.
Mon, Dec 10, 2012, 6:27pm (UTC -5)
The Wire is a 4 star masterpiece. This episode epitomizes why Andrew J Robinson is my favorite DS9 actor. He's so intense, natural and believable telling his 3 stories in The Wire. Then the wrap up with him saying they're all true, especially the lies. Excellent writing for a pitch perfect performance.
Asian James
Fri, Jan 11, 2013, 9:25am (UTC -5)
In rewatching DS9, I am actually surprised that Garak has been underused to this point (especially since he was introduced very early in Season 1). I'm glad that Garak/Andrew J. Robinson was finally given the limelight in "The Wire," making it one of my personal favorite episodes in Season 2. Credit goes to Kim Friedman's direction with the camera angles and overall scene setup, and I also loved the equally superb dialogue that Robert Hewitt Wolfe crafted for Garak, Bashier and Tain.

Furthermore, most DS9 episodes thus far have felt at least a little "cheezy." To Jammer's recurring point, the cheezy factor sometimes stems from the B-plot of an episode ruining the drama behind the A-plot. Or the acting is a little stiff, which detracts from the watchability of the episode. Or worst off, the writing of the A-plot is poor to begin with (see: "Profit & Loss"). Like "The Maquis" before it, "The Wire" helps to change the tone of DS9; the dark side of the series is finally showing itself.

Interestingly enough, my girlfriend (who is watching DS9 for the first time) disagrees. She thought it was pointless since it didn't progress the story at all. The frustration came about when she was left with not having learned anything about Garak. I told her that she learned more than she thinks...

According to Memory-Alpha, my girlfriend is not alone in her sentiments: "Although the producers were extremely happy with how this episode turned out, they were disappointed to discover that many fans felt let down because they hadn't learned anything new about Garak."

Regardless, my personal rating: 4 out of 4 stars.
Fri, Jan 11, 2013, 4:01pm (UTC -5)
Contrarily, this fan was disappointed because, despite the large regular ensemble, this episode focused on a guest character. I felt my time had been wasted, simply because Robinson wasn't billed in the main credits. Shows the power of paratext to shape a viewer's expectations. (I suppose I'd view it differently now.)
Mon, Jan 14, 2013, 12:30pm (UTC -5)
@Grumpy - I think that's why I enjoyed "The Wire" so much. In retrospectively looking at DS9, it has one of the strongest recurring character list out of all Trek's. To name a few:

- Garak
- Dukat
- Winn
- Martok
- Weyoun

To acheive greatness in developing these recurring characters, the writers took an extreme risk with this episode. This episode also strengthed the Bashier/Garak relationship that has been somewhat forgotten since Garak was only featured once in Season 1, despite having lunch with Bashier at least once a week. That's what makes "The Wire" a very successful episode, though I do see how people are divided.
Mon, Jul 22, 2013, 11:06am (UTC -5)
Agree with the review. I would like to note one more thing here, that is, in end Garak gives a Cardassian story to Bashir about Klingon - Cardassian war set in the future. This is quite prescient of events to come later. Also interesting when Bashir asks who is going to win.
Tue, Oct 22, 2013, 4:59pm (UTC -5)

A great episode that does a lot for Garak's character.

Blake W
Tue, Dec 17, 2013, 2:44pm (UTC -5)
This episode truly demonstrates the talent / skill of DS9's writers. Network TV nowadays would never allow something like this to air because 85%-95% of viewers wouldn't understand the story. I fell into that percentage, and it looks like everyone here (including the reviewer) fell into that percentage. But thank God for the internet, because someone who understood the story posted a comment on youtube:

"All the stories Garak tells in this episode are true...He did kill a shipload of civilians... He thought it was his duty to The Obsidian Order and Tain...but Garak has a conscience...and after this he stopped believing in the occupation...He began freeing Bajoran prisoners...He probably helped the Bajorans in some way ( the betrayal of Tain )..." - ShareTheMike

It's still crazy for me to read that comment... All the pieces were right in front of us (like Garak said at the end of the episode) and everything suddenly seems so obvious.

So, Garak slaughters a bunch of civilians, finds himself asking, "what's the point of any of this?" He becomes unstable & frees prisoners, he goes out of his way to frame himself (part of the unstable behavior). Tane interprets this behavior as betrayal (in "The Die is Cast" Garak says, "I never betrayed you... at least not in my heart"). Instead of blaming himself for how he raised Garak, he completely blames Garak (very Tywin Lannister-like). But some part of Tane knows Garak became unstable, he just doesn't believe in showing empathy.

The DS9 writers did such a fantastic job with the Tane character. As far as Tane was concerned, regardless of whether or not Garak intended to betray him, his actions resulted in what is "technically" betrayal; so he was exiled as punishment (but not put to death since he really wasn't a traitor). The entire thing is just amazing writing; even though I didn't figure it out, I'm so glad the writers never explained themselves. It just seems so fitting for a story about Garak's history: here's the information, it's up to you to figure it out.
Wed, Feb 19, 2014, 8:49pm (UTC -5)
4 stars and a turtle! (:
Tue, Jul 1, 2014, 7:02am (UTC -5)
My personal favorite DS9 episode!

Anything centered around Garak is going to get high marks from me. Such an outstanding character.

I think SF Debris reviews this episode best, especially the reasoning behind the last "version" Garak gave Bashir for why he was exiled.

(I tried to include a link to the vid, but I guess you can't do that)

Garak's final version of why he was exiled includes the location of the retired Enabran Tain. The only one that could save Garak. So, as Garak does so well, he got Bashir to do exactly what he wanted him to do without asking him.

Bashir's commitment to Garak is commendable.

We are introduced to the "Obsidian Order" and meet another outstanding reoccurring character in DS9 - Tain.

Then of course, this historic exchange between Bashir and Garak at the end.

"BASHIR: You gave me answers, all right, but they were all different. What I want to know is of all the stories you told me, which ones were true and which ones weren't?
GARAK: My dear Doctor, they're all true.
BASHIR: Even the lies?
GARAK: Especially the lies."

That's so "Garak".

5 out of 4 stars for me.
Thu, Nov 13, 2014, 10:28am (UTC -5)
I love it. Well-acted, complex, engrossing and thought-provoking. Garak is a fascinating person, a maze of mysteries and contradictions hidden behind a facade of shrewd self-discipline. The writers revealed just enough information to make the episode work, using his character to maximum effect without sacrificing what makes him special.

While I always liked Garak, this was the first time I didn't DISlike Bashir's character in an episode. He is pretty much all Garak has as far as friends go on this station. Bashir understands this and does everything he can to help. That is an admirable quality.
Sun, Jan 11, 2015, 11:26am (UTC -5)
Ever since TNG I didnt like the Cardassians. They seemed very bland alien of the week bent on evil blah blah blah. Even most of the epsoides of the bajorian resistance fighting the Cardassians I always found bland. However Garrek & Tain have changed my mind on the while race. Hell even Du kut gets very interesting. If there was a series of just the politics of Cardassia id give it a shot. They really fleshed it out & the Obsidian Order came across as both brutal & gentle. If that makes sense. I think the look of race always made me think of them as clunky & chuncky. But DS9 really made me appreciate the characters. Good stuff.
Brian S
Mon, Jan 12, 2015, 5:42pm (UTC -5)
@Asian James - "Interestingly enough, my girlfriend (who is watching DS9 for the first time) disagrees. She thought it was pointless since it didn't progress the story at all. The frustration came about when she was left with not having learned anything about Garak. I told her that she learned more than she thinks..."

You're right. I don't remember how I felt when I first watched this episode in its original airing 20 years ago, but going back and watching them all now, this episode is concrete evidence to me of something that none of the other Star Trek series did particularly well.....establishing back story for use in later arcs.

Most Star Trek episodes throughout the entire franchise provide little to no foreshadowing. Sure, later episodes might draw upon earlier ones, and one early season plot might lead to a series of events later in that same season, but in general this kind of long-arching development that I loved about DS9 and am appreciating even more now. Other Trek iterations paint one picture in an episode, then later episodes would build on that picture and maybe add in some minor details. DS9 paints the details, then fills in the picture later. It just requires some patience and delayed gratification to get the rest filled in.

I know I'm responding to your post 2 years after the fact, so I can only presume the two of you finished watching the series by now (if you're still even together-LOL). But this episode was arguably one of the best at providing the outer details, while leaving the rest of the picture to be filled in later (or at least more of the picture, since you never see the whole thing). The biggest question I have is whether the writers had a set backstory for Garak that they purposefully intended to flesh out over time, or if this episode was done as a way to leave them some creative wiggle room that they could more easily play with in the future. Either way, it was brilliantly done.

The exchange between Bashir and Garak identifies this beautifully, and provides an awesome writer's wink at people like your girlfriend who feel they didn't learn anything about Garak. That exchange might as well have gone....

VIEWER: The story was pointless. We didn't learn anything truthful about Garak.
DS9 WRITERS: My dear Viewer, everything in that episode about Garak was true.
VIEWER: Even the lies?
DS9 WRITERS: *Especially* the lies!

And that is the truth. The actual truth is only a matter of perspective (a recurring theme itself throughout the series). What matters in this episode are the details, which Garak keeps imploring Bashir (and us!) to pay attention to.....

You learn that he DID work for the Obsidian Order. You see the first signs of his relationship with Tain, and Tain's with Garak. You see that he wasn't just a spy, but a very important and powerfully connected one.

And while you can't actually fully believe what Garak says, given Garak's penchant for fabricating lies out of the truth (including his explicit statement that his lies ARE the truth) and given the number of actions he takes throughout the series *against* the Cardassian Empire, and his general lack of any animosity and even some empathy for the Bajoran people, I think one can reasonably infer that his "lies" about his actions on Bajor in this episode (especially since all 3 of his own stated reasons for exile involve some variation of NOT killing Bajoran resistance fighters when he had the chance) probably bore some measure of truth to them. The specific reason for his exile is trivial. It's probably enough to assume that he simply engaged in some compassionate behavior during the Occupation in violation of a brutal directive from the Order (likely something involving either innocent civilians or children), and that his disobedient act in betrayal of his duty was enough to get him exiled. As Tain alludes to in this episode, if he *really* wanted Garak killed, it probably would have been done....which also offers a foreshadow on Tain's "fondness" for Garak.
Sat, Feb 14, 2015, 8:45am (UTC -5)
Just watched it for the first time. And I agree, it's up there with Duet as an indisputably great episode of the series. There's more to say about Garak, but I need to think about it. But I needed to say, wow. That was wonderful drama.
Mon, Feb 16, 2015, 7:36pm (UTC -5)
I have always liked Andrew Robinson, but it took me a while to warm up to Garak, he was not a favorite of mine, like Quark. Loved the actors, but not the characters. I did warm up to Garak, but never Quark.
Mon, May 18, 2015, 11:34am (UTC -5)
There have been a lot of interesting comments posted here on this episode, always one of my very favorite for DS9. I would suggest that any of you Garak lovers out there pick up a copy of the book called "A Stitch in Time" written by Andrew Robinson, the actor who played Garak in the show. It is quite simply the very best Star Trek novel ever written and gives a fascinating perspective of Garak's entire life both before and after the events of the series.
Tue, Jun 23, 2015, 9:41am (UTC -5)
I'm surprised that out of all the comments about this episode nobody mentioned how this episode tackled drug addiction. I find that to be one of the many great aspects of the episode. Many people start doing drugs or any substance just to numb whatever pain they have. Then they continue to do more and more until they are physically addicted. They also show Garak going through withdrawals in a realistic way. I know most fans will mainly like talking about what we learn or don't learn about Garak's past but I think the drug withdrawal aspect should get more appreciation and discussion. Here are some other things I took away from the episode.

This is a story about garak and Bashir mostly but for contract reasons the writers had to give the rest of the cast things to do. But the one scene with Kira at the beginning is so stupid. She comes out of nowhere and says "what was that all about@ First of all she is too far away to hear garak and Bashir talking and Kira couldn't care less that garak and Bashir were having a spat. It was so out of chracter and cheesy.

I did like how Bashir stood up to Odo and wouldn't allow Odo to interrogate Garak. It's always nice when a doctor on Star Trek uses their authority. Everyone knows that even though they are "just" a doctor they are given the authority to order anyone including security or the commanding officers if they feel its medically necessary. And I liked how Odo acknowledged Bashirs authority over him in this matter.

As for Dax she is getting on my last nerve. She comes across as arrogant a lot and in this episode comes across as rude. She tells Bashir that he isn't really friends with Garak. I'm sorry but if you eat lunch with someone once a week talking about art and literature for two years then you are friends. Dax comes across as either mean or an android. And unfortunately she doesn't get any better throughout the series.

Great episode. Deserved 4 stars if any episode does.

Nathan B.
Sat, Jul 18, 2015, 1:25pm (UTC -5)
Great episode, great review, and many great comments! Garak is probably my favourite character, and any episode centered around him is a standout.
William B
Fri, Aug 14, 2015, 9:21am (UTC -5)
4 stars, definitely. I'll see about writing something at some point, hopefully....
Wed, Sep 16, 2015, 3:28am (UTC -5)
If I were to rate the episode I would rate the acting 4 and the story 3. I am like Jammer in this aspect: When expectant mothers go into labor,its all the same, sweating, pain, pushing, etc. It gets old fast. When one friend gets addicted to alcohol or drugs, the other friend stays and helps the other friend through it, shakes or tremors, vomiting, insults, pain. Now Garak was not on drugs in the traditional sense, but he was going through withdrawal just the same, and Bashir stuck with him like the good friend. It gets old.

I initially had a problem with Garak lying so much but after the third season this had changed.
Diamond Dave
Sun, Nov 15, 2015, 6:29am (UTC -5)
A bold episode, concentrating so much on what is essentially a bit-part character. But the strength of the writing and the strength of the performances combine to give a heady cocktail of intrigue, truth and lies that is utterly compelling.

Despite the bravura performance of Garak, it's actually almost as satisfying to note that Bashir is also becoming a character that can carry these stories too. And introducing Enabran Tain only adds to the layers - his one scene is a tour de force.

Smashed out of the park. 4 stars.

Mon, Dec 21, 2015, 5:27pm (UTC -5)
Four stars, if only for being, to my knowledge, the only time a Star Trek character has pronouced the workd either as /ee/ rather than as /eye/.
Tue, Jan 5, 2016, 12:46am (UTC -5)
Just re-watched this episode fir first time in long time and I could be wrong but I don't think Sisko even made an appearance in this episode. I hadn't realised that before and can't thin of any other episode if that also being the case. I flicked back through it but I'm sure he didn't?

Does anybody know if this was only episode? I'm quite surprised I didn't remember that or notice it before. Unless I'm completely wrong and made a quick show without me realizing.
Tue, Jan 5, 2016, 12:51am (UTC -5)

Seconds after I posted this I remembered he made an appearance for a few seconds when Bashir was giving him a hypospray after shouting at admirals.

But it's still interesting to see an episode without main character.

I can't think of any other episodes where he didn't show or only made a very small/token appearance, or more likely my I just have shit recall memory as usual.

Can anybody enlighten me?
Tue, Jan 5, 2016, 9:36am (UTC -5)
I don't think the Captain is ever completely not present. But occasionally, especially in DS9, he is sidelined.

In TNG Picard has only one line in "Thine Own Self"... the A story is a solo Data adventure and the B story is Troi/Riker.

In DS9 there is plenty of episodes where he does very little. Off the top of my head "Who Mourns For Morn" I think he only gets 1 or 2 small scenes. He's also barely in "Little Green Men", "Honor Among Thieves" and "Par'Mach".
Sat, Mar 5, 2016, 7:48am (UTC -5)

I'm pretty sure Avery Brooks is the only actor to appear in all episodes of "Deep Space Nine".

That being said, I don't think he's intended to be the, quote unquote, "main character." In all the other Trek series, the captain is obviously the starring role. But here on DS9, he's in more of a "first among equals" position in terms of screen time. When an episode requires the CO to be present, he'll be there. When one focuses on his character specifically, he'll be there. But when the story doesn't really involve Sisko, he won't be that prominent.

In a way, that's very in keeping with the original concept of the show. TOS was sold as a Western in space, a "Wagon Train to the Stars." In a show like that, obviously you're going to have a main character that gets most of the attention - which is how Kirk was treated. Picard, Janeway and Archer are all treated the same way. DS9, however, was intended to be a different kind of Western in space. Instead of a show focused on the cavalry exploring or patrolling the frontier, it would be the story of town set on the frontier. In a show like that, Sisko could best be described as either the town sheriff or mayor. When the story calls for the sheriff or mayor to be involved, he will be. But he's not essential to all the stories that could be told in such a setting.
Sat, Mar 5, 2016, 7:51am (UTC -5)
This is as close to perfection as we're probably ever going to get out of Trek from a pure bottle show. And that's what "The Wire" is, a bottle show. Aside from a few transporter effects, there aren't any special effects in this entire episode. The only new set-piece is Enabran Tain's house, which I assume wouldn't have cost that much to design. Usually bottle shows aren't that great, but this time they took the time to really dig in deep and explore one of the most complex characters on the show. Nicely done.

There's not really much story to the episode - Garak is dying and Bashir tries to save his life, that's pretty much all there is too it. But Andrew Robinson takes the material and really knocks it out of the park, acting wise. The scene where he's telling his second lie to Bashir about his past (the one where he says that he was exiled for letting some Bajoran prisoners escape) is amazing. For an entire act of the show it's basically just two men talking in a room (at one point it's just Robinson talking for quite a while) and yet it's riveting. And Jammer is right that Alexander Siddig shouldn't be overlooked either. "The Wire" really is a huge stepping stone for his character away from the annoying little tit he started out as and the more nuanced one he becomes. Add into the mix some nice world-building - the introduction of the Obsidian Order and Enabran Tain - and you've got a real winner.

One aspect I absolutely loved was that Garak's problem with the implant is basically an allegory for drug addiction. What made that so great was Bashir's reaction to it. There was no moralizing, no preaching, no looking down the nose at Garak for it. Bashir basically says "I'm your doctor and we'll get you through this." Bravo! If only more people would respond to people suffering from drug addiction that way.

As for Garak's lies, I like to think (though I have no evidence for this) that Garak actually did tell Bashir the truth about his past, spread out over the course of all the different stories. If I recall correctly, we never find out exactly why Garak was exiled. But we do learn that Tain somehow felt betrayed by him. The one thing that remains constant throughout the three different lies he tells here is the involvement of the Bajoran prisoners. So, it's my opinion that he did let them go in a moment of weakness and Tain felt personally betrayed by that act and so exiled him. And that would fit Garak perfectly, telling the truth but never connecting the dots for anybody.

The only thing that holds "The Wire" back from a perfect score are the scenes between Bashir and Odo where they spy on Quark. Again Odo shows some rather disturbingly fascistic tendencies. He regularly monitors all of Quark's transmissions? Kind of creepy! He has a monitoring device installed in Quark's without his knowledge or consent? Kind of creepy! He and Bashir watch Quark without his knowledge? Kind of illegal! Especially since Quark doesn't actually commit any crime here; he's just employing unofficial channels to get Garak a new implant.

Sat, Apr 29, 2017, 6:21pm (UTC -5)
One of my very favorite DS9 episodes, provides so much food for thought.

[Full disclosure, I'm now mid-S3, being quite late to the party, and I've not read A Stitch in Time, either, so I don't have too much trouble limiting my comment to my initial impression of the episode without later canon or fanon influencing my view of the situation]. I won't reiterate what everyone else has said above - I agree with practically all of it - but the one thing that I haven't seen anyone mention about Garak's stories is what I found the most revealing about his character, which is the fact that in all three versions he tells, 'Elim' is someone close to him who ends up being pivotal to the situation, whether by dying an thus being betrayed by Garak, or else doing it to Garak in return. This, to me, is especially significant after we learn that Elim and Garak are the same person - whatever the sequence of events that led to his exile from Cardassia and his 'betrayal' of Tain, they to me are bookended and/or even eclipsed by the fact that Garak feels he's betrayed/hurt HIMSELF through those actions. It left me thinking that the crux of the situation was rooted in him having to choose between doing what was expected of him for Cardassia/Tain and his own conscience (which I very firmly think he does have, in spite of his cold-bloodedness in most situations), and that his betrayal of his own conscience ultimately led to his betrayal of Tain and Tain's vision of Cardassia (which I don't think Garak shared anymore by the time we meet him at DS9). No doubt either or both of these situations was tied to Bajorans in some way in his custody, and therefore demonstrating the truth hidden in his lies to Bashir.
Peter G.
Sat, Apr 29, 2017, 11:50pm (UTC -5)
An excellent observation, BoxyP.
Sun, May 7, 2017, 11:32pm (UTC -5)
Read A Stitch in Time immediately if you care at all about getting to the heart of the mystery that is Elim Garak!


Garak's exile didnt have anything to do with the occupation of Bajor. He was in love with a married woman and had an illicit affair with her against Tain's explicit orders (Tain of course was also his father) . He ended up killing her husband after he found out and abducted Garak. He also innadvertantly killed Dukat's father during an unofficial Obsidian Order interrogation both of which led to his exposure to the Central Command, who ultimately exiled him.
Thu, Jul 27, 2017, 10:20pm (UTC -5)
This is one of those episodes that come along every once in a while that is more of a dry academic character study and therefore isn't all that entertaining or involving keeping the audience at bay--or at least this audience member. I prefer character truths to be revealed in a more natural way than coming across as a character in a Petri dish
Fri, Jul 28, 2017, 11:56am (UTC -5)

Yeah, well it's definitely low budget and could be considered a bottle episode. The one thing I will point out is that we never really know exactly what we learned from Garak in this episode, but it nevertheless brings out a ton of interesting stories in the series (eg. "Improbable Cause"). Your enjoyment will depend heavily on your opinion of Robinson's performance, but for what it's worth I consider this a great break-out episode for the man.
Tue, Aug 15, 2017, 6:53pm (UTC -5)
Most excellent episode. I had been getting a bit tired of Garak prior to this with his little hints and murmurs, which i found tedious; this episode played it perfectly. He reveals a bit, then a bit that seems different, a bit more--and then it turns out to be all true. I immediately thought as Blake W. pointed out--that Garak had told the truth with every story and it showed his journey to exile.

I LOVED Tain--I thought Paul Dooley struck the perfect note. He is apparently quite the murderous villain (or maybe not--we aren't quite sure what the Obsidian Order did) but he is definitely one of those people who has information coming to him from everywhere. He was scary without being diabolical.

I absolutely LOVED that he didn't make Bashir beg for the cure--some sorts of villains would toy with him just for the fun of it--Tain isn't that type. Based on the credits we'll see Tain again--that makes me glad.

Stunning performances in a stunning episode.

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